Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Bonnie C. Wade
Chicago: University of Chicago Press, 1998. 470 pp.; 20 color ills.; 166 b/w ills. Paper $80.00 (0226868419)
How can paintings inform us of past cultural practices? By interrogating paintings produced at the Mughal court, Bonnie Wade reconstructs musical practices prevalent at the medieval royal courts of North India. Although Wade's project began as an ethnomusicological enquiry eager to mine more than textual sources, her study ends up problematizing what meanings Mughal paintings had for past as well as present viewers. For historians of South Asian visual culture, Wade's innovative study... Full Review
June 23, 1999
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Madeline Harrison Caviness
Aldershot, U.K.: Ashgate, 1997. 284 pp.; 221 b/w ills. Cloth $159.95 (0860786382)
Madeline Caviness introduces this volume herself by explaining her "penchant for re-joining fragments and reconstructing programs." While that description narrowly summarizes the content of many of the articles, it hardly does them justice. The anthology comprises fifteen articles written by Caviness between 1962 and 1993, bringing together contributions to festschriften, catalogues and conferences that might not otherwise be readily accessible (in this review, the articles will be... Full Review
June 23, 1999
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Wheelock Whitney
New Haven: Yale University Press, 1996. 222 pp.; 45 color ills. Cloth $65.00 (0300068034)
In the autumn of 1816 the twenty-five year old Gericault set off for Italy, where he spent the next year in Rome—except for an initial month in Florence and a two-month excursion to Naples in the spring of 1817. In this abundantly illustrated monograph, Wheelock Whitney explores the Italian journey in the context of Gericault's short career, and shows that this least studied period of Gericault's work was a crucial stage—the year in which the artist "came of age" (1). The significance... Full Review
June 22, 1999
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Ruth B. Phillips
Seattle: University of Washington Press, 1999. 352 pp.; 38 color ills.; 171 b/w ills. Paper $40.00 (0295976489)
Ruth Phillips's study of souvenir art made in the Northeast describes a number of histories of longstanding, transcultural negotiation among the native and nonnative people in this region. Although the dynamic forces at work in the contact zone have been described as reciprocal before—Arjun Appadurai (1996) has aptly described the negotiation of imagined lives as "self-fabricated" and James Clifford (1997) has characterized the roles of native movers and shakers (formerly called informants)... Full Review
June 22, 1999
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Steven Conn
Chicago: University of Chicago Press, 1998. 313 pp.; 27 b/w ills. Cloth $32.50 (0226114937)
In this study of American culture between the Centennial and Sesquicentennial, Steven Conn argues that American museums played a vital role in the production and dissemination of knowledge. Believing that their duty was to educate and enlighten, museums offered an eager public vast arrays of systematically organized artifacts. Displayed in glass cases, these artifacts spelled out compelling narratives of evolutionary change, of savagery and civilization, of intractable backwardness and... Full Review
June 22, 1999
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Rona Goffen, ed.
New York: Cambridge University Press, 1998. 176 pp.; 30 b/w ills. Cloth $49.95 (0521467098)
Masaccio's Trinity is part of a new series initiated last year by the Cambridge University Press, which recalls two high quality series of art history books from the 1970s. As in the Viking Press series, "Art in Context," a single masterwork of Western European painting from the Renaissance through the twentieth century is examined in detail. Following a format similar to "The Artists in Perspective Series" (Prentice-Hall), each volume includes an introduction by the editor followed by... Full Review
June 16, 1999
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William L. Pressly
Berkeley: University of California Press, 1999. 212 pp.; 2 color ills.; 100 b/w ills. Cloth $50.00 (0520211960)
This book is one of the University of California Press's Discovery Series, each of which focuses on a single important work of art, artist or theme in the history of art. Thus, Pressly's contribution examines in detail two paintings illustrating incidents in the French Revolution: Plundering the King's Cellar at Paris, August 10, 1792, (1794, Wadsworth Athenaeum, Hartford, Connecticut) and Celebrating over the Bodies of the Swiss Soldiers, August 12, 1792, (ca. 1794... Full Review
June 16, 1999
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Hans Mielke
Turnhout, Belgium: Brepols Publishers, 1996. 247 pp.; 161 b/w ills. Cloth €69.00 (250350499X)
See also: Nadine M. Orenstein, ed. "Pieter Bruegel the Elder: Drawings and Prints":http://www.caareviews.org/reviews/443, reviewed by Nils Buttner This recent catalogue of the drawings of Pieter Bruegel the Elder is the product of decades of research on the part of its author, who served as a curator of the Berlin-Dahlem Print Room from 1971 until his death in 1994. A widely respected scholar, Hans Mielke was the author of several significant publications, including major catalogues... Full Review
June 16, 1999
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George Michell
New York: Thames and Hudson, 1998. 232 pp.; 250 color ills.; 44 b/w ills. Paper $39.95 (0500279640)
George Michell has been publishing on aspects of South Asian architecture for more than twenty years, offering volumes of often broad scope on little known or underdeveloped topics and monuments. From his many publications on the remains and archaeological activities at the South Indian site of Vijayanagara in particular, but also Chandragiri, Firuzabad, and Deccani architecture to his volume on south Indian architecture published as part of the New Cambridge History of India (New... Full Review
June 3, 1999
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Frederick C. Moffatt
Newark: University of Delaware Press, 1998. 240 pp.; 107 b/w ills. Cloth $55.00 (0874136288)
Frederick C. Moffatt has written a handsomely illustrated and abundantly researched book on George Grey Barnard's somewhat notorious statue of Abraham Lincoln. Part of the American Arts Series of the University of Delaware Press, this volume contributes to the growing number of publications on American sculptural history. Over the years, this series has held a special commitment to this underserved field with its publication of such prestigious tomes as Wayne Craven's Sculpture in... Full Review
June 2, 1999
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