Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar or by entering terms in the search bar above.

Recently Published Reviews

Maja Fowkes and Reuben Fowkes
World of Art Series. London: Thames and Hudson Inc., 2020. 232 pp.; 156 color ills. Paper $24.95 (9780500204375)
At a 1993 festival in Timisoara, four years after protests in the city sparked a nationwide revolution that overthrew the dictatorship of Nicolae Ceaușescu and his Romanian Communist Party, the artist Dan Perjovschi tattooed the word “Romania” on his left arm. Ten years later, in Removing Romania (2003), Perjovschi underwent laser treatment to erase the national label from his skin. This process, the artist explains, did not so much remove the ink as disperse its pigmented molecules throughout his body. Traces of Romania remained embedded in his cells and tissue, invisible but ever present. On the one hand, Perjovschi’s… Full Review
March 9, 2022
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Amy R. Bloch and Daniel M. Zolli, eds.
Cambridge, UK: Cambridge University Press, 2020. 454 pp.; 112 color ills. Cloth $99.99 (9781108428842)
This pathbreaking volume features nineteen substantial research studies that burrow deep into individual examples of the physical, geographical, aesthetic, philosophical, political, and historical circumstances that led to the creation, appreciation, alteration, destruction, restoration, reassembly, and constant reinterpretation of sculpture produced in fifteenth-century Italy. While these essays are all clearly addressed to fellow Renaissance scholars, a remarkable twentieth essay, the introduction by coeditors Amy R. Bloch and Daniel M. Zolli, provides an overview of the field that is so highly accessible and original in the range of media and topics addressed that it should become standard reading for both advanced undergraduates… Full Review
March 7, 2022
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Kristina Wilson
Princeton, NJ: Princeton University Press, 2021. 264 pp.; 74 color ills.; 80 b/w ills. Cloth $39.95 (9780691208190)
In the past few decades, design history has productively turned toward investigations of gender. Partly as a result of this emphasis, proportionately little attention has been paid to issues of race in the United States. This lacuna has become painfully salient in the wake of the protests sparked across the nation following the murder of George Floyd at the hands of a Minneapolis police officer in the summer of 2020. Kristina Wilson’s Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design serves as a timely corrective. Integrating themes of race and gender—and noting their… Full Review
March 4, 2022
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Glenn Adamson and Jen Padgett
Exh. cat. Fayetteville, AR: University of Arkansas Press, 2021. 208 pp.; 119 ills. Cloth $49.95 (9781682261521)
Crystal Bridges Museum of American Art, Bentonville, AR, February 6–May 31, 2021
Crafting America, an expansive exhibition organized by Crystal Bridges Museum of American Art in Bentonville, Arkansas, explored the role of craft within the broader field of post–World War II creative production in the United States. The first room posed the exhibition’s organizing question: “What is Craft?” In the spaces that followed, the curators answered by means of more than a hundred objects by ninety-eight artists that provided a rich understanding of craft as an array of strategies of making. Some of the works remained comfortably within traditional approaches to the category, while others took a more experimental and politically… Full Review
March 3, 2022
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Victoria Lyall and Jorge F. Rivas Perez, eds.
Exh. cat. Denver and Munich: Denver Art Museum in association with Hirmer Publishers, 2021. 176 pp.; 80 color ills. Cloth $25.00 (9783777434346)
Denver Art Museum, October 24, 2021–July 17, 2022
As its title suggests, ReVisión: Art in the Americas seeks to revise traditional approaches to the visual history of the Americas and provide a distinct perspective. Its principal method for doing so is to challenge the separate treatment in scholarship and museum practices of visual production from before and after the arrival of Europeans in Latin America—specifically, by collapsing chronology and showing works of ancient, colonial, modern, and contemporary Latin American art side by side in a thematic presentation. As curators Victoria Lyall and Jorge Rivas Pérez state in the exhibition’s catalog, rather than seeking to present a “comprehensive history… Full Review
March 2, 2022
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Ana María León
Austin: University of Texas Press, 2021. 288 pp.; 60 b/w ills. Cloth $50.00 (9781477321782)
Some might caution that writing a book focused almost entirely on unbuilt projects by a lesser-known architect of the modernist movement would be tantamount to relegating one’s work to the margins of scholarship. However, using this exact formula is what makes Ana María León’s Modernity for the Masses: Antonio Bonet’s Dreams for Buenos Aires the valuable contribution to architectural history and Latin American studies that it is. Focused on the intersection of spatial politics and the politics of the Argentine state through the lens of Catalan architect Antonio Bonet, León reveals the intertwined histories of modern architecture and statecraft through… Full Review
February 25, 2022
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Nevada Museum of Art, Reno, June 26, 2021–January 2, 2022.
