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Browse Recent Exhibition Reviews

Patricia Wengraf
Exh. cat. London: Paul Holberton Publishing, 2014. 376 pp.; 250 color ills. Cloth $100.00 (9781907372636)

Exhibition schedule: Frick Collection, New York, January 28‒June 15, 2014

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October 17, 2014

The Frick Collection has positioned itself as one of the premier forums for the study and exhibition of Renaissance and Baroque bronze sculpture. Past exhibitions have focused on single artists as well as on individual collections: Willem van Tetrode (2003), Andrea Riccio (2008), Antico (2012), the private Quentin collection (2004), and a selection from the Fitzwilliam Museum, Cambridge (2005). With Renaissance and Baroque Bronzes from the Hill Collection, curated by Patricia Wengraf, the Frick adds...

San Francisco: Yerba Buena Center for the Arts in association with San Francisco Museum of Modern Art, 2014.

Exhibition schedule: Yerba Buena Center for the Arts, San Francisco, February 21–June 29, 2014

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October 17, 2014

Public Intimacy: Art and Other Ordinary Acts in South Africa presents work by twenty-three South African artists and artistic collaborators. The several dozen works in the exhibition span sixty years worth of production in media ranging from photography and performance documentation to installation, print, and drawing. The exhibition places contemporary South African artists in conversation with several apartheid-era photographers including Ian Berry, Ernest Cole, and David Goldblatt. This dialogue proposes intimacy—a concept as complex and...

Mary Morton
Exh. cat. Washington, DC: 2014. 180 pp.; 102 ills. Cloth $45.00 (9780894683862)

Exhibition schedule: Museo dell’Ara Pacis, Rome, October 23, 2013–February 23, 2014; Legion of Honor, San Francisco, March 29–August 3, 2014; McNay Art Museum, San Antonio, September 3, 2014–January 4, 2015; Mitsubishi Ichigokan Museum, Tokyo, February 7–May 24, 2015; Seattle Art Museum, Seattle, October 1, 2015–January 10, 2016

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October 8, 2014

Intimate Impressionism from the National Gallery of Art is an exhibition of small pictures. By the same token, it is an exhibition about small pictures. Scale matters. Only, for it to matter, for it to develop as an orientation, we have first to break with the usual connotations that accrue to it as a criterion of judgment. Small pictures have their way of drawing us in, of revealing different kinds of relations of people to...

Anne Ellegood and Johanna Burton
Exh. cat. New York and Los Angeles: Prestel in association with Hammer Museum, 2014. 288 pp.; 174 color ills.; 63 b/w ills. Cloth $60.00 (9783791353425)

Exhibition schedule: Hammer Museum, Los Angeles, February 9–May 18, 2014

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October 3, 2014

An ambitious statement about American art, Take It or Leave It: Institution, Image, Ideology examines the intersection of institutional critique, a practice entailing a structural analysis of museums and the art market, and appropriation, a mechanism of recontextualizing found images and ideas. Curators Anne Ellegood and Johanna Burton show that the two, despite having originated from distinct strategies of practice and consecutive historical periods (the 1970s and 1980s), have overlapped significantly, as reflected in their...

Anne Umland, ed.
Exh. cat. New York: Museum of Modern Art, 2013. 256 pp.; 194 color ills.; 56 b/w ills. Paper $50.00 (9780870788985)

Exhibition schedule: Museum of Modern Art, New York, September 28, 2013–January 12, 2014; Menil Collection, Houston, February 14–June 1, 2014; Art Institute of Chicago, June 29–October 12, 2014

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Exhibition schedule: Menil Collection, Houston, February 14–July 13, 2014
October 3, 2014

The work of the painter René Magritte is well known, if not as art, then at least as image. Magritte himself claimed that looking at a reproduction of his works was every bit as good as looking at a painting. The exhibition Magritte: Mystery of the Ordinary, 1926–1938 sets out to disprove this notion, foregrounding the materiality of Magritte’s work alongside his conceptual preoccupations. Foremost among those preoccupations is the resistance—even refusal—of Magritte’s painted objects...

