Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Andrea Bacchi, Catherine Hess, and Jennifer Montagu, eds.
Exh. cat. Los Angeles and Ottawa: J. Paul Getty Museum and National Gallery of Canada, 2008. 336 pp.; 155 color ills.; 114 b/w ills. Paper $44.95 (9780892369324)
Exhibition schedule: J. Paul Getty Museum, Los Angeles, August 5–October 26, 2008; National Gallery of Canada, Ottawa, November 28, 2008–March 8, 2009; Museo Nazionale del Bargello, Florence, April 2–July 12, 2009 (as “‘I Marmi Vivi:” Gian Lorenzo Bernini e la nascità del ritratto barocco, with catalogue in Italian)
With two independent exhibitions in 2008 devoted to the Baroque portrait bust—Heads on Shoulders: Portrait Busts in the Low Countries, 1600–1800, at the Royal Museum of Fine Arts, Antwerp; and Bernini and the Birth of Baroque Portrait Sculpture, co-organized by the J. Paul Getty Museum and the National Gallery of Canada—the genre of early modern portrait sculpture celebrated an unparalleled year. There has never been a specialized exhibition of Gianlorenzo Bernini’s portrait... Full Review
November 18, 2009
Elizabeth Kennedy, ed.
Exh. cat. Chicago: Terra Foundation for American Art in association with University of Chicago Press, 2009. 144 pp.; 135 color ills.; 5 b/w ills. Cloth $29.95 (9780932171566)
Exhibition schedule: New Britain Museum of American Art, New Britain, CT, March 6–May 24, 2009; Milwaukee Art Museum, Milwaukee, June 6–August 23, 2009
The Eight and American Modernisms was the latest exhibition that sought to find some kind of unifying thread to bind together eight artists—Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, and John Sloan—whose formal association lasted roughly a year and whose art has bedeviled the efforts of art historians to assess the importance of their contribution, collectively or as individuals. When the artists banded together in... Full Review
November 4, 2009
Álvaro Soler del Campo
Exh. cat. Washington, DC and Madrid: National Gallery of Art, State Corporation for Spanish Cultural Action Abroad, and Patrimonio Nacional, 2009. 300 pp.; 160 color ills. Paper $60.00
Exhibition schedule: National Gallery of Art, Washington DC, June 28–November 29, 2009
The Art of Power: Royal Armor and Portraits from Imperial Spain, which can only be seen at the National Gallery of Art, offers an excellent sequel to a series of recent exhibitions on Spanish themes, including the wonderful El Greco to Velázquez: Art during the Reign of Philip III, which was on view last year at the Museum of Fine Arts, Boston, and the Nasher Museum at Duke University (click here for review). But whereas that... Full Review
October 28, 2009
Exhibition schedule: Memphis Brooks Museum of Art, Memphis, TN, June 20–September 6, 2009
The Prints of Jacob Lawrence, 1963–2000, showcased eighty-one prints by the master African American artist in a crowd-pleasing exhibition that provided a platform for one of the lesser-known parts of Lawrence’s extensive oeuvre. The screenprints, lithographs, etchings, drypoints, and single woodcut displayed in the show represented almost the entirety of Lawrence’s output as a printmaker and were brought together courtesy of the DC Moore Gallery in New York for this show at the Memphis... Full Review
October 28, 2009
Ann Goldstein, ed.
Exh. cat. Los Angeles and Cambridge, MA: Museum of Contemporary Art, Los Angeles and MIT Press, 2008. 372 pp.; 151 color ills.; 30 b/w ills. Cloth $44.95 (9781933751092)
Exhibition schedule: Museum of Contemporary Art, Los Angeles, September 20, 2008–January 5, 2009; Museum of Modern Art, New York, March 1–May 11, 2009
The critical reception of Martin Kippenberger's work is indiscernible from that of his persona. Kippenberger died of cancer in 1997 at the age of forty-four. But his myth lives on, carefully perpetuated by his peers and by a cohort of assistants who were involved in not only the production of his work but also the production of its meaning, and faithfully disseminated in the circulation systems that Kippenberger's work addressed or that became at times the work itself. (His reintegration of... Full Review
October 28, 2009
Carlos Basualdo, ed.
