Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Laurie Schneider Adams
Boulder, CO: Westview Press, 2001. 210 pp.; 29 color ills.; 83 b/w ills. Paper $26.00 (0813334268)
Laurie Schneider Adams
Boulder, Colo.: Westview Press, 2001. 420 pp. Cloth $75.00 (0813336902)
The publication of these two intellectually engaging and visually appealing textbooks by Laurie Schneider Adams provides a good opportunity to reconsider the main options available for surveys of Italian Renaissance art. Art historians, like most academics, tend to argue the relative merits of different textbooks with great gravity, finding fault for reasons of coverage, method, or quality of reproductions. In this age of interactive web syllabi, these problems are relatively surmountable; we... Full Review
August 30, 2001
C.R. Dodwell
Cambridge, U.K.: Cambridge University Press, 2000. 171 pp. Cloth $69.95 (0521661889)
The publication of Anglo-Saxon Gestures and the Roman Stage posthumously honors C. R. Dodwell's lifelong work on early medieval art. Timothy Graham, formerly Dodwell's research assistant, considerately saw the book through to press. In this volume, Dodwell considers the origins of the illustrations in Carolingian Terence manuscripts and their possible relationship to illuminations produced at Canterbury or under Canterbury's influence in the eleventh century. Although its deductions... Full Review
August 29, 2001
Frank Büttner
Weisbaden, Germany: Franz Steiner Verlag, 1980. 374 pp.; 228 b/w ills. Cloth $318.00 (3515032584)
The Nazarenes engaged the most vital philosophical, theological, and poetic issues of their time with an intensity scarcely rivaled in the history of nineteenth-century art. Thus, given the interest of contemporary art historians in theory and interdisciplinary studies, one could confidently assume that research on Nazarenism would represent a burgeoning field. And yet, the contrary is the case. The puzzling lack of scholarly engagement with Nazarenism has partially resulted from the... Full Review
August 28, 2001
Katherine M. D. Dunbabin
Cambridge, U.K.: Cambridge University Press, 1998. 357 pp.; 40 color ills.; 318 b/w ills. Cloth $140.00 (052146143X)
For too long, ancient mosaics have been the stepchild of histories of ancient art, although they exist in countless numbers from all over the Empire, contribute substantially to the décor of the buildings, both public and private, in which they occur, and constitute an extraordinary repertory of ornamental and figurative motifs. For several decades, however, under the leadership of Henri Stern and his many colleagues and successors in Europe and America, there has appeared an extensive, if... Full Review
August 21, 2001
Hayden B. J. Maginnis and Gabriele Erasmi
University Park: Pennsylvania State University Press, 2001. 464 pp.; 16 color ills.; 108 b/w ills. Cloth $65.00 (0271020040)
For three decades, Hayden Maginnis has helped shape the way historians of medieval painting consider the art of Italy. Noted for his illuminating essays, Maginnis has recently set out to produce a three-volume study of thirteenth- and fourteenth- century Sienese painting that will surely set the standard for new approaches to art history for generations to come. The first book in this series, the highly acclaimed Painting in the Age of Giotto: A Historical Reevaluation, appeared four... Full Review
August 15, 2001
David Leatherbarrow
Cambridge, Mass.: MIT Press, 1999. 335 pp.; 87 b/w ills. Cloth $37.95 (0262122308)
Since the mid-1960s, art and design critics, theorists, and practitioners have wholeheartedly embraced issues of site and context as part of the creative process. When Jack Burnham published "Systems Esthetic" in the September 1968 issue of Artforum, he identified a body of work that could not be described or evaluated according to narrowly construed modern-art criteria that valued an autonomous, bounded object. The site-specific works, happenings, and process pieces that Burnham noted... Full Review
August 14, 2001
Michael Shapiro and Brett Miller
Berkeley: American Association of Museums, 1999. 120 pp.; 99 color ills.; 22 b/w ills. Paper $24.95 (0931201632)
At the stroke of midnight, December 31, 1977, valuable collections vanished suddenly and probably forever from museums all over the United States. The dollar value of the loss has never, to my knowledge, been assessed. Yet, it certainly ranked in the many millions. Surprisingly, museum officials at first took little notice of their loss. They filed no police reports, made no insurance claims. In the days and weeks that followed, there were no mass protests against the vast conspiracy,... Full Review
August 14, 2001
Kumiko Maekawa
Bern: Peter Lang, 1999. 349 pp. Cloth $52.95 (0820435813)
A book with the title Narrative and Experience: Innovations in Thirteenth-Century Picture Books seems to promise insights into how stories function and work upon readers; or perhaps, how narratives come to be significant within cultures. Alternately, such a study might immerse its readers in the intricacies of the working of a few particularly intriguing stories. Unfortunately, in terms of these sorts of expectations, Kumiko Maekawa's book delivers only disappointment. Nonetheless,... Full Review
August 13, 2001
Anne D. Hedeman
Champaign: University of Illinois Press, 2001. 123 pp.; 8 color ills.; 39 b/w ills. Cloth $49.95 (0252026144)
Anne D. Hedeman's Of Counselors and Kings offers a comprehensive investigation of the Dialogues of Pierre Salmon. Salmon was an advisor to the ill-starred French king Charles VI (r. 1380-1422), whose debilitating mental illness contributed to a series of profound crises during his reign. The manuscripts consist of a set of questions purportedly posed by the king to Salmon—first concerning political issues and then theological matters—followed by a collection of transcribed... Full Review
August 10, 2001
David Van Zanten
New York: W.W. Norton & Company, 2000. 179 pp. Cloth $60.00 (0393730387)
A temptation with formal analysis is to detach the object of study from larger life, to concentrate on its properties that inhere in similar objects, and to restrict art's importance to art itself. Analysis of form is David Van Zanten's strength, but by narrowing his perspective, it leads to questionable conclusions. For example, the point where this stimulating book begins to unravel is when the authors claims that "Sullivan's Houses are as Important as His Banks," almost the title of... Full Review
August 10, 2001