Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by the College Art Association (CAA) and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the right-hand column, or by entering terms in the search bar above.

Recently Published Reviews

Centre Pompidou, Paris, February 26–March 6, 2016
[See the multimedia media review on Scalar.] This review of Anne Teresa De Keersmaeker’s Work/Travail/Arbeid (2015–17) enlists the interactive, multimedia capabilities of the Scalar platform to evoke the dance exhibition’s ten-day run at the Centre Pompidou, Paris. The exhibition brought together several components of the Belgian choreographer and dancer’s broader project, including investigating choreography... Full Review
March 23, 2017
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Austen Barron Bailly, ed.
Exh. cat. London and New York: Prestel and DelMonico Books, 2015. 256 pp.; 200 color ills. Cloth $60.00 (9783791354224)
Exhibition schedule: Peabody Essex Museum, Salem, June 6–September 7, 2015; Nelson-Atkins Museum, Kansas City, MO, October 10, 2015–January 3, 2016; Amon Carter Museum of American Art, Fort Worth, February 6–May 1, 2016; Milwaukee Art Museum, Milwaukee, June 10–September 5, 2016
Touted in museum press releases as the “first major exhibition in more than twenty-five years to feature the life and works of the renowned American painter Thomas Hart Benton,” American Epics: Thomas Hart Benton and Hollywood explores the complex intersections between the work of one of the United States’ most revered Regionalists and the American feature film industry. In its staging at Fort Worth’s Amon Carter Museum of American Art (the third stop on a four-city tour), American... Full Review
March 23, 2017
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Exhibition schedule: Printed Matter, New York, June 18–July 31, 2016
We live in a country divided. Americans today are struggling to have frank, productive dialogues about politics, civil liberties, and social issues. Thanks to livestreaming and social media, our impassioned reactions, firsthand accounts, and official statements catalog each day’s debates in real time and on a vast public scale. While it is tempting to attribute our current state of the union to uniquely twenty-first-century problems—terrorism, technology, or globalization, to name a few—it is... Full Review
March 22, 2017
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Gary Monroe
Gainesville: University Press of Florida, 2014. 192 pp.; Many color ills. Cloth $39.95 (9780813049694)
Mary Ann Carroll: First Lady of the Highwaymen is the fourth Highwaymen book by Gary Monroe, Daytona State College professor of fine arts and photography. Virginia Lynn Moylan’s unexpectedly moving foreword outlines the context of Monroe’s study: the omission of black visual artists and black female artists from discussions of “cultural expression” in the United States. In 1995, Jim Fitch, then-director of the Museum of Florida Art and Culture, wrote “‘The Highwaymen’ is a name I’ve... Full Review
March 22, 2017
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Ara Osterweil
Rethinking Art's Histories. Manchester, UK: Manchester University Press, 2014. 304 pp.; 45 b/w ills. Paper $35.00 (9780719091919)
Ara Osterweil argues in Flesh Cinema: The Corporeal Turn in American Avant-Garde Film that the medium operates on the spectator’s sensorium in a uniquely direct and intense way. Films can emphasize this link by depicting bodies in extreme circumstances; for instance, bodies immobilized by drugs, dead and being autopsied, or epileptic and seizing are just some of the precarious versions of corporeality that experimental filmmakers documented in the 1960s and 1970s. But within the array... Full Review
March 17, 2017
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