Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Browse Recent Exhibition Reviews

Catharina Manchanda, ed.
Exh. cat. Seattle: Seattle Art Museum, 2018. 96 pp.; 59 color ills. Cloth $35.00 (9780300233896)
Seattle Art Museum, February 15–May 13, 2018
The title of Figuring History, an exhibition of twenty-six large-scale works by Robert Colescott (1925–2009), Kerry James Marshall (b. 1955), and Mickalene Thomas (b. 1971), signals at least two of the show’s significant themes. Both terms have double meanings. “History” refers to people and events of the past as well as to the history of art. “Figuring” indicates both the representations of the human figure and the artists’ attempts to “puzzle out the place and meaning of those... Full Review
September 21, 2018
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Mazie M. Harris
Exh. cat. Los Angeles: J. Paul Getty Museum, 2018. 224 pp.; 187 color ills.; 20 b/w ills.; 207 ills. Cloth $49.95 (9781606065495)
J. Paul Getty Museum, Los Angeles, February 27–May 27, 2018
Paper Promises: Early American Photography, curated by Mazie M. Harris, assistant curator of photographs at the J. Paul Getty Museum, offered fascinating insight into the little-known history of early paper photography in the United States. Although the processes for producing metal daguerreotypes and paper photographs were introduced simultaneously in America, negative-positive paper photography was slow to catch on, despite the ostensible benefits of its reproducibility. Harris... Full Review
September 5, 2018
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J. Paul Getty Museum, Los Angeles, January 30–April 8, 2018
Based on manuscripts in the J. Paul Getty Museum’s collection, the one-room exhibition presented a well-defined overview of medieval ideas and depictions of prejudice and persecution. Even though the title of the exhibition contained the phrase “medieval world,” this was effectively the present-day world of Christians in western and central Europe in the twelfth to the fifteenth centuries. This misnomer in the title does not distract from the nuanced treatment of the exhibition’s... Full Review
August 27, 2018
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Sarah Greenough and Sarah Kennel
Exh. cat. New York: Harry N. Abrams, 2018. 320 pp.; 230 b/w ills. Cloth $55.00 (9781419729034 )
National Gallery of Art, Washington DC, March 4–May 28, 2018; Peabody Essex Museum, Salem, Massachusetts, June 30–September 23, 2018; J. Paul Getty Museum, Los Angeles, November 20, 2018–February 10, 2019; Museum of Fine Arts, Houston, March 3–May 27, 2019; Jeu de Paume, Paris, June 17–September 22, 2019; High Museum of Art, Atlanta, October 19, 2019–January 12, 2020
“Nature is a Haunted House—but Art—a House that tries to be haunted,” Emily Dickinson writes in a letter to her confidant Thomas Wentworth Higginson. It is a laconic thought: clear as a bell in its expression, troubled as a knot in its concept. Who does the haunting? For some—Dickinson would surely count herself among them—nature bears the touch of its creation and is haunted by the leftover presence of the spirit that created it. But it is also part of Dickinson’s thought that we... Full Review
August 23, 2018
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Matthew H. Robb, ed.
Exh. cat. Oakland, CA: University of California Press, 2017. 444 pp.; 350 color ills.; 16 b/w ills. Cloth $75.00 (9780520296558)
Fine Arts Museums of San Francisco: de Young, September 30, 2017–February 11, 2018; Los Angeles County Museum of Art, March 25–September 3, 2018; Phoenix Art Museum, October 6, 2018–January 27, 2019
The publication of Teotihuacan: City of Water, City of Fire and its accompanying exhibitions offers an extraordinarily comprehensive examination of one of the largest preindustrial cities in the world, its principal occupation lasting from 150 BCE to around 600 CE. Just as the ancient Mexican city drew people and resources from... Full Review
August 20, 2018
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Eva Respini, ed.
Exh. cat. New Haven: Yale University Press, 2018. 316 pp.; 236 color ills. Cloth $65.00 (9780300228250)
Institute of Contemporary Art/Boston, February 7–May 20, 2018
The exhibition Art in the Age of the Internet, 1989 to Today at the Institute of Contemporary Art/Boston (ICA/Boston) helped to contextualize the history of the internet’s development in light of how it is shaping our interconnected present and, as a consequence, contemporary art practices.Importantly, the exhibition revolved around the concept that the internet is a cultural product. Such a concept... Full Review
July 25, 2018
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Roger Gastman, Trina Calderon, and Caleb Neelon
Exh. cat. Berkeley: Gingko Press Inc., 2015. 354 pp.; 800 ills. Hardcover $49.95 (9781584236016)
Nora Burnett Abrams, ed.
Denver: MCA Denver, 2017. 128 pp. Cloth $24.95 (9781616895754)
Museum of Contemporary Art Denver, February 11–May 14, 2017
The stairwell leading down to the Museum of Contemporary Art Denver’s (MCA) first floor simulates the visual experience of a New York City subway. The walls are lined with <span... Full Review
July 20, 2018
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Massimiliano Gioni and Micola Brambilla, eds.
Exh. cat. Milan: La Triennale di Milano and Electa, 2017. 312 pp.; 100 color ills. Paper € 45.00 (9788891814081)
Triennale di Milano Foundation, Milan, Italy, April 28–August 20, 2017
The Restless Earth, curated by Massimiliano Gioni and organized by the Nicola Trussardi Foundation, was an ambitious exhibition that brought together more than sixty artists from over forty countries. It presented an exceptional ensemble of personal and collective works, which describe some of the most critical and debated issues of our society—migration, the current refugee crisis, and the phenomenon of globalization. The exhibition was on display at the Triennale di Milano... Full Review
July 2, 2018
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Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello, eds.
Exh. cat. Philadelphia: Philadelphia Museum of Art in association with Yale University Press, 2016. 432 pp.; 350 color ills.; 20 b/w ills. Cloth $65.00 (9780300215229)
Exhibition schedule: Philadelphia Museum of Art, Philadelphia, October 25, 2016–January 8, 2017; Museo del Palacio de Bellas Artes, Mexico City, February 3–April 30, 2017; Museum of Fine Arts, Houston, June 25–October 1, 2017
The third and last iteration of Paint the Revolution: Mexican Modernism, 1910–1950 on view at the Museum of Fine Arts, Houston in 2017, is just one of the several exhibitions over the last five years that has sought to examine and complicate the story about the development of avant-garde movements in Mexico and their impact on the cultural and social life of the country. This latest surge of interest in modern Mexican art started with Vanguardia en México 1915–1930, organized... Full Review
June 18, 2018
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What distinguishes the Whitney Museum of American Art’s Calder: Hypermobility exhibition from other recent Calder exhibitions is its presentation of sculpture as performance art. Jay Sanders, the Whitney Museum’s curator of performance art, and his colleagues Greta Hartenstein and Melinda Lang advance the claim that, in order to be adequately apprehended, Calder’s sculptures ought to be seen and heard in motion or, as they would have it, in a state of activation. From... Full Review
June 13, 2018
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