Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Tracey R. Bashkoff
Exh. cat. New York: Solomon R. Guggenheim Museum, 2019. 244 pp.; 220 ills. Cloth $65.00 (9780892075430)
Solomon R. Guggenheim Museum, New York, October 12, 2018–April 23, 2019

The Solomon R. Guggenheim Museum’s exhibition of Swedish modern artist Hilma af Klint (1862–1944), Hilma af Klint: Paintings for the Future, was a long-overdue American showcase of af Klint’s innovations. Organized by Director of Collections and Senior Curator Tracey R. Bashkoff, Paintings for the Future notably highlighted the spiritualist beliefs that informed af Klint’s practice, as well as those of peers like Wassily Kandinsky and Piet Mondrian. Yet, while the show and... Full Review

November 6, 2019
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Heghnar Zeitlian Watenpaugh
Redwood City, CA: Stanford University Press, 2019. 436 pp.; 26 ills. Cloth $30.00 (9780804790444)

Genocide, that most horrific of crimes, does not leave untouched any fragment of human identity. Yet for genocide to succeed, it must not only extinguish individual human lives—it must erase all traces of the presence of a people, of a people’s identity. While we often focus on the human subject as victim of genocide, the vehemence with which cultural atrocities are perpetrated, and the chilling consistency with which they occur in tandem with the elimination of human lives, makes... Full Review

November 5, 2019
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Saloni Mathur and Kavita Singh, eds.
Visual and Media Histories. New Delhi: Routledge, 2015. 270 pp. Hardcover $140.00 (9781138796010)
Rebecca M. Brown
Seattle: University of Washington Press, 2017. 248 pp.; 20 color ills.; 70 b/w ills. Cloth $95.00 (9780295999944)

These two recent studies of museological and display histories in/of South Asia stand out in the fields of both art history and museum studies. The rather intriguing title of Saloni Mathur and Kavita Singh’s edited volume, No Touching, No Spitting, No Praying, is taken from a signboard at the entrance to an Indian museum that gives the code of conduct to which visitors are expected to adhere. Assumedly, the sign is intended for “unsophisticated” viewers whose everyday worlds... Full Review

November 1, 2019
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Macarena Gómez-Barris
American Studies Now: Critical Histories of the Present. Oakland: University of California Press, 2018. 160 pp. Paper $18.95 (9780520296671)

In the conclusion to Beyond the Pink Tide: Art and Political Undercurrents in the Americas, Macarena Gómez-Barris exhorts the reader to “look beyond electoral politics [of the nation-state] to strengthen already existing networks of possibility” (109). In this brief yet provocative study, she provides the reader with a model of analysis that shores up South-South linkages, privileges queer and indigenous perspectives, and denaturalizes national boundaries. Gómez-Barris champions the... Full Review

October 31, 2019
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Joanna Grabski
African Expressive Cultures. Bloomington: Indiana University Press, 2017. 328 pp.; 57 color ills. Paper $20.00 (9780253026057)

Art World City is a beautiful book. The photographs, most of which are by the author, are stunning, and all are in color thanks to support from the CAA Millard Meiss Publication Fund. In a book whose purpose is to situate a major international city and its artists into a complex... Full Review

October 30, 2019
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C. D. Dickerson III, Anthony Sigel, and Ian Wardropper
Exh. cat. New York: Metropolitan Museum of Art 432 pp.; 437 color ills.; 35 b/w ills. Cloth $65.00 (9780300185003)
Exhibition schedule: Metropolitan Museum of Art, New York, October 3, 2012–January 6, 2013; Kimbell Art Museum, Fort Worth, February 3–May 5, 2013

[See the multimedia media review on Scalar.]

Thanks to a generous grant from the Mellon-funded Alliance for Networking Visual Culture in 2013, caa.reviews was able to complete a pilot project using the Scalar multimedia digital platform to create a “book” permitting its readers to experience virtually the 2012–13 exhibition Bernini: Sculpting in Clay (in its... Full Review

October 25, 2019
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Dorothy C. Wong
Singapore: National University of Singapore Press, 2018. 366 pp.; 12 color ills.; 125 b/w ills. Cloth $52.00 (9789814722599)

Students of East Asian art are often told that the “Tang International Buddhist Art Style” or “International Buddhist Art Style” begins when the hips of Buddhist deities sway gracefully to one side (1). The voluptuous yet narrow-waisted bodies of bodhisattvas standing in contrapposto with an Indian flavor are seen as a hallmark of Chinese Buddhist art in the Tang dynasty (618–907). This figural type can be found across Japan and Korea by the eighth century, but what exactly is this... Full Review

October 25, 2019
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Kathleen Bickford Berzock, ed.
Exh. cat. Princeton, NJ: Princeton University Press, 2019. 312 pp.; 192 color ills. Cloth $65.00 (9780691182681)
Block Museum of Art, Northwestern University, Evanston, IL, January 26–July 21, 2019; Aga Khan Museum, Toronto, September 21, 2019–February 23, 2020; Smithsonian National Museum of African Art, Washington, DC, April 8–November 29, 2020

The project of recentering histories is at the core of both the exhibition and catalog Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa. When art historians speak of recentering, the contemporary art world, biennials, and online media spring to mind quite readily, but shifting perceptions can seem Sisyphean in earlier time periods. Bringing the discursive practice of recentering to fruition in an exhibition of the medieval world requires... Full Review

October 24, 2019
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Joshua Rivkin
Brooklyn: Melville House Publishing, 2018. 496 pp.; 22 b/w ills. Cloth $32.00 (9781612197180)

“This, dear reader, is not a biography. This is something, I hope, stranger and more personal,” writes Joshua Rivkin at the outset of Chalk: The Art and Erasure of Cy Twombly (10). “More personal” turns out to mean “more about the author than the subject.” The first-person pronoun abounds; the first of many occurrences of “I” is very early indeed (xiii). If “more personal” is also meant to include the reader as a personal addressee of the text, this too is prominent. “We” joins “I”... Full Review

October 21, 2019
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Norma Broude, ed.
New York: Bloomsbury Visual Arts, 2018. 328 pp.; 8 color ills.; 65 b/w ills. Paper $34.95 (9781501342509)

Gauguin’s Challenge: New Perspectives after Postmodernism, edited by Norma Broude, is an important and intriguing book published on the threshold of a worldwide examination and redefinition of social mores concerning, among other injustices, the historical depiction of indigenous and colonized women in Western art. Broude’s chosen texts both precede and prepare for, but mostly fall short of, current efforts by many to explore Paul Gauguin’s perceived status as a social pariah, an... Full Review

October 18, 2019
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