Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Mass MoCA, North Adams, Massachusetts, May 27, 2017–2020

While the use of cutting-edge technology has become increasingly common in contemporary art, it often comes at a price. Slick display of digital technology can easily overshadow content and turn a work of art into gimmick—novel entertainment, at best. Laurie Anderson is arguably the most prominent among the handful of artists today who are aware of this challenge. Building on the legacy of Nam June Paik’s pioneering contributions to what is now called new media, Anderson has passionately... Full Review

August 2, 2019
Thumbnail
Lyndon K. Gill
Durham, NC: Duke University Press, 2018. 312 pp.; 16 color ills.; 20 b/w ills. Paper $26.95 (9780822368700)

Toward the end of the last chapter of Erotic Islands, Lyndon K. Gill reflects on the benefits and challenges of “queer ethnography” as a methodology. According to the author, situating the speaking subjects of ethnography is necessary in order to both highlight the “experiential specificity” of the ethnographer’s lived time in the field (213) and to avoid turning ethnographic subjects into “representational abstractions” (215) that overlook the internal dynamism and fluid nature of... Full Review

August 1, 2019
Thumbnail
Caroline Campbell, Dagmar Korbacher, Neville Rowley, and Sarah Vowles, eds.
Exh. cat. London and New Haven, CT: National Gallery in association with Yale University Press, 2018. 304 pp.; 275 ills. Cloth $50.00 (9781857096347)
National Gallery, London, October 1, 2018–January 27, 2019; Gemäldegalerie, Berlin, March 1–June 30, 2019

Discussion of the interplay between the North Italian Renaissance painters Giovanni Bellini and Andrea Mantegna has been a staple of art historical literature, yet this exhibition—Mantegna & Bellini, on view at the National Gallery in London, October 1, 2018–January 27, 2019—was the first to put the two artists toe-to-toe, with their achievements in direct confrontation. It’s not an easy call. These two brilliant artists, joined by family ties and a shared geography, are often... Full Review

July 31, 2019
Thumbnail
Jeffrey F. Hamburger, Eva Schlotheuber, Susan Marti, and Margot E. Fassler, eds.
2 vols. Düsseldorf: Aschendorff Verlag, 2016. 1440 pp. Hardcover $229.00 (9783402130728)

Upon first encounter, this book is impressive. The size, weight (nineteen pounds), and price of the two volumes of Liturgical Life and Latin Learning at Paradies bei Soest, 13001425, as well as the reputations of the authors, heighten reader expectation. Using an understudied liturgical manuscript of high quality as their focal point, this multidisciplinary team sets out to describe and analyze manuscript production and use at the Dominican monastery Paradies during the late... Full Review

July 29, 2019
Thumbnail
Estelle Blaschke
Leipzig, Germany: Spector Books, 2016. 224 pp. Paper €32.00 (9783944669632)

In the first line of her book Banking on Images: The Bettmann Archive and Corbis, Estelle Blaschke describes William Henry Fox Talbot not as an inventor of photography but, more precisely, as “the inventor of photographic reproducibility.” Today Talbot is firmly ensconced in photographic history as a creator and author of unique photographic objects and publications, which are now prized as material testaments to his individual aesthetic and technical contributions to a new medium.... Full Review

July 26, 2019
Thumbnail
Margaret S. Graves
Oxford: Oxford University Press, 2018. 352 pp.; 125 ills. Cloth £55.00 (9780190695910)

The elevation of quotidian objects through technical virtuosity has long been considered a quintessential feature of Islamic visual culture. Accordingly, historians of Islamic art have investigated objects’ potential to accrue shifting meanings, generate affiliations across cultures, and communicate complex rhetorical messages. Rarely, however, have medieval Islamic objects received treatment as constitutive—and even generative—elements of intellectual trends in their own right. Margaret... Full Review

July 25, 2019
Thumbnail
Gary Garrels, ed.
Exh. cat. San Francisco and New Haven, CT: SFMoMA and Yale University Press, 2018. 272 pp.; 230 color ills. Cloth $60.00 (9780300234213)
San Francisco Museum of Modern Art, December 15, 2018–March 31, 2019; the Art Gallery of Ontario, Toronto, May 4–August 5, 2019; and Metropolitan Museum of Art, New York, September 24, 2019–January 12, 2020

Alongside modernism’s medium specificity arose a historical distinction between “higher” and “lower” forms, attendant to those media. In such accounts, certain media are presented as agents of distraction and spectacle, others as vessels for sustained attention. That is: the oil painting or the TV set, presented in stark contrast. As scholars have dismantled such essentializing of medium, a critical preference for the subjectivities of modernism persists—a rapt and purified... Full Review

July 24, 2019
Thumbnail
Katie Hornstein
New Haven, CT: Yale University Press, 2018. 208 pp.; 100 color ills.; 46 b/w ills. Cloth $70.00 (9780300228267)

In Picturing War in France, 1792–1856, Katie Hornstein examines four distinct phases of the history of the representation of warfare in France, beginning with works made during the revolutionary wars and the First Empire, through the Bourbon Restoration and the July Monarchy, and culminating in the visual culture of the Crimean War of 185356. In four impressively researched and eloquently written main chapters, the author examines the viewing experience of contemporary... Full Review

July 22, 2019
Thumbnail
Alison Isenberg
Princeton, NJ: Princeton University Press, 2017. 432 pp.; 43 color ills.; 115 b/w ills.; 158 ills. Cloth $37.50 (9780691172545)

If books were buildings, then recent scholarship on urban development in the post–World War II United States would make a dense city indeed. And those works have offered an ever-widening range of assessments of the nature, shape, costs, and benefits of postwar redevelopment. Over the last decade, historians have looked beyond the roles of architects and planners; considered development practices that crossed municipal and national borders; and sought to escape analytical frameworks built... Full Review

July 18, 2019
Thumbnail
Lynda Nead
New Haven, CT: Yale University Press, 2017. 416 pp.; 190 ills. Cloth $45.00 (9780300214604)

In Britain, contradictions characterized the decade and a half following the Second World War. The country, looking to rebuild itself, kept one eye on tradition and continuity, and even resorted to a nostalgia for the Victorian past. The other eye looked toward a clean start, to the innovative, to the modern. In order to convey this entangled “structure of feeling,” Lynda Nead—explicitly building on the gloss that Raymond Williams gave this phrase—makes the brilliant choice of organizing... Full Review

July 15, 2019
Thumbnail