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Browse Recent Exhibition Reviews

New York: Brooklyn Museum, 2015.

Exhibition schedule: Brooklyn Museum , Brooklyn, December 12, 2014–July 12, 2015

October 8, 2015

Chitra Ganesh: Eyes of Time is a site-specific mural installation at the Brooklyn Museum of Art, Herstory Gallery, organized by Saisha M. Grayson, Assistant Curator, Elizabeth A. Sackler Center for Feminist Art. A multimedia artist known for articulating feminist and queer narratives that weave religious, mythological, and popular iconographies, Ganesh (b. 1975) was born and raised in a Hindu Indian family in Brooklyn and Queens. Her wide-ranging practice—which includes drawings, photographic digital collages, text-based works,...

Sonnet Stanfill, ed.
Exh. cat. London: Victoria and Albert Museum, 2014. 287 pp.; 250 color ills. Cloth $60.00 (9781851777761)

Exhibition schedule: Victoria and Albert Museum, London, April 5–July 27, 2014 (under the title The Glamour of Italian Fashion Since 1945); Minneapolis Institute of Art, Minneapolis, October 26, 2014–January 4, 2015; Portland Art Museum, Portland, OR, February 7–May 3, 2015; Frist Center for the Visual Arts, Nashville, June 5–September 7, 2015

October 8, 2015

The appearance of lush dresses or a cute pair of kitten heels in a museum might strike the contemporary viewer as incongruous. But why is this? By now we have become accustomed to seeing design objects displayed cheek by jowl with the hidebound mediums of painting and sculpture. The intrepid museum visitor once had to seek out the designed object, which was relegated to discrete period rooms or wholly separate sections devoted to the so-called...

Kenneth Lapatin, ed.
Exh. cat. Los Angeles: J. Paul Getty Museum, 2014. 224 pp.; 98 color ills.; 21 b/w ills. Cloth (9781606064207)
Exhibition schedule: Getty Villa, Los Angeles, November 19, 2014–August 17, 2015; Fine Arts Museums of San Francisco, San Francisco, September 19, 2015–January 10, 2016; Museum of Fine Arts, Boston, Boston, February 14–May 22, 2016; Nelson-Atkins Museum of Art, Kansas City, June 25–October 2, 2016
September 24, 2015

The Berthouville Treasure, discovered by a farmer in Normandy, France (ancient Gaul), in 1830, represents one of the largest and best-preserved collections of Roman silver to survive from the ancient world. The objects, most of which date to the second and third centuries CE, were found within the confines of a large sanctuary to the god Mercury, and functioned as votive objects. The treasure, on loan from the Département des Monnaies, médailles et antiques of...

Carol Solomon, Nadira Laggoune-Aklouche, Rachida Triki, and Farid Zahi
Exh. cat. Haverford: Cantor Fitzgerald Gallery, 2014. 63 pp.; 19 ills. Paper $30.00 (9780615407968)

Exhibition schedule: Cantor Fitzgerald Gallery, Haverford College, October 24–December 14, 2014

September 17, 2015

Billed as the “first exhibition in the United States devoted exclusively to contemporary art of the Maghreb and the Maghrebi diaspora,” Memory, Place, Desire: Contemporary Art of the Maghreb and Maghrebi Diaspora is the culmination of a year-long series of events and programs that took place during 2014 at Haverford College. Initiated by Visiting Associate Professor Carol Solomon, the program included an undergraduate curatorial praxis seminar (spring 2014), two Mellon-funded artists’ residencies (March 2014), an...

Contemporary Arts Center Gallery, School of the Arts, University of California, Irvine, 2015.

Exhibition schedule: Contemporary Arts Center Gallery, School of the Arts, University of California, Irvine, January 10–March 20, 2015
August 27, 2015

In K8 Hardy and Wynne Greenwood’s video installation New Report: Morning Edition (2005), viewers watch two female newscasters, Henry Irigaray (Hardy) and Henry Stein-Acker-Hill (Greenwood), listlessly deliver news of their everyday lives. Dressed in all black, turtlenecks topped by berets, they sport the costume of revolutionaries: the Black Panthers, Patty Hearst, Che Guevara—Audrey Hepburn, in Funny Face. Otherwise covered up, one has exposed her breast, the other her crotch, to live-feed cameras. Monitors on either...

