Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Irene Earls
Westport, Conn.: Greenwood Press, 2004. 240 pp.; 15 color ills.; 26 b/w ills. Cloth $59.95 (0313319375)
For some there is a paradox in the fact that Bob Jones University, a Christian-fundamentalist institution that bills itself as the bastion of “old-time religion” based on the absolute authority of the Bible, should be a repository for one of the best collections of Catholic art in the United States. In the words of Henry Hope, who first introduced the university’s museum to the public (“The Bob Jones University Collection of Religious Art,” Art Journal XXV, no. 2 (1965–66): 154–162),... Full Review
April 26, 2007
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Michael Cole, ed.
Exh. cat. University Park: Pennsylvania State University Press, 2006. 208 pp.; many b/w ills. Cloth (0271029056)
Exhibition schedule: Arthur Ross Gallery, University of Pennsylvania, Philadelphia, PA, April 14–June 11, 2006; John and Mable Ringling Museum of Art, Sarasota, FL, July 1–August 19, 2006; Smith College Museum of Art, Northampton, MA, September 2–October 28, 2006
The Early Modern Painter-Etcher, curated by Madeleine Viljoen, Director of the La Salle University Art Museum, and Michael Cole, Associate Professor and Graduate Chair in the Department of the History of Art at the University of Pennsylvania, reexamined art-historical categories. Specifically, it looked at the ways in which painters in the sixteenth through eighteenth centuries took up not just any print technique but in particular the technique of etching. The excellent catalogue,... Full Review
April 25, 2007
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Carmen Giménez and Francisco Calvo Seraller
Exh. cat. New York: Solomon R. Guggenheim Museum, 2006. 446 pp.; 222 color ills. Cloth $75.00 (8496209733)
Exhibition schedule: Solomon R. Guggenheim Museum, New York, November 17, 2006–March 28, 2007
According to the curators of Spanish Painting from El Greco to Picasso: Time, Truth and History, the dominant themes of Spanish painting can be captured in fifteen categories ranging from art-historical genre (“Bodegones,” or still lifes) to those seemingly made to fit the loans received (“Flyers,” “Landscapes of Fire”). The curators took great—and controversial—license in liberating Spanish painting from the conventions of chronology, school, and patronage that usually provide the... Full Review
April 25, 2007
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Peter C. Sutton
Exh. cat. Yale University Press, 2006. 256 pp.; 110 color ills.; 70 b/w ills. $65.00 (0300119704)
Exhibition schedule: Bruce Museum, Greenwich, CT, December 16, 2006–January 10, 2007; Rijkmuseum, Amsterdam, February 1–April 30, 2007
Of the diverse artistic specialties that developed in the Dutch Republic during the seventeenth century, architectural painting was the last, fully emerging only during the 1650s. Interior and exterior views of major local buildings—real or imagined—along with depictions of the larger built environment of the rapidly growing Dutch cities allowed artists to celebrate national power and prosperity while examining aspects of visual experience also explored in many landscapes and genre paintings... Full Review
April 19, 2007
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Exhibition schedule: Busch-Reisinger Museum, Cambridge, MA, September 9–December 10, 2006
Of the myriad exhibitions mounted worldwide to mark the four-hundredth anniversary of Rembrandt’s birth, Rembrandt and the Aesthetics of Technique at Harvard University’s Busch-Reisinger Museum stands out for its serious consideration of the very basis for such celebrations: the category of genius. Ivan Gaskell, Margaret S. Winthrop Curator in the Department of Painting, Sculpture, and Decorative Arts; William Robinson, Maida and George Abrams Curator of Drawings at the Fogg Art... Full Review
April 18, 2007
Camille Morineau, ed.
Exh. cat. Paris: Editions du Centre Pompidou, 2006. 320 pp.; 260 color ills.; 130 b/w ills. Cloth (2844263046)
Exhibition schedule: Centre Pompidou, Paris, October 5, 2006–February 5, 2007; Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, March 9–June 3, 2007
If large-scale exhibitions are a measure of an artist’s lasting success, then Yves Klein has admittedly fared better than some of his more neglected French peers. This is the third major exhibition of Klein’s work in a Paris museum since his death in 1962, and the second exhibition the Pompidou Center has devoted to the artist. Perhaps best known for his signature International Klein Blue (IKB) two-and-three dimensional works and his Anthropométries (1960–61), paintings resulting from... Full Review
April 18, 2007
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Holly Flora
Exh. cat. New York: The Frick Collection, 2006. 52 pp.; 42 color ills.; 1 b/w ills. $15.95 (001912114339)
Exhibition schedule: Frick Collection, New York, October 3–December 31, 2006
Over the last few years, our knowledge of Tuscan painting in the late duecento has expanded considerably. In Siena, the recent unveiling of frescoes in the crypt of the cathedral has challenged our assumptions about late medieval Italian art. Previously unknown panel paintings have come to light as well, among them a dazzling small panel of the Enthroned Virgin and Child, recently acquired from a private collection by the National Gallery in London, and attributed to Cimabue by the National... Full Review
April 17, 2007
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Exhibition schedule: September 4–November 12, 2006
What if every new biennale mattered? Take Belief, for instance, the inaugural Singapore effort, which opened in September 2006. Headed by Fumio Nanjo, the new director of Tokyo’s Mori Art Museum, Belief was curated by Nanjo and his three appointees: Roger McDonald, deputy director of Arts Initiative Tokyo; Sharmini Pereira, an independent curator based in London and Sri Lanka, and founder of Raking Leaves publishing; and Eugene Tan, director of the Institute of Contemporary Arts... Full Review
April 12, 2007
Richard Armstrong
Exh. cat. Ghent, Belgium and Los Angeles: Ludion and Los Angeles County Museum of Art, 2006. 256 pp.; 250 color ills.; 50 b/w ills. Cloth $60.00 (9055446211)
Exhibition schedule: Los Angeles County Museum of Art, November 19, 2006–March 4, 2007
Magritte and Contemporary Art: The Treachery of Images. Essays by Richard Armstrong, Stephanie Barron, Roberta Bernstein, Sara Cochran, Michel Draguet, Thierry de Duve, Pepe Karmel, Theresa Papanikolas, Noëllie Roussel, Dickran Tashjian, Lynn Zelevansky. Ghent and Los Angeles: Ludion and Los Angeles County Museum of Art, 2006. 256 pp; 250 color ills.; 50 b/w ills. $60.00 (cloth) (9055446211) The impetus behind the exhibition Magritte and Contemporary Art: The Treachery of... Full Review
April 12, 2007
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Exhibition schedule: Tokyo Opera City Art Gallery, Tokyo, Japan, October 7–December 24, 2006; Sendai Mediatheque, Sendai, Japan, April 13–May 19, 2007; Museum of Modern Art, Hayama, Japan, June 9–September 2, 2007. The show is expected to be offered at the University of California, Berkeley, in 2008, probably in a modified form.
In Japan, Toyo Ito (born 1941) is considered one of the most important figures in post-War Japanese architecture. Based in Tokyo, he has valued both theory and practice, and has used each of them to perceptively articulate the implications of social change. In the 1970s, Ito reflected Japan’s technological enthusiasm, originally calling his firm URBOT, an abbreviation of “Urban Robot.” His work of this period ultimately culminated in Silver Hut, a high-tech aluminum home for his family, where... Full Review
February 6, 2007