Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Niall Atkinson
University Park: Penn State University Press, 2016. 280 pp.; 50 color ills.; 110 b/w ills. Hardcover $39.95 (9780271071206)
After first poking around in The Noisy Renaissance, I found myself wondering when during the day Donatello worked most efficiently, where he stashed his ready cash, whom he spoke with on a regular basis, and how he responded when he heard a bell ring. After reading Atkinson’s book, I know that Donatello’s response to the ringing of a bell would have depended on where he was, on which bell was sounding, and on the time of day, the day of the week, and the moment in the cycle... Full Review
January 9, 2018
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Abigail McEwen and Susanna Temkin
New York: David Zwirner Books, 2016. 192 pp.; 138 color ills.; 55 b/w ills. Hardcover $55.00 (9781941701331)
David Zwirner Gallery, New York, January 7—February 20, 2016
To a degree unparalleled in many other subfields of art history, twentieth-century Latin America has come into focus through exhibitions and accompanying catalogues. Indeed, these exhibitions often presage scholarly immersion in—or even assembly of—a related archive. Witness the dominance of selected institutions in establishing the canon for study of modern and contemporary Latin American art in the anglophone world: the Museum of Modern Art (MoMA) in New York; the Museum of... Full Review
January 9, 2018
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Martina Bagnoli, ed.
Exh. cat. Baltimore: Walters Art Museum, 2017. 280 pp.; 241 color ills. Hardcover $65.00 (9780300222951)
Walters Art Museum, Baltimore, Maryland, October 16, 2016–January 8, 2017.
Reaching beyond sight has become a commonly stated aim of art history. For medievalists, interest in the connections between art and embodied sensation grows logically from the field’s long-standing and rich examination of vision and its particular attention to materiality. This legacy brings with it certain propensities—most notably a bias toward religious objects and the relationships they structure between bodily experience and the apprehension of God. The ambitious A Feast for the... Full Review
December 22, 2017
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Elaine K. Gazda and John R. Clarke, eds.
Exh. cat. Kelsey Museum Publication (Book 14). Ann Arbor: Kelsey Museum Publications, 2016. 288 pp. Paperback $25.97 (9780990662341)
Kelsey Museum of Archaeology, Ann Arbor, Michigan, February 19–May 15, 2016; Museum of the Rockies at the Montana State University, June 18–December 31, 2016; Smith College Museum of Art in Northampton, Massachusetts, February 3–August 13, 2017
The raison d’être for the publication of Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii was the traveling exhibition of the same name organized by Elaine Gazda and John Clarke at the Kelsey Museum of Archaeology of the University of Michigan, with additional venues at Montana State University and Smith College Museum of Art (where this reviewer saw the exhibition in February 2017). Without the exhibition, it is unlikely that a new and lavishly illustrated... Full Review
December 21, 2017
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Mary Hunter
Rethinking Art's Histories. Manchester: Manchester University Press, 2016. 280 pp.; 60 b/w ills. Hardcover $33.95 (9780719097577)
Written from the perspective of visual culture studies, broadly speaking The Face of Medicine addresses “the entanglement of art, science, politics, and popular culture in the early Third Republic” (1). Knowledge of that political regime is assumed, and readers rusty on their French history may find themselves stymied. Of course such information is readily, and amply, available, whereas Mary Hunter’s examination of medical masculinities in late nineteenth-century Paris is unique,... Full Review
December 20, 2017
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Sascha T. Scott
Norman: University of Oklahoma Press, 2015. 280 pp.; 58 color ills.; 30 b/w ills. Cloth $45.00 (9780806144849)
During the heyday of the Taos/Santa Fe School, which lasted from about 1915 to the mid-1930s, support came from two different kinds of patrons: those intrigued by an exotic and remote Indian civilization in the far Southwest, which somehow doubled as an early America; and those who looked on the same group of Indians as descendants of the ancient Anasazi tribes, with cultural attributes that merited preservation. Distinguishing between the two groups has never been easy; some patrons... Full Review
December 19, 2017
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Brian A. Brown and Marian H. Feldman, eds.
Berlin: De Gruyter, 2013. 812 pp. Hardcover $149.99 (9781614510291)
Brian A. Brown and Marian H. Feldman’s volume, Critical Approaches to Ancient Near Eastern Art, is first an outstanding reflection, and stands at the leading edge, of ancient Near Eastern art history. Perfectly poised within current scholarship in the larger discipline of art history, the essays touch upon trends of interdisciplinarity, post-processual theory, materiality, and thing-theory, to name just a few. As the larger field of art history is beginning to embrace the turn to... Full Review
December 18, 2017
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Miranda Wallace, Robert Leonard, and Betsy Berne
Brisbane: Gallery of Modern Art, 2016. 144 pp. Cloth AU$ 39.95 (9781921503801)
Exhibition schedule: Gallery of Modern Art, Brisbane, May 28–October 3, 2016
In the decades since Cindy Sherman established her photographic practice as part of the Pictures Generation of the 1970s and early 1980s, her work has provoked polarized opinions. Her relationship with feminism in particular has been hotly debated, with some insisting that her work reveals and subverts the patriarchal nature of the gaze, and others suggesting that Sherman’s use of masquerade merely reinforces the visual dynamics of fetishism. As Jui-Ch’i Liu has suggested, Sherman’s own... Full Review
December 15, 2017
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Denise Y. Arnold and Elvira Espejo
New York: Thames & Hudson, 2015. 352 pp.; 450+ color ills. Hardcover $95.00 (9780500517925)
The Andean Science of Weaving: Structures and Techniques of Warp-Faced Weaves is a monumental volume that contributes an important perspective to the study of Andean textiles: “a world view perceived from a weaver’s ‘fingertips’” (18). This tremendous undertaking by authors Denise Y. Arnold and Elvira Espejo represents years of research and fieldwork experience, as well as extensive and creative thought not only about the way in which weavers of the Andean highlands construct... Full Review
December 15, 2017
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Susan Best
New York: Bloomsbury, 2016. 232 pp.; 52 b/w ills. Hardback $26.99 (9781472529787)
What art can do in relation to historical trauma has been discussed most thoroughly through the Holocaust. After (the misreading of) Adorno’s famous dictum on the impossibility of using art to work through a trauma of such scale, art has, from the distance of several decades, more or less successfully returned to the question. Claude Lanzmann’s filmic monument to the catastrophe, Shoah (1985), can stand as an emblem for this aesthetic return. It leveraged a monumental time frame... Full Review
December 14, 2017
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