Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Cherise Smith
Austin: University of Texas Press, 2020. 300 pp.; 151 color ills.; 20 b/w ills. Cloth $60.00 (9781477319178)

Within the past five years, art historians and others interested in the intersection of race and representation have benefited from several noteworthy publications examining the role of visual culture, both current and historical, in the construction of American identity. To this list—which includes John Stauffer, Zoe Trodd, and Celeste-Marie Bernier’s Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth... Full Review

April 6, 2020
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Christian K. Kleinbub
University Park, PA: Penn State University Press, 2020. 260 pp.; 40 color ills.; 77 b/w ills. Cloth $99.95 (9780271083780)

Among premodern artists, Michelangelo is by far the most written-about individual. Through books, articles, and popular culture we are inundated with information and interpretation about him. While the onslaught of literature will and must continue, it is rare when a book offers a fundamentally new way of considering the artist. Christian K. Kleinbub’s book Michelangelo’s Inner Anatomies does just that. It offers meaningful and original investigations into Michelangelo’s sense of... Full Review

April 2, 2020
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Seattle Asian Art Museum, February 8, 2020–ongoing

After closing for two years to undergo extensive renovations, the Seattle Asian Art Museum reopened in early February with Boundless: Stories of Asian Art—an exhibition that reimagines its existing collection and presents a timely intervention into the field of Asian art. Boundless foregoes curation based on linear histories, geography, and national borders, turning instead to a thematic approach that makes space for a more expansive conception of Asia.

Criticisms of... Full Review

March 30, 2020
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Marije Osnabrugge
Amsterdam Studies in the Dutch Golden Age. Amsterdam: Amsterdam University Press, 2019. 400 pp.; 20 color ills.; 89 b/w ills. Cloth €129.00 (9789462988200)

For a few decades now, immigration has been at the center of societal debates and political programs, at least in the Global North. Migrant artists are rarely mentioned in these discussions, perhaps because professional artists make up a relatively negligible segment of the total immigrant population. Conversely, however, it seems likely that nowadays a high percentage of those making a living by making art are migrants; the same goes for art historians. Marije Osnabrugge, the... Full Review

March 27, 2020
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Charlotte Guichard
Paris: Éditions du Seuil, 2018. 368 pp.; 98 color ills. Cloth €31.00 (9782021402315)

In La griffe du peintre, Charlotte Guichard offers a reflection on the painter’s signature in France during the long eighteenth century, both as a sign of artistic identity and as a bearer of value. She convincingly argues that the topic is best served by anchoring analysis at the intersection of various perspectives, simultaneously tracing a “material history of easel painting and a cultural history of signature” (25; all translations are my own). Together, these approaches... Full Review

March 25, 2020
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Ünver Rüstem
Princeton, NJ: Princeton University Press, 2019. 336 pp.; 204 color ills.; 44 b/w ills. Cloth $65.00 (9780691181875)

In this extensive study on eighteenth-century Ottoman Istanbul, Ünver Rüstem examines the evolution of baroque architecture under the patronage of five consecutive sultans, from Ahmed III (r. 1703–30) to Abdülhamid I (r. 1774–89), concluding with the significance of building activity during the reign of Sultan Selim Full Review

March 24, 2020
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Baltimore Museum of Art, September 29, 2019–January 19, 2020
Baltimore Museum of Art, September 29, 2019–January 12, 2020
Baltimore Museum of Art, July 14, 2019–January 5, 2020

Three recent exhibitions at the Baltimore Museum of Art (BMA) reflected an important shift in priorities for that institution. The first and largest, Generations: A History of... Full Review

March 20, 2020
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Denise Markonish, ed.
Exh. cat. North Adams, MA and New York: MASS MoCA in association with DelMonico Books-Prestel, 2017. 200 pp.; 133 color ills. Cloth $49.95 (9783791356051)
MASS MoCA, North Adams, MA, October 15, 2016–September 4, 2017; Tramway, Glasgow, August 3–November 11, 2019; Carriageworks, Sydney, November 23–March 3, 2019; Crystal Bridges Museum of American Art, Bentonville, AR, July 18, 2020–January 3, 2021

The initial sensation on entering Nick Cave’s installation Until is one of beguilement. Thousands of brightly colored wind spinners—metal discs cut with concentric designs that generate a holographic effect when in motion—hang on wire strands from ceiling to floor in a glittering thicket. The walls are netted with pony beads threaded into vivid designs: the word “power,” a hashtag, a red World Full Review

March 18, 2020
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Dread Scott
2019.
New Orleans, November 8–9, 2019

“Slave rebellions were a continuous source of fear in the American South, especially since black slaves accounted for more than one-third of the region’s population in the 18th century.” So begins the most current article on slave rebellions on the History network website. The writers can imagine a fear of rebellion but not the hopes embodied therein; they traffic... Full Review

March 17, 2020
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Erin O'Toole, ed.
Exh. cat. London: MACK, 2019. 220 pp. Cloth $45.00 (9781912339433)
San Francisco Museum of Modern Art, July 6–December 1, 2019

In 2017, the San Francisco Museum of Modern Art received a trove of 9,200 Polaroids taken by unknown artist April Dawn Alison (1941–2008). To use curator Erin O’Toole’s words, Alison was “the private feminine persona” of Alan Schaefer, a reclusive Oakland-based commercial photographer with a proclivity for short dresses, high heels, wigs, and jewelry, whose gender identity was known only to a few relatives and friends. The voluminous archive consists mostly of self-portraits taken in the... Full Review

March 13, 2020
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