Exh. cat. New Haven and Philadelphia : Yale University Press in association with Philadelphia Museum of Art, 2009. 240 pp.; 120 color ills.; 40 b/w ills. Cloth $40.00 (9780300149814)
Exhibition schedule: United States Pavilion at the 53rd International Art Exhibition—La Biennale di Venezia. Organizing institution: Philadelphia Museum of Art. Exhibition Curators: Carlos Basualdo and Michael Taylor. June 7–November 22, 2009. A portion of the exhibition will be traveling to the Philadelphia Museum of Art: November 21, 2009–April 4, 2010.
Bruce Nauman’s masterful Topological Gardens, which was the United States entry in the 53rd International Art Exhibition—La Biennale de Venezia, not surprisingly won the Golden Lion Award for best national pavilion. Breaking from most previous U.S. exhibitions at the biennale, Nauman’s amounts to a not-so-mini-survey and is spread, also uncharacteristically, over three venues—the United States Pavilion in the Giardini, the Università Iuav di Venezia at Tolentini, and the Università Ca’... Full Review
September 29, 2009
Exhibition schedule: MOCA Pacific Design Center, Los Angeles, October 19, 2008–March 1, 2009
For this exhibition, the Museum of Contemporary Art (MOCA), Los Angeles, assembled over 130 works by more than 100 artists to present the first large-scale exhibition of artists’ books in Los Angeles since 1978. But To Illustrate and Multiply was not a historical survey of artists’ books. Despite the expanse of works included, the exhibition was decidedly contemporary in scope—the earliest book on view was Ray Johnson’s The Paper Snake from 1965, and many of the books presented... Full Review
September 23, 2009
Mark Rosenthal, ed.
Exh. cat. San Francisco, West Palm Beach, and New Haven: San Francisco Museum of Modern Art and Norton Museum of Art in association with Yale University Press, 2009. 264 pp.; 297 color ills. Cloth and DVD $50.00 (9780300150483)
Exhibition schedule: San Francisco Museum of Modern Art, March 14–May 31, 2009; Modern Art Museum of Fort Worth, July 11–September 27, 2009; Norton Museum of Art, West Palm Beach, November 7, 2009–January 17, 2010; Museum of Modern Art, New York, February 28–May 17, 2010; Albertina, Vienna, October 30, 2010–January 30, 2011; Israel Museum, Jerusalem, March 5–May 29, 2011; Stedelijk Museum, Amsterdam, July 7–October 2, 2011
So often our preliminary encounter with an exhibition sets our expectations and attitude about the work. This is particularly true for shows where that initial encounter occurs prior to actually seeing the art. My introduction to William Kentridge: Five Themes at the San Francisco Museum of Modern Art was very much influenced by hearing muffled music as I walked through the galleries of works on paper that were part of the exhibition’s first section, “Parcours d’Atelier: Artist in the... Full Review
September 16, 2009
Exhibition schedule: Williams College Museum of Art, Williamstown, MA, September 20, 2008–March 8, 2009
Exhibition schedule: Williams College Museum of Art, Williamstown, MA, November 15, 2008–April 26, 2009
This past winter and spring, the Williams College Art Museum mounted two photography shows based on work from its own collection. The first, Beyond the Familiar, was the more survey-like and pedagogical (with several Williams graduate students serving as curators), bringing together 12 photographers with samples from their most signature projects, about 120 pictures in all. The pictures and photographers come from widely different places and times: Felice Beato’s Views of Japan,... Full Review
September 9, 2009
Catherine de Bourgoing, ed.
Exh. cat. Paris: Petit Palais and Musée de la Vie Romantique, 2009. 256 pp.; many color ills. € 39.00 (9782759600779)
Exhibition schedule: Petit Palais and Musée de la Vie Romantique, Paris, April 2–June 28, 2009
Mounted by the Petit Palais in collaboration with the City of Paris’s Musée de la Vie Romantique, William Blake: The Visionary Genius of English Romanticism—featuring over 150 works borrowed from major British collections, the Louvre, and the Philadelphia Museum of Art, among others—was the first French retrospective devoted to Blake since 1947. This overdue exhibition was expansive and thorough, if not inspirational; it was beautifully installed in the Petit Palais’s well-appointed... Full Review
August 26, 2009