Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Tatiana Flores and Michelle Ann Stephens, eds.
Exh. cat. Long Beach, CA: Museum of Latin American Art in association with Fresco Books / SF Design LLC and Duke University Press, 2017. 352 pp.; 200 color ills. Paper $50.00 (9781934491584)
Museum of Latin American Art, Long Beach, CA, September 16, 2017–January 28, 2018; Wallach Art Gallery, Columbia University, New York, June 1–September 23, 2018; Sugar Hill Children's Museum of Art and Storytelling, New York, June 28–September 23, 2018; Patricia & Phillip Frost Art Museum, Miami, October 13, 2018–January 13, 2019; Portland Museum of Art, Portland, OR, February 1–May 5, 2019; Delaware Art Museum, Wilmington, June 22–September 8, 2019

Consider visual art as a unique mode of communication capable of bridging the multicultural and multilingual Caribbean islands. Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, an exhibition catalogue coedited by Tatiana Flores and Michelle Ann Stephens (curator of and advisor to the exhibition, respectively), suggests precisely this. Through engaging Caribbean literature and theory, they suggest that visual artwork (here including installation art,... Full Review

August 9, 2019
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Nevada Museum of Art, Reno, April 29, 2016–May 12, 2019

“I need my space” proclaims the slogan on today’s ubiquitous NASA-themed T-shirts and hoodies, seen at popular stores like Target, Urban Outfitters, and Forever 21. This catchy phrase also adorns lunch boxes, coffee mugs, stickers,... Full Review

August 8, 2019
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Megan Brandow-Faller, ed.
Material Culture of Art and Design. New York: Bloomsbury Visual Arts, 2018. 352 pp.; 42 b/w ills. Cloth $120.00 (9781501332029)

Childhood by Design contains a variety of essays that investigate the reasons toys exist. The design of childhood itself is examined, as well as the ways toys have helped form (and reform) our ideas about children. Commercial factors including manufacturing, marketing, and distribution have influenced toy creation and as a result the creation of children. The book also offers diverse topics, points of view, writing styles, and ideas about what an academic essay can be. In the... Full Review

August 6, 2019
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Mass MoCA, North Adams, Massachusetts, May 27, 2017–2020

While the use of cutting-edge technology has become increasingly common in contemporary art, it often comes at a price. Slick display of digital technology can easily overshadow content and turn a work of art into gimmick—novel entertainment, at best. Laurie Anderson is arguably the most prominent among the handful of artists today who are aware of this challenge. Building on the legacy of Nam June Paik’s pioneering contributions to what is now called new media, Anderson has passionately... Full Review

August 2, 2019
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Lyndon K. Gill
Durham, NC: Duke University Press, 2018. 312 pp.; 16 color ills.; 20 b/w ills. Paper $26.95 (9780822368700)

Toward the end of the last chapter of Erotic Islands, Lyndon K. Gill reflects on the benefits and challenges of “queer ethnography” as a methodology. According to the author, situating the speaking subjects of ethnography is necessary in order to both highlight the “experiential specificity” of the ethnographer’s lived time in the field (213) and to avoid turning ethnographic subjects into “representational abstractions” (215) that overlook the internal dynamism and fluid nature of... Full Review

August 1, 2019
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Caroline Campbell, Dagmar Korbacher, Neville Rowley, and Sarah Vowles, eds.
Exh. cat. London and New Haven, CT: National Gallery in association with Yale University Press, 2018. 304 pp.; 275 ills. Cloth $50.00 (9781857096347)
National Gallery, London, October 1, 2018–January 27, 2019; Gemäldegalerie, Berlin, March 1–June 30, 2019

Discussion of the interplay between the North Italian Renaissance painters Giovanni Bellini and Andrea Mantegna has been a staple of art historical literature, yet this exhibition—Mantegna & Bellini, on view at the National Gallery in London, October 1, 2018–January 27, 2019—was the first to put the two artists toe-to-toe, with their achievements in direct confrontation. It’s not an easy call. These two brilliant artists, joined by family ties and a shared geography, are often... Full Review

July 31, 2019
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Jeffrey F. Hamburger, Eva Schlotheuber, Susan Marti, and Margot E. Fassler, eds.
2 vols. Düsseldorf: Aschendorff Verlag, 2016. 1440 pp. Hardcover $229.00 (9783402130728)

Upon first encounter, this book is impressive. The size, weight (nineteen pounds), and price of the two volumes of Liturgical Life and Latin Learning at Paradies bei Soest, 13001425, as well as the reputations of the authors, heighten reader expectation. Using an understudied liturgical manuscript of high quality as their focal point, this multidisciplinary team sets out to describe and analyze manuscript production and use at the Dominican monastery Paradies during the late... Full Review

July 29, 2019
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Estelle Blaschke
Leipzig, Germany: Spector Books, 2016. 224 pp. Paper €32.00 (9783944669632)

In the first line of her book Banking on Images: The Bettmann Archive and Corbis, Estelle Blaschke describes William Henry Fox Talbot not as an inventor of photography but, more precisely, as “the inventor of photographic reproducibility.” Today Talbot is firmly ensconced in photographic history as a creator and author of unique photographic objects and publications, which are now prized as material testaments to his individual aesthetic and technical contributions to a new medium.... Full Review

July 26, 2019
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Margaret S. Graves
Oxford: Oxford University Press, 2018. 352 pp.; 125 ills. Cloth £55.00 (9780190695910)

The elevation of quotidian objects through technical virtuosity has long been considered a quintessential feature of Islamic visual culture. Accordingly, historians of Islamic art have investigated objects’ potential to accrue shifting meanings, generate affiliations across cultures, and communicate complex rhetorical messages. Rarely, however, have medieval Islamic objects received treatment as constitutive—and even generative—elements of intellectual trends in their own right. Margaret... Full Review

July 25, 2019
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Gary Garrels, ed.
Exh. cat. San Francisco and New Haven, CT: SFMoMA and Yale University Press, 2018. 272 pp.; 230 color ills. Cloth $60.00 (9780300234213)
San Francisco Museum of Modern Art, December 15, 2018–March 31, 2019; the Art Gallery of Ontario, Toronto, May 4–August 5, 2019; and Metropolitan Museum of Art, New York, September 24, 2019–January 12, 2020

Alongside modernism’s medium specificity arose a historical distinction between “higher” and “lower” forms, attendant to those media. In such accounts, certain media are presented as agents of distraction and spectacle, others as vessels for sustained attention. That is: the oil painting or the TV set, presented in stark contrast. As scholars have dismantled such essentializing of medium, a critical preference for the subjectivities of modernism persists—a rapt and purified... Full Review

July 24, 2019
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