Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by the College Art Association (CAA) and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the right-hand column, or by entering terms in the search bar above.

Recently Published Reviews

Nancy Hoffman, Frank Verputten, and Robbert Roos
Exh. cat. Amsterdam: KIT Publishers, 2012. 144 pp.; 76 color ills. Paper $35.00 (9789460222115)
Exhibition schedule: Kunsthal KAdE, Amersfoort, Netherlands, May 25–August 26, 2012
The eponymous catalogue to the exhibition Who More Sci-fi Than Us?: Contemporary Art from the Caribbean aims to examine the complexity of Caribbean art through the metaphor of science fiction. Curator of the exhibition and co-founding director until 2011 of the Instituto Buena Bista, Curacao Center for Contemporary Art in the Dutch Caribbean, Nancy Hoffman writes in the introduction that the logic of the Caribbean is perfectly captured in Junot Díaz’s The Brief and Wondrous Life of... Full Review
July 21, 2016
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Valérie Rousseau
Exh. cat. New York: American Folk Art Museum, 2015. 136 pp.; 83 color ills.; 17 b/w ills. Cloth $30.00 (9780912161242)
Exhibition schedule: American Folk Art Museum, New York, New York, March 26–July 5, 2015
In the American Folk Art Museum’s exhibition catalogue When the Curtain Never Comes Down: Performance Art and the Alter Ego, curator Valérie Rousseau highlights the creative expressions and artistic practices of twenty-six individuals and one religious community. With selections that span the late nineteenth century to the present, Rousseau succeeds in opening new discussions on objects and related performative actions of artists referred to as “self-taught” and “art brut.” A... Full Review
July 21, 2016
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Naomi Beckwith, Donatien Grau, and Jennifer Higgie
New York: Prestel, 2014. 136 pp.; 75 color ills. Cloth $39.95 (9783791349671)
A casual perusal of the monograph Lynette Yiadom-Boakye quickly establishes—in its ratio of image to text—the main objective of the book to be a celebration of the artist’s oeuvre rather than a critical engagement with it. Of the 136 pages in the slim, attractive volume, the substantive text amounts to less than fifty pages while more than fifty-five leaves are devoted to beautifully designed, full-page color reproductions, most of them featuring a single image of Yiadom-Boakye’s... Full Review
July 21, 2016
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William S. Rodner
Leiden: Brill, 2012. 240 pp.; 150 color ills. Cloth $128.00 (9789004220393)
In Edwardian London through Japanese Eyes: The Art and Writings of Yoshio Markino, 1897–1915, William S. Rodner presents the first scholarly monograph in English on Yoshio Makino (or “Markino,” as the artist romanized the spelling of his family name). There have been a few publications and exhibitions in Japan on this once popular illustrator in early twentieth-century London, but it is in Rodner’s book that one finds a detailed and engaging account of Markino’s most productive years... Full Review
July 14, 2016
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Yerba Buena Center for the Arts
Yerba Buena Center for the Arts, 2015.
Exhibition schedule: Yerba Buena Center for the Arts, San Francisco, August 14–December 6, 2015
It is safe to assume that museumgoers in San Francisco, home to the Yerba Buena Center for the Arts (YBCA), are as up on new technology as any public, and that the Bay Area’s traditionally progressive inhabitants are invested in balancing commercial profit and social justice. Yet as the exhibition Earth Machines quickly reveals, the local Silicon Valley high-tech industry propels a cycle of innovation and consumption that threatens to outstrip our ability to understand and manage its... Full Review
July 14, 2016
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