Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Cherise Smith
Austin: University of Texas Press, 2020. 300 pp.; 151 color ills.; 20 b/w ills. Cloth $60.00 (9781477319178)

Within the past five years, art historians and others interested in the intersection of race and representation have benefited from several noteworthy publications examining the role of visual culture, both current and historical, in the construction of American identity. To this list—which includes John Stauffer, Zoe Trodd, and Celeste-Marie Bernier’s Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth... Full Review

April 6, 2020
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Christian K. Kleinbub
University Park, PA: Penn State University Press, 2020. 260 pp.; 40 color ills.; 77 b/w ills. Cloth $99.95 (9780271083780)

Among premodern artists, Michelangelo is by far the most written-about individual. Through books, articles, and popular culture we are inundated with information and interpretation about him. While the onslaught of literature will and must continue, it is rare when a book offers a fundamentally new way of considering the artist. Christian K. Kleinbub’s book Michelangelo’s Inner Anatomies does just that. It offers meaningful and original investigations into Michelangelo’s sense of... Full Review

April 2, 2020
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Marije Osnabrugge
Amsterdam Studies in the Dutch Golden Age. Amsterdam: Amsterdam University Press, 2019. 400 pp.; 20 color ills.; 89 b/w ills. Cloth €129.00 (9789462988200)

For a few decades now, immigration has been at the center of societal debates and political programs, at least in the Global North. Migrant artists are rarely mentioned in these discussions, perhaps because professional artists make up a relatively negligible segment of the total immigrant population. Conversely, however, it seems likely that nowadays a high percentage of those making a living by making art are migrants; the same goes for art historians. Marije Osnabrugge, the... Full Review

March 27, 2020
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Charlotte Guichard
Paris: Éditions du Seuil, 2018. 368 pp.; 98 color ills. Cloth €31.00 (9782021402315)

In La griffe du peintre, Charlotte Guichard offers a reflection on the painter’s signature in France during the long eighteenth century, both as a sign of artistic identity and as a bearer of value. She convincingly argues that the topic is best served by anchoring analysis at the intersection of various perspectives, simultaneously tracing a “material history of easel painting and a cultural history of signature” (25; all translations are my own). Together, these approaches... Full Review

March 25, 2020
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Ünver Rüstem
Princeton, NJ: Princeton University Press, 2019. 336 pp.; 204 color ills.; 44 b/w ills. Cloth $65.00 (9780691181875)

In this extensive study on eighteenth-century Ottoman Istanbul, Ünver Rüstem examines the evolution of baroque architecture under the patronage of five consecutive sultans, from Ahmed III (r. 1703–30) to Abdülhamid I (r. 1774–89), concluding with the significance of building activity during the reign of Sultan Selim Full Review

March 24, 2020
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Meiqin Wang
Routledge Research in Art and Politics. New York: Routledge, 2019. 252 pp.; 16 color ills.; 58 b/w ills. Cloth $155.00 (9781138314344)

In the past few decades, the global contemporary art world has witnessed a significant revival of interest in the question of art’s social dimensions, including awareness of the public sphere, civic engagement, and participation in politics. This “social turn” has manifested as a critique of institutionalized postmodernism and neoliberal capitalism. The rise of socially engaged art in China has echoed this international art phenomenon. Artists, critics, and researchers are harnessing the... Full Review

March 11, 2020
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Gülru Çakmak
Liverpool, UK: Liverpool University Press, 2018. 256 pp.; 13 color ills.; 36 b/w ills. Cloth $120.00 (9781786940674)

Gülru Çakmak’s book on the French artist Jean-Léon Gérôme was a joy to read. It is the first monograph that I have read that engages seriously, thoroughly, and deeply with Gérôme’s academic paintings. It focuses on the artist’s most famous works from the 1850s, an early stage in what was to become a stellar career within the institutional framework of nineteenth-century Paris: Duel after the Masquerade (1857), Prayer in the House of an Arnaut Chief (1857), Ave Caesar!... Full Review

March 9, 2020
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Lamia Balafrej
Edinburgh Studies in Islamic Art. Edinburgh: Edinburgh University Press, 2019. 276 pp.; 74 color ills. Cloth $150.00 (9781474437431)

A stimulating read from start to finish, Lamia Balafrej’s The Making of the Artist in Late Timurid Painting is the first book-length analysis of one of the most important codices of Islamic art—the Cairo Bustan (The orchard). Currently preserved in Cairo, this fifteenth-century copy of Saʻdi’s (d. 1291) Persian book of poetry was produced in Herat (in today’s Afghanistan) for Husayn Bayqara (r. ca. 1470–1506), a ruler of the Timurid Empire, which dominated Central Asia... Full Review

March 6, 2020
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Dana E. Byrd and Frank H. Goodyear III
Exh. cat. Brunswick, ME and New Haven, CT: Bowdoin College Museum of Art in association with Yale University Press, 2018. 208 pp.; 138 color ills. Hardcover $45.00 (9780300214550 )
Bowdoin College Museum of Art, June 22–October 28, 2018; Brandywine River Museum of Art, Chadds Ford, PA, November 17, 2018–February 17, 2019

Winslow Homer and Photography: A Reassessment

Over the past decade, the Portland Museum of Art’s restoration of the Winslow Homer (1836–1910) studio on Prouts Neck in Scarborough, Maine, and the acquisition of his view camera by the Bowdoin College Museum of Art have spurred important new scholarship about Homer’s relationship to the visual culture of his day. The recent exhibition and catalog Winslow Homer and the Camera: Photography and the Art of Painting carefully... Full Review

February 28, 2020
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Asma Naeem
Oakland: University of California Press, 2020. 248 pp.; 49 color ills.; 27 b/w ills. Cloth $65.00 (9780520298989)

Asma Naeem’s book starts with one of those “aha” moments that occur when, as an art historian, you recognize that you have been overlooking a simple but persistent phenomenon relevant to your subject. Vision, it turns out, is not the only sense relevant to the field—hearing matters too. Naeem’s first sentence will not surprise most art historians: “Museums weren’t always the hallowed spaces of reflection that they are today” (1). However, she builds on this straightforward observation to... Full Review

February 24, 2020
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