Starr Figura, ed.
Exh. cat. New York: Museum of Modern Art, 2014. 248 pp.; 222 color ills. Cloth $60.00 (9780870709050)

Exhibition schedule: Museum of Modern Art, New York, March 8–June 8, 2014

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September 24, 2014

Considering Paul Gauguin’s notable impact on the development of modern art, it seems remarkable that Gauguin: Metamorphoses is his first monographic exhibition at the Museum of Modern Art and only the second major presentation of his art in New York since 1959. Perhaps even more surprising, this show, organized by Starr Figura, the Phyllis Ann and Walter Borten Associate Curator, with Lotte Johnson, curatorial assistant, Department of Drawings and Prints, foregoes the expected focus on...

Richard Benefield, Lawrence Weschler, Sarah Howgate, and David Hockney
Exh. cat. New York and San Francisco: Del Monico Books and Fine Arts Museums of San Francisco, 2013. 228 pp.; 404 color ills. Cloth $65.00 (9783791353340)

Exhibition schedule: de Young Museum, San Francisco, October 26, 2013–January 20, 2014

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September 24, 2014

What is an exhibition for? What can it produce? In its earliest forms in the middle of the eighteenth century—the Salon of the Académie des Beaux-Arts in Paris and the exhibiting societies of London—the exhibition was a collective affair, organized among artists: a form of self-assessment and public presentation mediating between a guild of merchant craftsmen and the unstable fractions within the public that might provide a market for those artists’ work. In this anxious...

Emily Ballew Neff and Kaylin H. Weber
Exh. cat. Houston and New Haven: Museum of Fine Arts, Houston in association with Yale University Press, 2014. 272 pp.; 238 color ills. Cloth $75.00 (9780300196467)

Exhibition schedule: Museum of Fine Arts, Houston, October 6, 2013–January 20, 2014

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August 28, 2014

Not too many years ago, the story of American art as characterized in survey courses and other summary narratives was told in an apologetic tone. How could one make a case for the importance or singularity of a nation’s output before there was a nation and in the face of a European model then characterized as a teleological progression of ever-increasing artistic greatness? John Singleton Copley’s (1738–1815) story was frequently presented as the pinnacle of...

Carter E. Foster
Exh. cat. New York: Whitney Museum of American Art, 2013. 256 pp.; 386 color ills. Cloth $60.00 (9780300181494)

Exhibition schedule: Whitney Museum of American Art, New York, May 23–October 6, 2013; Dallas Museum of Art, Dallas, November 17, 2013–February 16, 2014; Walker Art Center, Minneapolis, March 13–June 20, 2014

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August 21, 2014

At the most superficial level, Edward Hopper’s paintings represent modern American life as a series of moments oscillating along a continuum between solitude and desolation via loneliness, isolation, and alienation and back again. As the drawings, paintings, prints, and ephemera included in Hopper Drawing: A Painter’s Process at the Dallas Museum of Art (DMA) attest, those oscillations can generate a curious sense of longing that endures well after one departs the gallery spaces. The exhibition,...

Matthew McLendon, Anne Collins Goodyear, Dan Cameron, and Matthew Ritchie
Exh. cat. New York and Sarasota: Scala Arts Publishers in association with John and Mable Ringling Museum of Art, 2013. 144 pp.; 100 color ills. Paper (9781857598773)

Exhibition schedule: John and Mabel Ringling Museum of Art, Sarasota, Florida, January 31–May 4, 2014

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August 21, 2014

Twenty-first-century media is marked by the rise of social networks and the concomitant tools to analyze and manipulate the data produced and transmitted through those networks. The work of R. Luke DuBois has emerged within this milieu, and his explorations of mass media and popular culture amid a world of unprecedented shared cultural production and exponentially proliferating data have provided a rich body of work over a relatively short period of time. In a span...