Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

British Museum, London, November 29, 2018–August 4, 2019

“Understandings of history are rarely agreed and always shifting,” began the wall text that opened the British Museum’s Reimagining Captain Cook: Pacific Perspectives, in an effort to signal the exhibition’s investigation into the fraught legacy of James Cook (1728–1779), explorer and British Royal Navy captain. Rather than rehearsing well-known and tired narratives of Captain Cook as the heroic explorer and navigator, this exhibition attempted to reframe Cook’s legacy from the... Full Review

December 9, 2019
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Mary D. Sheriff
Chicago: University of Chicago Press, 2018. 416 pp.; 14 color ills.; 43 b/w ills. Cloth $55.00 (9780226483108)

This book by the late Mary D. Sheriff is a study of islands in seventeenth- and eighteenth-century France. Not just any islands, but islands, real and fictive, ruled by “beguiling women who captivate men through both literal and figurative enchantments” (2). These enchantresses promise love and pleasure to the men who arrive on their shores, but their aim is to dominate, corrupt, and emasculate. If manly virtue is to be restored, their charms have to be resisted and their island domains... Full Review

December 6, 2019
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Peter Mack and Robert Williams, eds.
Studies in Art Historiography. Burlington, VT: Ashgate, 2015. 204 pp.; 16 color ills.; 15 b/w ills. Cloth $130.00 (9781472442789)

Michael Baxandall, who died in 2008 just shy of his seventy-fifth birthday, is one of a handful of postwar scholars who were quickly recognized as some of art history’s greats. A string of classic texts and a restless, searching expansion of his range from the Italian Renaissance to the Northern one and into the eighteenth century, combined with a firmly original scholarly viewpoint, afforded him the status of a deep thinker who merits careful study. During Baxandall’s lifetime, Adrian... Full Review

December 6, 2019
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José Esparza Chong Cuy, ed.
Exh. cat. Chicago and New York: Museum of Contemporary Art Chicago and DelMonico Books-Prestel, 2019. 144 pp.; 100 ills. Paper $25.00 (9783791358390)
Museum of Contemporary Art Chicago, April 13–August 25, 2019

The latest iteration of the Museum of Contemporary Art (MCA)’s Ascendant Artist series featured the Brazilian artist Jonathas de Andrade (born 1982). This series has the virtue of occasionally highlighting younger artists from the Global South, even as the museum itself trends more toward blockbuster shows that lionize designers and musicians rather than... Full Review

December 5, 2019
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Margo Natalie Crawford
New Black Studies Series. Urbana, Chicago, and Springfield: University of Illinois Press, 2017. 280 pp.; 35 b/w ills. Paperback $28.00 (9780252082498)

Margo Natalie Crawford’s titular concept in Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics is oceanic: it is multifaceted and much encompassing. As the introduction explains, black post-blackness is an aesthetics of expressions of free self-determination, of a future blackness that shapes the present still. It is a mood and a shape of time, and also an understanding of that cultural mood and temporal shape as interdependent and in... Full Review

November 26, 2019
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Christopher R. Lakey
New Haven, CT: Yale University Press, 2018. 240 pp.; 36 color ills.; 100 b/w ills. Cloth $75.00 (9780300232141)

Christopher Lakey’s book, Sculptural Seeing: Relief, Optics, and the Rise of Perspective in Medieval Italy, makes a bold if ultimately problematic argument: Lakey suggests that the origins of perspective in Renaissance art are to be found in medieval relief sculpture, that the Albertian system of perspective evolved from the practices and concepts of medieval stone sculptors beginning with the revival of architectural sculpture associated with Romanesque art, around 1100. The book’s... Full Review

November 25, 2019
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Chanchal B. Dadlani
New Haven, CT and London: Yale University Press, 2019. 232 pp.; 97 color ills.; 22 b/w ills. Cloth $65.00 (9780300233179)

Chanchal B. Dadlani’s From Stone to Paper adds an exciting new chapter to a growing body of scholarship exploring the arts and architecture of Asia beyond the “canonical” limit of the seventeenth century by considering the 150 years of the “long eighteenth century,” which, in this case, connects the heyday of the Mughal empire with the advent of the British Raj. Monuments, urban spaces, building practices, and modes of theorizing and representing architecture are examined “on their... Full Review

November 22, 2019
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Robert Echols and Frederick Ilchman, eds.
Exh. cat. New Haven, CT and Washington, DC: Yale University Press in association with National Gallery of Art, 2018. 336 pp.; 240 color ills. Cloth $65.00 (9780300230406)
Palazzo Ducale, Venice, September 7, 2018–January 6, 2019; National Gallery of Art, Washington, DC, March 24–July 7, 2019

Visitors were nearly denied the opportunity to experience the first major exhibition in the United States of the monumental work of Venetian Renaissance artist Jacopo Tintoretto (1518/19–1594). Though the show was originally slated to open March 3, 2019, a shutdown of the US federal government grounded preparations for Tintoretto: Artist of Renaissance Venice at the National Gallery of Art (Full Review

November 21, 2019
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Elizabeth Prettejohn
New Haven, CT: Yale University Press in association with Paul Mellon Centre for Studies in British Art, 2017. 288 pp.; 130 color ills.; 30 b/w ills. Cloth $55.00 (9780300222753)

Consider two nineteenth-century paintings, made in the same year and same Europe, each alluding to a work by Titian. One is Édouard Manet’s Olympia (1863), a picture central to the modernist canon. With simplified brushwork and pared-down tonality, Manet transplants Titian’s Venus of Urbino (1538) into contemporary Paris. The painting, which ventures a commentary on modern life through its presentation of the Venus as a modern woman, works because of its bold departure from... Full Review

November 18, 2019
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McNay Art Museum, San Antonio, June 20–September 15, 2019
McNay Art Museum, San Antonio, June 20–September 15, 2019
McNay Art Museum, San Antonio, June 20–September 15, 2019

Across the United States, museums are eager to present identity-based shows addressing issues of gender, sexuality, and identity during the fiftieth-anniversary year of the 1969 Stonewall uprisings. This year, the McNay Art Museum dedicated its entire temporary exhibition program to such an effort, with Andy Warhol: Portraits, Transamerica/n: Gender, Identity, Appearance Today, and TransSanAntonian: Examining Trans Identities and Gender Fluidity in the Archives.... Full Review

November 15, 2019
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