Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Mary Jacobus
Princeton: Princeton University Press, 2016. 320 pp.; 96 color ills.; 37 b/w ills. Hardcover $45.00 (9780691170725)
“Where’s the poet?” Cy Twombly posed this question in a drawing he made in August 1960 while on the island of Ischia in the Gulf of Naples. Yet, as Mary Jacobus tells us in her new book, Reading Cy Twombly: Poetry in Paint, this is not merely the painter’s question but a quotation from an unfinished poem John Keats wrote in 1818. Furthermore, the borrowed Keats line is not alone in Twombly’s drawing. These words are accompanied by more text (the heading “Sonnet” and the phrase... Full Review
February 12, 2018
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Abigail McEwen
New Haven: Yale University Press, 2016. 272 pp.; 68 color ills.; 61 b/w ills. Hardcover $75.00 (9780300216813)
In Revolutionary Horizons: Art and Polemics in 1950s Cuba, Abigail McEwen, associate professor of Latin American Art at the University of Maryland, offers an original and meticulously researched account of an understudied episode in the history of Latin American modernism: the rise of abstract art in Cuba during the 1950s. The book’s main protagonists are not so much artists or works of art as the complex field of discursive and ideological formations that structured Cuban cultural... Full Review
February 12, 2018
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Marsha Meskimmon and Phil Sawdon
London: I.B. Tauris, 2016. 224 pp.; 17 b/w ills. Paperback $28.00 (9781784530273)
Drawing Difference: Connections between Gender and Drawing is the work of the author duo Marsha Meskimmon and Phil Sawdon, whose multiple areas of expertise cross theory and practices of scholarly writing, contemporary drawing, and curatorship. Through this manifold competence, Drawing Difference attends to and appreciates drawing as a material, embodied process and therefore engages, in detail, with how the works discussed were executed and installed. The lens of gender,... Full Review
February 12, 2018
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Carolyn E. Boyd and Kim Cox
Austin: University of Texas Press, 2016. 219 pp.; 195 color ills.; 20 b/w ills. Paperback $43.55 (9781477310304)
Ancient American rock art studies and mainstream art history have long maintained an awkward, often uneasy scholarly relationship. Ancient American rock art typically receives only occasional passing mention in mainstream art-historical publications. In The White Shaman Mural, Carolyn E. Boyd, associate professor of anthropology at Texas State University and founder of the Shumla Archaeological Research and Education Center in Comstock, Texas, endeavors to narrow this scholarly gap... Full Review
February 9, 2018
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Alison Smith, David Blayney Brown, and Carol Jacobi, eds.
Exh. cat. New York: Abrams, 2016. 256 pp.; 170 color ills. Hardcover $65.00 (9781849763431)
Tate Britain, London, November 25, 2015–April 10, 2016
Artist and Empire: Facing Britain’s Imperial Past is both a fascinating and frustrating compendium of art made since the sixteenth century that either depicts, reflects, or comments upon British colonialism. Written by a team of Tate curators, with contributions by Gus Casely-Hayford, Annie E. Coombes, Paul Gilroy, Nicholas Thomas, and Sean Willcock, this exhibition catalogue seeks to address the legacies of the British Empire: to reconsider how empire was recorded and perceived by... Full Review
February 9, 2018
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Sarah Gordon
New Haven and London: Yale University Press, 2015. 184 pp.; 80 color ills.; 17 b/w ills. Cloth $65.00 (9780300209488)
Eadweard Muybridge (born Edward Muggeridge) is either a Victorian eccentric remote from our understanding or a man for our time. Or both. Dedicated to the intersection of imaging, technology, and the cutting-edge science of his day, Muybridge was a flamboyant self-promoter, ambitious immigrant, and reinventor of self. He was also the larger-than-life assassin of his young wife’s lover and the sometime friend of plutocrat and former California governor Leland Stanford, as well as a... Full Review
February 9, 2018
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Veronica Roberts, ed.
Exh. cat. Austin: Blanton Museum of Art at the University of Texas at Austin, 2017. 144 pp.; 138 ills. Hardcover $34.95 (9781477311516)
Blanton Museum of Art at the University of Texas, March 12–June 11, 2017; Stanford University Cantor Arts Center, September 15, 2017–January 7, 2018
Nina Katchadourian: Curiouser is the first mid-career survey of the work of California-born New York–based Conceptual artist Nina Katchadourian (b. 1968). The exhibition explores ten major bodies of her work that include video, photography, sculpture, and sound art, addressing themes such as language, translation and interpretation, mapping and classificatory systems, sound and silence, awkwardness and the absurd, with a serious playfulness that has become the artist’s trademark.... Full Review
February 8, 2018
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Catherine David, ed.
Exh. cat. New York: Harry N. Abrams, 2016. 240 pp.; 330 color ills. Paperback $45.00 (9781849763721)
Tate Modern, September 16, 2016–January 8, 2017
Tate Modern’s wide-ranging, twelve-room retrospective The EY Exhibition examined the complex and politically aesthetic body of work produced by the internationally renowned Cuban Surrealist painter and ceramicist Wifredo Lam (1902–82). Lam achieved fame at an early stage in his career, and his artistic legacy positions him as one of the most influential artists of color to have globalized and pluralized the modernist movement.The texts and illustrations in the comprehensive... Full Review
February 8, 2018
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Ittai Weinryb
New York: Cambridge University Press, 2016. 305 pp.; 108 color ills.; 12 b/w ills. Hardcover (9781107123618)
In 1935 Otto von Falke and Erich Meyer published the first volume of Bronzegeräte des Mittelalters (Bronze Utensils of the Middle Ages), the long-running series of corpus-wide surveys of bronze objects (door knockers, cross bases, lavabos, etc.), whose seventh installment, Hiltrud Westermann-Angerhausen’s corpus of censers from ca. 800–1500, appeared in 2014. Each volume consists of a catalogue, rigorously formalist in method, prefaced by an introduction to the history, form,... Full Review
February 8, 2018
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Benjamin Anderson
New Haven: Yale University Press, 2017. 216 pp.; 67 color ills.; 10 b/w ills. Cloth $65.00 (9780300219166)
In Cosmos and Community in Early Medieval Art, Benjamin Anderson studies three cultures—Frankish, Umayyad, and Byzantine—to examine how each used cosmological imagery to express social and political relationships between the ruler and the people. That zodiac imagery has remained stable from antiquity to the present allows for this type of study. For those unfamiliar with the history of zodiac and cosmos studies, Anderson provides a logical and helpful... Full Review
February 7, 2018
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