Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Henk van Nierop
Amsterdam: Amsterdam University Press, 2018. 452 pp.; 123 b/w ills. Cloth € 99.00 (9789462981386)
Two themes dominate this premier biography of the Dutch Golden Age celebrity Romeyn de Hooghe: art and ambition. De Hooghe was a prolific and successful graphic artist who produced a wide and diverse array of etchings, engravings, prints, paintings, sculptures, and emblem books and medals, many of whose images are virtually synonymous with the culture of the late Golden Age and can be found in nearly every textbook on the subject. Such were De Hooghe’s skills that the stadtholder-king... Full Review
September 5, 2019
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Andrew H. Chen
Amsterdam: Amsterdam University Press, 2018. 325 pp.; 13 color ills.; 66 b/w ills. Cloth $ 115.00 (9789462984684)
Flagellant sodalities originated in 1260 following the tumultuous processions of self-scourging lay penitents who, enflamed by the charismatic Fra Raniero Fasani of Perugia, beseeched God for peace and mercy. Their number significantly increased throughout the fourteenth and fifteenth centuries, as flagellation became a structured lay male ritual enacted in both private confraternal spaces and public processions. From the later quattrocento, flagellation in large part was no longer a... Full Review
September 4, 2019
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Gilbert Vicario, ed.
Exh. cat. Phoenix and Munich: Phoenix Art Museum in association with Hirmer Publishers, 2019. 248 pp.; 132 color ills. Cloth $50.00 (9783777431925)
Steele Gallery, Phoenix Art Museum, March 9–September 8, 2019; New Mexico Museum of Art, Santa Fe, October 5, 2019–January 5, 2020; Whitney Museum of American Art, New York, March 13–June 21, 2020; Palm Springs Art Museum, Palm Springs, CA, August 1–November 29, 2020
North Wing, American Galleries, Phoenix Art Museum, March 30–December 15, 2019
“The Art-form which is form-of-power does not say anything, it Does something to you,” wrote modernist composer, astrologer, and painter Dane Rudhyar nearly a decade before he joined the Transcendental Painting Group (TPG) in Santa Fe, New Mexico (Art as Release of Power, Hamsa, 1929). Agnes Pelton: Desert Transcendentalist is the latest ambitious example of a growing fascination with esoterically inspired art that attempted to compel an active, dynamic spirituality... Full Review
August 30, 2019
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In 1980, artists Christo and Jeanne-Claude were invited to Miami to consider completing a work for the New World Festival of the Arts, a large-scale festival spanning the visual and performing arts during the summer of 1982. Their visit would connect them to Miami’s nascent art scene and inspire their self-funded project Surrounded Islands, completed in May 1983, for which the artists transformed Biscayne Bay by surrounding eleven islands with a pink polyethylene fabric. Bridging... Full Review
August 29, 2019
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Kishwar Rizvi, ed.
Arts and Archaeology of the Islamic World, vol. 9. Leiden, the Netherlands: Brill Academic Publishers, 2017. 224 pp.; 94 ills. Cloth $140.00 (9789004340473)
Attention to structures of patronage in the creation of works of art and architecture has furthered our understanding of the sociopolitical context of material culture in the Islamic world. However, this approach has also overshadowed questions of materiality and a more comprehensive range of human-object relationships. In an attempt to redress this imbalance, scholars have increasingly pushed the roles of the artist, the audience, and the multisensorial experience of spaces and objects to... Full Review
August 28, 2019
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Stephen F. Eisenman
Exh. cat. Princeton, NJ: Princeton University Press, 2017. 248 pp.; 137 color ills. Cloth $45.00 (9780691175256)
Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL, September 23, 2017–March 11, 2018
William Blake and the Age of Aquarius at Northwestern University’s Block Museum, curated by Stephen F. Eisenman, is a both learned and highly accessible look at the surprisingly broad influence that William Blake exerted on American artists in the 1960s. By focusing on Blake’s impact, Eisenman manages to present the sixties in a critical light, largely free of the tired nostalgia that usually accompanies the turbulent era. As Eisenman notes in the accompanying catalogue, the term... Full Review
August 16, 2019
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John P. Jacob and Luke Skrebowski
Exh. cat. London: D. Giles Limited in association with Smithsonian American Art Museum, 2018. 252 pp.; 174 ills. Cloth $59.95 (9781911282334)
Smithsonian American Art Museum, Washington, DC, June 21, 2018–January 6, 2019; Museum of Contemporary Art San Diego, La Jolla, CA, February 22–June 2, 2019
For over two decades the artist and experimental geographer Trevor Paglen has given form to visually elusive subjects, from black-op military bases hidden in Nevada deserts and spy satellites encircling the earth to NSA-tapped fiber optic cables on the Pacific Ocean floor. The Smithsonian American Art Museum... Full Review
August 15, 2019
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William Chapman Sharpe
New York: Oxford University Press, 2017. 440 pp.; 113 color ills.; 42 b/w ills.; 155 ills. Cloth $74.00 (9780190675271)
Is a shadow a “physical event” or a “matter of perception? A thing or an absence of something?”(7). In Grasping Shadows: The Dark Side of Literature, Painting, Photography, and Film, William Chapman Sharpe argues that the shadow—a phenomenon as illusory and mysterious as it is tangible and commonplace—is a crucial motif employed by artists and writers seeking to express humanity’s relationship to the “unseen.” In this ambitious feat of interdisciplinary criticism, Sharpe... Full Review
August 14, 2019
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Tatiana Flores and Michelle Ann Stephens, eds.
Exh. cat. Long Beach, CA: Museum of Latin American Art in association with Fresco Books / SF Design LLC and Duke University Press, 2017. 352 pp.; 200 color ills. Paper $50.00 (9781934491584)
Museum of Latin American Art, Long Beach, CA, September 16, 2017–January 28, 2018; Wallach Art Gallery, Columbia University, New York, June 1–September 23, 2018; Sugar Hill Children's Museum of Art and Storytelling, New York, June 28–September 23, 2018; Patricia & Phillip Frost Art Museum, Miami, October 13, 2018–January 13, 2019; Portland Museum of Art, Portland, OR, February 1–May 5, 2019; Delaware Art Museum, Wilmington, June 22–September 8, 2019
Consider visual art as a unique mode of communication capable of bridging the multicultural and multilingual Caribbean islands. Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, an exhibition catalogue coedited by Tatiana Flores and Michelle Ann Stephens (curator of and advisor to the exhibition, respectively), suggests precisely this. Through engaging Caribbean literature and theory, they suggest that visual artwork (here including installation art,... Full Review
August 9, 2019
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Nevada Museum of Art, Reno, April 29, 2016–May 12, 2019
“I need my space” proclaims the slogan on today’s ubiquitous NASA-themed T-shirts and hoodies, seen at popular stores like Target, Urban Outfitters, and Forever 21. This catchy phrase also adorns lunch boxes, coffee mugs, stickers,... Full Review
August 8, 2019
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