Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Mireille M. Lee
New York: Cambridge University Press, 2015. 382 pp.; 110 b/w ills. Hardcover $99.00 (9781107055360)
The study of the role of dress in ancient societies has seen a boom in recent years, absorbing new techniques in archaeology and approaches from “new dress history,” cultural studies, and theories of the body. Mireille Lee’s previous work has already been influential in putting Greek dress on the agenda, and this current volume offers new insights into dress as a communicative medium as well as synthesizing scholarship across a number of related subfields (gender, identity, ethnicity,... Full Review
September 28, 2018
David Adjaye and Peter Allison
New York: Thames & Hudson, 2016. 400 pp.; 700 color ills. Cloth $50.00 (9780500343166)
This compact edition of David Adjaye’s exploration of Africa brings together in one volume the fruits of his eleven-year-long project to visit and visually document the capitals of the continent’s fifty-four countries. The front cover image of Adjaye, Africa, Architecture: A Photographic Survey of Metropolitan Architecture serves as a key to the intellectual and conceptual approach of the book: a map of Africa’s six climatic zones. This map, credited to his architectural practice... Full Review
September 26, 2018
D. Medina Lasansky, ed.
Pittsburgh: Periscope, 2014. 640 pp.; 126 ills. Paperback $35.00 (9781934772256)
This collection of essays has attracted little attention since its publication in 2014, an oversight that should be remedied. Through nineteen essays and nine photo essays edited by D. Medina Lasansky, The Renaissance: Revised, Expanded, Unexpurgated places the early modern past and the postmodern present in dialogue with one another and examines the ways in which the Renaissance has been appropriated and received in Anglo-American popular culture. As Lasansky notes in the... Full Review
September 24, 2018
Franklin Sirmans and Yael Lipschutz, eds.
Exh. cat. New York and London: Prestel, Delmonico, and Los Angeles County Museum of Art, 2015. 128 pp.; 80  color ills.; 24 b/w ills. Hardcover $39.95 (9783791354347)
Los Angeles County Museum of Art, June 7, 2015–January 3, 2016
Noah Purifoy: Junk Dada takes an in-depth look at the artistic and biographical journey of the under-recognized African American artist and activist, Noah Purifoy (1917–2004) and his large-scale installation and home environment, the Joshua Tree Outdoor Museum (1989–2004). This lush catalogue, richly illustrated with eighty photographs by Fredrik Nilsen, features insightful essays by Yael Lipschutz, art critic and archivist of the Noah Purifoy Foundation in Joshua Tree, California;... Full Review
September 20, 2018
Diarmuid Costello
New York: Routledge, 2018. 166 pp.; 12 color ills.; 18 b/w ills. Paper $29.95 (9780415684491)
Diarmuid Costello’s book brings together an abundance of historical and analytical debates to make clear that the philosophy of photography is a delineated field in its own right. Although the title On Photography: A Philosophical Inquiry reflects Susan Sontag’s seminal book and may bring to mind Vilém Flusser’s attempt to single-handedly philosophize photography, it is in no sense similar to those approaches. Costello has gathered a rich corpus of philosophical thoughts on two... Full Review
September 17, 2018
Alessia Frassani
Norman, OK: University of Oklahoma Press, 2017. 256 pp.; 46 color ills.; 52 b/w ills. Cloth $45.00 (9780806157566)
In her microhistory of Yanhuitlan, a town in the rugged Mixteca Alta of Oaxaca, Mexico, Alessia Frassani complicates our understanding of the collaborative and enduring interchange of indigenous and European constituencies in New Spanish society. Although historians attempting to reconstruct the dynamics of an ancient, multiethnic community often discover that their evidence is random and scarce, the documentation of Yanhuitlan, in stone, wood, and paper, is fortuitously consistent.... Full Review
September 14, 2018
Lynne Cooke
Exh. cat. Washington, DC: University of Chicago Press and National Gallery of Art, 2018. 448 pp.; 450 color ills.; 467 ills. Cloth $65.00 (9780226522272)
National Gallery of Art, Washington, DC, January 28–May 13, 2018; High Museum of Art, Atlanta, June 24–September 30, 2018; Los Angeles County Museum of Art, November 18, 2018–March 18, 2019
Outliers and American Vanguard Art at the National Gallery of Art in Washington, DC, offers an ambitious study of the significance of self-taught art to the production of mainstream US American artists. The expansive exhibition presents more than 250 works by 84 artists and is organized around three historic periods that, argues its curator Lynne Cooke, saw a surge in formal support for objects made beyond the conventional bounds of the art world: 1924–43, 1968–92, and 1998–2013.... Full Review
September 12, 2018
Allison Morehead
Refiguring Modernism (Book 21). University Park: Penn State University Press, 2017. 264 pp.; 51 color ills.; 60 b/w ills. Hardcover $89.95 (9780271076744)
Gustave Kahn’s characterization of Symbolism as “the exteriorization of the Idea” is usually explained as the Symbolists privileging the imagination over a naturalistic art practice that reproduced the visible world. In Nature’s Experiments and the Search for Symbolist Form, Allison Morehead reorients this quotation and Symbolist art itself toward science, specifically the experimental method. One of the crucial arguments in Nature’s Experiments is that even as positivism was... Full Review
September 10, 2018
Jessica L. Fripp, Amandine Gorse, Nathalie Manceau, and Nina Struckmeyer, eds.
Paris: Mare & Martin, 2016. 296 pp.; 15 color ills. Paperback € 35.00 (9791092054422)
The edited volume, as a scholarly format, has proliferated in recent years but is too seldom celebrated. Its demands—principally brevity when it comes to individual essays—and its overall capaciousness produce texts and experiences of discovery this reviewer cherishes. When it comes to the topic of sociability, moreover, there could scarcely be a more appropriate form of presentation. If all books are social—collaborations linking author, editor, copyeditor, indexer, designer, printer, and... Full Review
September 7, 2018
Laura Anne Kalba
University Park: Penn State University Press, 2017. 288 pp.; 108 color ills.; 11 b/w ills. Hardcover $84.95 (978-0-271-07700-0)
And then there was color. In short, this is the theme of Laura Kalba’s fascinating study, Color in the Age of Impressionism: Commerce, Technology, and Art, which chronicles the explosion of vivid (and often artificial) colors in everyday life in late nineteenth-century France. Explaining the science and technology behind the making of both new as well as more saturated traditional colors, the book traces the many experiential and epistemic shifts that attended consumers’ willing... Full Review
September 4, 2018