Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Kristine Khouri and Rasha Salti, eds.
Exh. cat. Warsaw: Muzeum Sztuki Nowoczesnej, 2018. 330 pp.; 16 color ills.; 52 b/w ills. Paper $29.00 (9788364177446)
Museu d’Art Contemporani de Barcelona, February 20–June 1, 2015; Haus der Kulturen der Welt, Berlin, March 18–May 9, 2016; Museo de la Solidaridad Salvador Allende, Santiago, Chile, April 7–August 12, 2018; Sursock Museum, Beirut, July 27–October 1, 2018

Kristine Khouri and Rasha Salti’s exhibition Past Disquiet and its accompanying catalog of essays and documents is the result of ten years of research into neglected histories of international solidarity. Their research brings to light a dynamic, sprawling network of Cold War “grassroots cultural diplomacy” projects (57) that often developed independently or at arm’s length from the state. During the 1960s–90s, cultural workers found common cause in anti-imperialist struggles and... Full Review

September 9, 2019
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François Brunet
Paris: Presses Universitaires de France, 2017. 400 pp.; 33 b/w ills. Paper €27.00 (9782130654322)

Editor’s note: François Brunet, the author of the book under review, passed away unexpectedly on December 25, 2018. Didier Aubert, Brunet’s first doctoral student, wrote this review and commemoration. While caa.reviews upholds firm conflict of interest guidelines that prevent the commissioning of reviews where there might be a personal or professional connection between reviewer and reviewee, here we made an exception in order to acknowledge Brunet’s significant... Full Review

September 6, 2019
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Henk van Nierop
Amsterdam: Amsterdam University Press, 2018. 452 pp.; 123 b/w ills. Cloth €99.00 (9789462981386)

Two themes dominate this premier biography of the Dutch Golden Age celebrity Romeyn de Hooghe: art and ambition. De Hooghe was a prolific and successful graphic artist who produced a wide and diverse array of etchings, engravings, prints, paintings, sculptures, and emblem books and medals, many of whose images are virtually synonymous with the culture of the late Golden Age and can be found in nearly every textbook on the subject. Such were De Hooghe’s skills that the stadtholder-king... Full Review

September 5, 2019
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Andrew H. Chen
Amsterdam: Amsterdam University Press, 2018. 325 pp.; 13 color ills.; 66 b/w ills. Cloth $115.00 (9789462984684)

Flagellant sodalities originated in 1260 following the tumultuous processions of self-scourging lay penitents who, enflamed by the charismatic Fra Raniero Fasani of Perugia, beseeched God for peace and mercy. Their number significantly increased throughout the fourteenth and fifteenth centuries, as flagellation became a structured lay male ritual enacted in both private confraternal spaces and public processions. From the later quattrocento, flagellation in large part was no longer a... Full Review

September 4, 2019
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Gilbert Vicario, ed.
Exh. cat. Phoenix and Munich: Phoenix Art Museum in association with Hirmer Publishers, 2019. 248 pp.; 132 color ills. Cloth $50.00 (9783777431925)
Steele Gallery, Phoenix Art Museum, March 9–September 8, 2019; New Mexico Museum of Art, Santa Fe, October 5, 2019–January 5, 2020; Whitney Museum of American Art, New York, March 13–June 21, 2020; Palm Springs Art Museum, Palm Springs, CA, August 1–November 29, 2020
North Wing, American Galleries, Phoenix Art Museum, March 30–December 15, 2019

“The Art-form which is form-of-power does not say anything, it Does something to you,” wrote modernist composer, astrologer, and painter Dane Rudhyar nearly a decade before he joined the Transcendental Painting Group (TPG) in Santa Fe, New Mexico (Art as Release of Power, Hamsa, 1929). Agnes Pelton: Desert Transcendentalist is the latest ambitious example of a growing fascination with esoterically inspired art that attempted to compel an active, dynamic spirituality... Full Review

August 30, 2019
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In 1980, artists Christo and Jeanne-Claude were invited to Miami to consider completing a work for the New World Festival of the Arts, a large-scale festival spanning the visual and performing arts during the summer of 1982. Their visit would connect them to Miami’s nascent art scene and inspire their self-funded project Surrounded Islands, completed in May 1983, for which the artists transformed Biscayne Bay by surrounding eleven islands with a pink polyethylene fabric. Bridging... Full Review

August 29, 2019
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Kishwar Rizvi, ed.
Arts and Archaeology of the Islamic World, vol. 9. Leiden, the Netherlands: Brill Academic Publishers, 2017. 224 pp.; 94 ills. Cloth $140.00 (9789004340473)

Attention to structures of patronage in the creation of works of art and architecture has furthered our understanding of the sociopolitical context of material culture in the Islamic world. However, this approach has also overshadowed questions of materiality and a more comprehensive range of human-object relationships. In an attempt to redress this imbalance, scholars have increasingly pushed the roles of the artist, the audience, and the multisensorial experience of spaces and objects to... Full Review

August 28, 2019
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Stephen F. Eisenman
Exh. cat. Princeton, NJ: Princeton University Press, 2017. 248 pp.; 137 color ills. Cloth $45.00 (9780691175256)
Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL, September 23, 2017–March 11, 2018

William Blake and the Age of Aquarius at Northwestern University’s Block Museum, curated by Stephen F. Eisenman, is a both learned and highly accessible look at the surprisingly broad influence that William Blake exerted on American artists in the 1960s. By focusing on Blake’s impact, Eisenman manages to present the sixties in a critical light, largely free of the tired nostalgia that usually accompanies the turbulent era. As Eisenman notes in the accompanying catalogue, the term... Full Review

August 16, 2019
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John P. Jacob and Luke Skrebowski
Exh. cat. London: D. Giles Limited in association with Smithsonian American Art Museum, 2018. 252 pp.; 174 ills. Cloth $59.95 (9781911282334)
Smithsonian American Art Museum, Washington, DC, June 21, 2018–January 6, 2019; Museum of Contemporary Art San Diego, La Jolla, CA, February 22–June 2, 2019

For over two decades the artist and experimental geographer Trevor Paglen has given form to visually elusive subjects, from black-op military bases hidden in Nevada deserts and spy satellites encircling the earth to NSA-tapped fiber optic cables on the Pacific Ocean floor. The Smithsonian American Art Museum... Full Review

August 15, 2019
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William Chapman Sharpe
New York: Oxford University Press, 2017. 440 pp.; 113 color ills.; 42 b/w ills.; 155 ills. Cloth $74.00 (9780190675271)

Is a shadow a “physical event” or a “matter of perception? A thing or an absence of something?”(7). In Grasping Shadows: The Dark Side of Literature, Painting, Photography, and Film, William Chapman Sharpe argues that the shadow—a phenomenon as illusory and mysterious as it is tangible and commonplace—is a crucial motif employed by artists and writers seeking to express humanity’s relationship to the “unseen.” In this ambitious feat of interdisciplinary criticism, Sharpe... Full Review

August 14, 2019
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