What is the value of staging an exhibition on Land art in the 2020s? The Nevada Museum of Art (NMA) in Reno posed this question over a year’s worth of programming on the topic during an acute year of climate crisis. Reno sits at the crossroads of two major ecosystems: the Great Basin and the Sierra Nevada. It is the third-largest city in a state where 80 percent of the land is nominally public while its extractive economy is decidedly privatized. Land art, too, historically embraces such complexity. The 1960s-born genre originally claimed its removal from commercial art… Full Review
February 23, 2022
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de Young Museum, San Francisco, CA, August 28, 2021–January 9, 2022
Judy Chicago’s smoke-and-fireworks performance Forever de Young, on October 16, 2021, drew thousands of people to Golden Gate Park in San Francisco. This site-specific performance was planned in conjunction with Chicago’s first retrospective exhibition, held at the de Young Museum. The early fall day was beautiful, and the number of new COVID-19 cases had dipped, lending the outdoor gathering an upbeat aura. Expectation built for the crowd as Thomas Campbell, director of the Fine Arts Museums of San Francisco; Claudia Shmuckli, the museums’ curator of contemporary art; Jordan Schnitzer, sponsor of the exhibition; and Judy Chicago herself each… Full Review
February 22, 2022
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Elizabeth Ferrer
Seattle: University of Washington Press, 2021. 280 pp.; 43 color ills.; 62 b/w ills. Paper $34.95 (9780295747637)
In Latinx Photography in the United States: A Visual History, Elizabeth Ferrer highlights the contributions of Latinx individuals to the history of American photography. Loosely defined as a term whose genesis resides in ethnic, linguistic, and class-based systems of identification, “Latinx” quickly turns into an exhortation to abandon the implicitly exclusionary structures of language through an affirmative, gender-neutral, and inclusive form of self-identification. With this claim, the author intervenes in the historiography of the medium by calling for more inclusive narratives. The book is illustrated with emblematic images of aesthetic and historical value and provides more than eighty biographical… Full Review
February 18, 2022
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Octavian Esanu
Rethinking Art's Histories. Manchester, UK: Manchester University Press, 2021. 288 pp.; 20 b/w ills. Cloth £80.00 (9781526158000)
It has now been some time since historians and critics began to seriously attempt a definition of contemporary art understood not simply as the art produced today but as a historical phenomenon. Beginning in the second half of the 2000s, scholars including Terry Smith, Amelia Jones, Peter Osborne, and Richard Meyer offered analyses of this phenomenon, exploring its relationship to modernism, its philosophical underpinnings, and its aesthetic characteristics—insofar as aesthetic considerations can still be considered to play a role in its definition. Octavian Esanu’s The Postsocialist Contemporary serves as both a deepening of these previous efforts and a methodological and… Full Review
February 16, 2022
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Joseph C. Williams
Turnhout, Belgium: Brepols Publishers, 2020. 150 pp.; 95 b/w ills. Paper €79.00 (9782503581088)
Reading Joseph C. Williams’s Architecture of Disjuncture feels both like stepping back into familiar architectural-historical territory and peering forward to the exhilarating advances heralding the discipline’s future; in this sense, it is very much a product of the current slow but inexorable transitioning of the study of medieval architecture to the digital age. The book is devoted to the meticulous scrutiny of a single building, the Romanesque cathedral of Molfetta, Apulia, Italy, via the implementation of a diverse array of research methodologies ranging from the hands-on examination of the building fabric with the aid of modern technology to the reconsideration… Full Review
February 14, 2022
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Lorenz Böninger
I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2021. 224 pp. Cloth $49.95 (9780674251137)
The title of this study of early Florentine book printing calls to mind two classic texts: Martin Wackernagel’s The World of the Florentine Renaissance Artist: Projects and Patrons, Workshop and Art Market (1938) and Lauro Martines’s The Social World of the Florentine Humanists, 1390–1460 (1963). All three books describe the conditions of cultural production in quattrocento Florence in the context of government structures, family ties, trade alliances, innovation, and patronage. Artisans, merchants, and humanists emerge as members of social groups that shaped their lives and professions. Lorenz Böninger’s study contextualizes early book printing in Florence as an investment opportunity that… Full Review
February 11, 2022
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Amanda Phillips
Oakland: University of California Press, 2021. 360 pp.; 69 color ills.; 12 b/w ills. Cloth $65.00 (9780520303591)
Amanda Phillips’s Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean is a welcome intervention in the fields of Ottoman material culture and global textile studies. Building on surveys of Ottoman silk and weaving such as Nurhan Atasoy, Walter B. Denny, Louise W. Mackie, and Hülya Tezcan’s İPEK: Imperial Ottoman Silks and Velvets (Azimuth Editions, 2001), Phillips delves deep into the silk-weaving industry in the early modern Ottoman empire (ca. 1400–1800), informed by expert readings of archival sources and material evidence alike. Two chapters in each of the book’s three parts are framed roughly chronologically and thematically, with… Full Review
February 9, 2022
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Ory Bartal
Studies in Design and Material Culture. Manchester, UK: Manchester University Press, 2020. 248 pp.; 57 color ills. Cloth $120.00 (9781526139979)
Tracing the development and transformation of Japanese design amidst larger social contexts—such as rapid economic growth and the shift in Japan’s standing within the world after the 1964 Tokyo Olympics and the 1970 Osaka World Exposition, the first world’s fair held in Asia—is challenging. Ory Bartal takes on the task of understanding this development by examining design as a form of protest and identity making that addressed social issues linked to both global and local concerns for Japanese designers and consumers in the final decades of the twentieth century. Bartal’s research on Japanese design and visual culture culminated in his… Full Review
February 4, 2022
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Yi Gu
Harvard East Asian Monographs. Cambridge, MA: Harvard University Press, 2020. 320 pp.; 67 color ills.; 18 b/w ills. $75.00 (9780674244443)
Yi Gu’s Chinese Ways of Seeing and Open-Air Painting provides a revisionist history of Chinese landscape painting from the early 1910s to the late 1960s. Foregrounding the importance of visual perception to modern Chinese art, Gu locates an “ocular turn” in landscape painting circa 1911 that shifted premodern Chinese painters’ preoccupation with the literary to a modern artistic subjectivity anchored in visual perception. This ascendancy of vision occurred when Republican-period painters, anxious to establish themselves as modern subjects, embraced open-air painting as a practice that underscored direct observation, linear perspective, and a pseudoscientific means to view the world. Continuing to… Full Review
February 2, 2022
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