Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by the College Art Association (CAA) and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the right-hand column, or by entering terms in the search bar above.

Recently Published Reviews

Erin J. Campbell
Visual Culture in Early Modernity. Burlington: Ashgate, 2015. 216 pp.; 16 color ills.; 17 b/w ills. Cloth $120.00 (9781472442130)
In De institutione feminae christianae (On the Education of Christian Women, 1524), Juan Luis Vives wrote of elderly women, “When a woman is free of all carnal desire and has fulfilled her duties of bearing and bringing up children, she will emanate an odor that is more heavenly than earthly, and shall say and do nothing but what is of great sanctity and may serve as an example to those younger than she. ‘Then her name will begin to be known,’ as Gorgias said, ‘when her face is... Full Review
February 23, 2017
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Lawrence Rinder
Exh. cat. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2016. 349 pp.; 280 color ills. Paper $39.95 (9780983881315)
Exhibition schedule: University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, January 31–May 29, 2016
Architecture of Life, the University of California, Berkeley Art Museum and Pacific Film Archive’s (BAMPFA) inaugural exhibition in its new building, opens with something of a self-portrait. A photograph, taken four years before the museum itself would open to the public, shows a hand holding an early architect’s model of the new building. In the black-and-white image, the wood model is a small, abstracted form that has been sanded, blackened, and polished to a fine sheen. The hand... Full Review
February 22, 2017
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Suzanne P. Hudson
Cambridge, MA: MIT Press, 2009. 315 pp.; 112 color ills. Cloth $39.95 (9780262012805)
Robert Ryman’s paintings are indifferent to discourse. They require no insider knowledge or textual elaboration. On the contrary, words often only muddy the waters. In Ryman’s words, “You cannot understand painting by explaining something. You can only understand painting by experience” (192). This makes the task of writing about Ryman’s work exceedingly difficult. However, in Robert Ryman: Used Paint, Suzanne Hudson writes with eloquence and perspicuity to bring Ryman’s work to a... Full Review
February 22, 2017
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Ulrike Gehring and Peter Weibel, eds.
Munich: Hirmer, 2014. 512 pp.; 350 color ills. Cloth $75.00 (9783777422305)
Elizabeth A. Sutton
Chicago: University of Chicago Press, 2015. 184 pp.; 27 b/w ills. Cloth $50.00 (9780226254784)
The two books under review offer distinct takes on the way space was understood and reproduced in the Low Countries (the Dutch Republic, in particular, although both volumes explore Flemish sources as well). Both are concerned with the production of space in two-dimensional forms—in maps, prints, and paintings, above all. And while the arguments and claims made by the respective volumes are not quite mutually exclusive, the implications and trajectories they sketch out are markedly... Full Review
February 16, 2017
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Gordon Hughes
Chicago: University of Chicago Press, 2014. 169 pp.; 92 color ills.; 46 b/w ills. Cloth $45.00 (9780226159065)
I inevitably discuss Alfred Barr’s 1936 diagram from the cover of Cubism and Abstract Art when I teach surveys of modernism, but I had never noticed a curious point that Gordon Hughes raises in the introduction of his Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism. Of all the movements charted along the way to the two destinations, non-geometrical and geometrical abstract art, only Orphism “goes exactly nowhere” (3). In his sumptuously illustrated and... Full Review
February 16, 2017
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