Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Browse Recent Exhibition Reviews

Nicole R. Myers, ed.
Exh. cat. New Haven: Yale University Press, 2017. 136 pp.; 115 color ills. Paper $35.00 (9780300227055)
Dallas Museum of Art, December 4, 2016–March 19, 2017
The title to the exhibition Art and Nature in the Middle Ages at the Dallas Museum of Art appeared in large gilded letters set upon a forest-green wall and framed by a lush foliate border similar to those gracing late-medieval manuscripts. The glittering composition signaled that something beautiful waited around the corner. A small creature, outlined in gold and similarly lifted from lively Gothic illuminations, playfully peeked from a lower corner of the same wall, imparting a... Full Review
February 15, 2018
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The Museum of the City of New York, January 14–May 21, 2017
The lights went out in New York City for two days in the summer of 1977, a summer marred also by more murders by the Son of Sam killer and a continuing fiscal crisis. In that time of crisis, privately funded arts groups stepped forward to enrich the city’s public-school programs with art classes taught by working artists. Forty years later, The City and the Young Imagination at the Museum of the City of New York looked back over the work of children in classes sponsored by one such... Full Review
February 14, 2018
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Jonathan P. Binstock and Malick Gaines
Exh. cat. Los Angeles: Hammer Museum, 2014. 119 pp. Cloth $92.00 (9780991635696)
UCLA Hammer Museum, June 2–September 2, 2012; Grand Gallery at Memorial Art Gallery, Rochester, NY, February 19–May 7, 2017; Rochester Contemporary Art Center, February 3–March 19, 2017
The exhibition Meleko Mokgosi: Pax Kaffraria consisted of a series of mural-size paintings that interwove historical narratives of postcolonial southern African countries with cinematic contemporary scenes from the daily lives of the individuals who uphold, live within, resist, define, and embody the nation-states. Mokgosi, born in Francistown, Botswana, and living in New York City, presented the project in eight nonlinear chapters, each one composed of three to eight canvases, with... Full Review
February 13, 2018
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Veronica Roberts, ed.
Exh. cat. Austin: Blanton Museum of Art at the University of Texas at Austin, 2017. 144 pp.; 138 ills. Hardcover $34.95 (9781477311516)
Blanton Museum of Art at the University of Texas, March 12–June 11, 2017; Stanford University Cantor Arts Center, September 15, 2017–January 7, 2018
Nina Katchadourian: Curiouser is the first mid-career survey of the work of California-born New York–based Conceptual artist Nina Katchadourian (b. 1968). The exhibition explores ten major bodies of her work that include video, photography, sculpture, and sound art, addressing themes such as language, translation and interpretation, mapping and classificatory systems, sound and silence, awkwardness and the absurd, with a serious playfulness that has become the artist’s trademark.... Full Review
February 8, 2018
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Jeffrey Weiss, Daniel Buren, and Whitney Davis
Exh. cat. New York: Guggenheim Museum, 2015. 264 pp.; 436 color ills. Cloth $45.00 (9780892075195)
Solomon R. Guggenheim Museum, New York, February 6–May 3, 2015
I first saw On Kawara’s work in person in 1998 at the retrospective exhibition Whole and Parts 1964–1995 at the Museum of Contemporary Art in Tokyo. At the time I was a graduate student in that city, and my memory of the show is marked by the architecture of the museum, with its rectangular spaces and high ceilings, where each of his bodies of work was assigned a separate space, objectivizing them and creating a sense of preciousness. Overall, the symmetric configuration of the... Full Review
February 1, 2018
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Exhibition schedule: Queens Museum, March 8, 2015—September 13, 2015
Queens Museum, March 8–September 13, 2015
After Midnight: Indian Modernism to Contemporary India, 1947/1997 looks at Indian and diasporic art from the last seventy years. Occupying much of the Queens Museum’s capacious ground floor, the exhibition, curated by art historian Arshiya Lokhandwala, is spatially as well as thematically organized along two now-axiomatic fault lines of recent Indian history: India’s independence in 1947 and the opening of India’s markets to international commercial interests under former Prime... Full Review
January 23, 2018
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Miranda Wallace, Robert Leonard, and Betsy Berne
Brisbane: Gallery of Modern Art, 2016. 144 pp. Cloth AU$ 39.95 (9781921503801)
Exhibition schedule: Gallery of Modern Art, Brisbane, May 28–October 3, 2016
In the decades since Cindy Sherman established her photographic practice as part of the Pictures Generation of the 1970s and early 1980s, her work has provoked polarized opinions. Her relationship with feminism in particular has been hotly debated, with some insisting that her work reveals and subverts the patriarchal nature of the gaze, and others suggesting that Sherman’s use of masquerade merely reinforces the visual dynamics of fetishism. As Jui-Ch’i Liu has suggested, Sherman’s own... Full Review
December 15, 2017
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The Institute of Classical Architecture & Art
New York: The Institute of Classical Architecture & Art, 2016.
The Institute of Classical Architecture and Art (ICAA), a nonprofit institution located in midtown Manhattan that is devoted to “advancing the practice and appreciation of the classical tradition in architecture, urbanism, and the allied arts,” has recently opened a plaster-cast gallery. A selection of highlights from 120 plaster casts... Full Review
December 14, 2017
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Byzantine Fresco Chapel, Menil Collection, Houston, TX, May 21, 2016 – Oct 28, 2018
Installed at the Menil Collection’s Byzantine Fresco Chapel in Houston, Texas, more than four hundred handmade images of the fourth-century saint Fabiola comprise Francis Alÿs’s latest version of The Fabiola Project. Except for a few small objects displayed in an adjoining room, the pictures are hung on a single wall 24 feet tall by 40.5 feet wide. The lower one-third of the works can be inspected closely, but the rest reside too high for such pursuits and are subsequently absorbed... Full Review
December 12, 2017
Sarah Kate Gillespie, Janice Simon, Meredith E. Ward, and Kimberly Orcutt
Exh. cat. Athens: Georgia Museum of Art, University of Georgia, 2016. 126 pp.; 42 color ills.; 40 b/w ills. Cloth $55.00 (9780915977956)
Exhibition schedule: Georgia Museum of Art, September 17–December 11, 2016
The forty works featured in Icon of Modernism: Representing the Brooklyn Bridge, 1883–1950 illustrate the influence that the imposing New York architectural landmark has had on modernist artists of varying stripes since its completion in 1883 to just after the Second World War. Included are a mix of paintings, works on paper, and photographs executed in several modernist styles from American Impressionism to Surrealism that depict the bridge from key vantage points. In fact, in the... Full Review
December 6, 2017
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