Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Browse Recent Exhibition Reviews

Stijn Alsteens and Adam Eaker
Exh. cat. New York and New Haven: Frick Collection and Yale University Press, 2016. 320 pp.; 278 color ills. Cloth $65.00 (9780300212051)
Exhibition schedule: Frick Collection, New York, March 2–June 5, 2016
Assembled from roughly forty different public and private collections, the exhibition Van Dyck: The Anatomy of Portraiture, curated by Stijn Alsteens and Adam Eaker, brought together more than one hundred paintings, drawings, and prints by Anthony van Dyck (1599–1641) and his contemporaries. Perhaps not coincidentally, the exhibition appeared exactly twenty-five years after another landmark Van Dyck show in New York—Christopher Brown’s groundbreaking The Drawings of Anthony van... Full Review
December 9, 2016
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Eva Respini, ed.
Exh. cat. New York: Museum of Modern Art, 2015. 192 pp.; 200 color ills. Cloth $55.00 (9780870709739)
Exhibition schedule: Museum of Modern Art, New York, NY, October 12, 2015–January 21, 2016; Institute of Contemporary Art, Boston, February 24–May 30, 2016; Museo Jumex, Mexico City, October 13, 2016–January 14, 2017
The catalogue accompanying Walid Raad’s eponymous survey at the Museum of Modern Art (MoMA) is a beautiful volume with extensive documentation of the artist’s oeuvre from the 1990s to today; it will undoubtedly serve as the go-to resource on the artist for years to come. Ironically, it is also colored by a set of historiographic problems that Raad himself vigorously works over in his artistic production. What does it mean that alongside a contribution by the exhibition’s curator, Eva Respini,... Full Review
November 30, 2016
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Ali Subotnick and Frances Stark, eds.
Exh. cat. Los Angeles and New York: Hammer Museum and Prestel, 2015. 248 pp.; 150 color ills. Cloth $45.00 (9783791354712)
Exhibition schedule: Hammer Museum, Los Angeles, October 11, 2015–January 24, 2016
In the earliest works featured in her mid-career survey at the Hammer Museum, Frances Stark traces excerpts from classic works of literature on carbon paper, investigating the intimate relationship forged between writer and reader, artist and viewer. Painstakingly, she has copied the serif font of T. S. Eliot’s “The Love Song of J. Alfred Prufrock” (1915) by hand, as well as the scrawled, and at times inscrutable, marginalia found in a secondhand copy of the poem. These annotations do not... Full Review
November 25, 2016
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Ann Temkin and Anne Umland, eds.
Exh. cat. New York: Museum of Modern Art, 2015. 320 pp.; 300 color ills.; 200 b/w ills. Cloth $85.00 (9780870709746)
Exhibition schedule: Museum of Modern Art, New York, September 14, 2015–February 7, 2016
Picasso Sculpture, curated by Ann Temkin and Anne Umland at the Museum of Modern Art (MoMA) in New York, is the first in-depth survey of Pablo Picasso’s sculptural production since the exhibitions held in London and New York City in 1967. In the preceding years, Picasso’s sculptures were barely seen, even in reproduction, as the artist—with what I take to be his animist inclinations—held onto many of the works for dear life. The three-dimensional bodies kept Picasso company in ways... Full Review
November 23, 2016
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Cornelia Butler and Luis Pérez-Oramas
Exh. cat. New York: Museum of Modern Art, 2014. 336 pp.; 400 color ills. Cloth $75.00 (9780870708909)
Exhibition schedule: Museum of Modern Art, New York, May 10–August 24, 2014
In 1977, when she was 57 years old, artist Lygia Clark decided to abandon art. For thirty-odd years she had been working through a series of questions concerning space, time, ontological perception, and experience, slowly refining each in a quest to “unite art and life” (Lygia Clark, “Lecture at the Escola Nacional de Arquitetura, Belo Horizonte, Fall 1956,” quoted in the exhibition catalogue, 54). Although not the first, or the last, avant-garde artist to arrive at this conclusion, Clark... Full Review
November 23, 2016
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Richard Ormond and Elaine Kilmurray
Exh. cat. New York: Skira Rizzoli, 2015. 256 pp.; 200+ color ills. Cloth $60.00 (9780847845279)
Exhibition schedule: National Portrait Gallery, London, February 12–May 25, 2015; Metropolitan Museum of Art, New York, June 29–October 4, 2015
Curated by the prominent John Singer Sargent (1856–1925) scholar Richard Ormond, the exhibition Sargent: Portraits of Artists and Friends at the Metropolitan Museum of Art presents ninety-two works that depict members of the artist’s vast social circle. Spread across five rooms and organized chronologically by Sargent’s location, these images chart the ways in which the artist’s personal relationships and growing prestige afforded him substantial access to creative personalities who... Full Review
November 17, 2016
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A. A. Rub, ed.