Los Angeles County Museum of Art
Los Angeles County Museum of Art, 2015.
Exhibition schedule: Los Angeles County Museum of Art, August 30, 2014–January 31, 2015
August 20, 2015

“My name is Talky Tina . . . and I’m going to kill you.” In 1963, Morton Bartlett, a freelance commercial photographer based in Boston, carefully disassembled and packed up the dolls of children he had painstakingly made over the previous twenty-eight years. He wrapped these painted plaster creations in newspaper along with the assorted outfits and undergarments he had designed and tailored for them, interring everything in wooden crates in a locked cabinet in...

Dita Amory, ed.
Exh. cat. New York: Metropolitan Museum of Art, 2014. 168 color ills.; 24 b/w ills.; 240 ills. Cloth $45.00 (9780300208108)

Exhibition schedule: Metropolitan Museum of Art, November 19, 2014–March 15, 2015

August 13, 2015

Madame Cézanne was an unprecedented, likely once-in-a-lifetime exhibition that spotlighted Paul Cézanne’s portraits of his wife, Hortense Fiquet. Organized by Dita Amory, Acting Associate Curator in Charge and Administrator of the Robert Lehman Collection at the Metropolitan Museum of Art, the show sought to revise misconceptions, especially about the artist’s affection, or lack thereof, for his wife, and reinvigorate general and scholarly interest in this group of work. To that end, it presented twenty-four of...

Alejandro Vergara and Anne T. Woollett, eds.
Exh. cat. Los Angeles and Madrid: Getty Publications and Museo Nacional del Prado, 2014. 112 pp.; 88 color ills.; 10 b/w ills. Paper $24.95 (9781606064306)

Exhibition schedule: Museo Nacional del Prado, Madrid, March 25–June 29, 2014; J. Paul Getty Museum, Los Angeles, October 14, 2014–January 11, 2015; Museum of Fine Arts, Houston, February 15–May 10, 2015

August 6, 2015

Because the few grand tapestries of the early modern period that survive are frail and rarely exhibited, we forget that they were the most luxurious and prized of art forms among European elite, far costlier than painting or sculpture. So it is rare to encounter not one but four monumental Flemish tapestries in the remarkable exhibition Spectacular Rubens: The Triumph of the Eucharist at the J. Paul Getty Museum. The four belong to a series...

Nancy K. Anderson and Charles Brock
Exh. cat. Washington D.C.: National Gallery of Art, 2014. 212 pp.; 150 color ills. Cloth $55.00 (9781938922190)

Exhibition schedule: National Gallery of Art, Washington, DC, May 4–November 30, 2014

July 30, 2015

This exhibition and accompanying catalogue of Andrew Wyeth paintings illustrating views looking out of and through windows are the most recent examples of a sea change in scholarship on the artist. In 1977, Robert Rosenblum called Wyeth at once the most overrated and underrated artist of the twentieth century (cited in Henry Adams, “Wyeth’s World,” Smithsonian Magazine [June 2006]: 84–92). Wanda Corn has labeled the critical and academic hostility to Wyeth’s work throughout much of...

Exh. cat. Houston: Contemporary Art Museum Houston, 2013. 144 pp.; 50 color ills.; 40 b/w ills. Cloth $39.95 (9781933619385)

Exhibition schedule: Contemporary Arts Museum Houston, Houston, November 17, 2012–February 16, 2013; Grey Art Gallery, New York University, New York, September 10–December 7, 2013; Studio Museum in Harlem, New York, November 14, 2013–March 9, 2014; Walker Art Center, Minneapolis, July 24, 2014–January 4, 2015

July 30, 2015

Curated by Valerie Cassel Oliver and presented by Houston’s Contemporary Arts Museum, Radical Presence: Black Performance in Contemporary Art opened at Minneapolis’s Walker Art Center in a festival-like manner and included two densely installed museum galleries and a plethora of performances presented in the sculpture garden. At the Walker, Radical Presence featured thirty-six artists—one less than the original showing in Houston due to conceptual artist Adrian Piper’s public and controversial self-removal from the exhibition. Predominantly...