Exh. cat. Moscow: Galart, 2015. 246 pp.; 136 color ills. Paper rubles 940.00
Exhibition schedule: State Tretyakov Gallery, Moscow, March 13–July 26, 2015
In the early 1970s, a new trend emerged among the members of the Union of Artists of the Union of Soviet Socialist Republics (USSR). Diverse groups of painters from Estonia, Latvia, Lithuania, Armenia, Uzbekistan, Ukraine, and the Russian urban centers of Moscow and Leningrad began to demonstrate a keen interest in photo-realism, producing large-scale canvases that mimicked the formal properties of photography, film, television, and other forms of mass visual media. Despite their prevalence,... Full Review
November 16, 2016
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Andrew Blauvelt, ed.
Exh. cat. Minneapolis: Walker Art Center, 2015. 448 pp.; 200 color ills.; 80 b/w ills. Paper $55.00 (9781935963097)
Exhibition schedule: Walker Art Center, Minneapolis, October 24, 2015–February 28, 2016; Cranbrook Art Museum, Bloomfield Hills, MI, June 19–October 9, 2016; Berkeley Art Museum and Pacific Film Archive, Berkeley, February 8–May 21, 2017
Much contemporary political art, however strong in conviction, feels resigned to an inability to affect the conditions it addresses: Ai Weiwei on the migrant crisis, Laura Poitras on surveillance, and Olafur Eliasson on global warming are proximate in 2016. Conversely, Hippie Modernism: The Struggle for Utopia at the Walker Art Center remembers a moment when people believed that art could radically alter society. Hippie Modernism is filled with over two hundred and fifty... Full Review
November 11, 2016
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Gavin Delahunty, ed.
Exh. cat. London : Tate, 2015. 160 pp.; 100 color ills.; 18 b/w ills. Cloth $55.00 (9781849763929)
Exhibition schedule: Tate Liverpool, June 30–October 18, 2015; Dallas Museum of Art, November 20, 2015–March 20, 2016
Before viewing any of the artworks in the exhibition, visitors to Jackson Pollock: Blind Spots at the Dallas Museum of Art (DMA) encounter a wall-sized, vertically oriented black-and-white photograph of a denim-clad Jackson Pollock, hammer in his back pocket, leaning closely to inspect the surface of one of his black enamel paintings. The painting he scrutinizes, Number 22, 1951, hangs in bright sunlight on the exterior wall of a wood-shingled barn. His forehead seems almost to... Full Review
November 10, 2016
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Dallas Contemporary
Dallas: Dallas Contemporary, 2016.
Exhibition schedule: Dallas Contemporary, Dallas, January 17–March 20, 2016
Black Sheep Feminism: The Art of Sexual Politics, a group exhibition curated by Alison Gingeras for the Dallas Contemporary that consists of works made mostly in the 1970s by Joan Semmel, Anita Steckel, Betty Tompkins, and Cosey Fanni Tutti, is prefaced by stanchion signs warning that the show “contains strong adult content” and that “parental guidance + viewer discretion is advised.” After checking in at the front desk, I was told that due to the sexually graphic nature of the show... Full Review
November 10, 2016
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