Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Lisa Phillips and Massimiliano Gioni, eds.
Exh. cat. New York: New Museum and Skira Rizzoli, 2013. 248 pp.; many color ills. Cloth $75.00 (9780847841790)
Exhibition schedule: New Museum, New York, NY, October 2, 2013–January 12, 2014
Chris Burden: Extreme Measures at the New Museum, the Los Angeles-based artist’s first major museum exhibition in the United States in twenty-five years and his first solo museum show in New York, is a boy’s dream come true. Organized by Lisa Phillips with Massimiliano Gioni and Jenny Moore, the show presents a grown-up man playing with toys. The difference is that, this time around, Burden’s adolescent universe gets a big injection of money, engineering, and industriousness. Even if... Full Review
June 19, 2014
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College Art Association, 2013.
Exhibition schedule: Scottsdale Museum of Contemporary Art, AZ, January 26–April 28, 2013
What to do with Paolo Soleri (1919–2013)? For the last half-century, the work of the Italian-born architect has seemingly refused to conform to the stylistic and theoretical concerns of the times. That is, until recently, when Cosanti, the foundation he established, began making efforts to transform the general perception of his work from one of an arts-and-crafts practice to that of visionary sustainable design. For the discipline of art history, however, Soleri’s legacy is important, not... Full Review
June 12, 2014
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Koenraad Jonckheere, ed.
Trans. Michael Hoyle and Imogen Forster. Exh. cat. London and Turnhout: Harvey Miller in association with Brepols, 2013. 208 pp.; 178 color ills. Cloth $99.96 (9781909400146)
Exhibition schedule: M – Museum Leuven, October 31, 2013—February 23, 2014
Koenraad Jonckheere, ed.
Exh. cat. Leuven: Davidsfonds Uitgeverij and M – Museum Leuven, 2013. 128 pp.; 89 color ills. Paper € 19.95 (9789063066598)
Exhibition schedule: M – Museum Leuven, October 31, 2013—February 23, 2014
Organized by Koenraad Jonckheere in collaboration with Peter Carpreau, senior curator at M – Museum Leuven, this important, thoughtful, and beautiful exhibition aims to enshrine Michiel Coxcie among the select group of northern masters—Jan Gossaert, Jan van Scorel, Maarten van Heemskerck, and Frans Floris—who visited Rome during the first half of the sixteenth century and engaged inventively with the art of Leonardo, Raphael, and Michelangelo, as with their ancient sources, both sculptural... Full Review
June 5, 2014
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Exh. cat. New York: Frick Collection, 2013. 149 pp.; 80 color ills. Paper $27.50 (9780912114576)
Exhibition schedule: Frick Collection, New York, February 12–May 19, 2013
It is a long way from the Tuscan town of Borgo San Sepolcro to the sumptuous interior of the Frick Collection, where six of the panel paintings by the famously enigmatic Piero della Francesca for the high altar of Sant’Agostino were reunited. Yet the preciosity of these mid-quattrocento works in oil and tempera, some resplendent with gold leaf and fictive jewel-encrusted fabrics, was deceptively compatible with the luxurious neo-classical setting. That the secular venue and Piero’s religious... Full Review
May 8, 2014
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Jay Sanders and J. Hoberman
Exh. cat. New York and New Haven: Whitney Museum of American Art in association with Yale University Press, 2013. 144 pp.; 115 color ills.; 150 b/w ills. Paper $30.00 (9780300195866)
Exhibition schedule: Whitney Museum of American Art, New York, October 31, 2013–February 2, 2014
The 1970s is a decade whose image has not yet crystallized. As Rosalind Krauss reported at the time in “Notes on the Index,” seventies art in America was “diversified, split, factionalized” (October 3 [Spring 1977]: 68). Despite art history’s attempts to trace a clear picture that would bring this “willful eclecticism” into some explanatory order, the decade that followed the Minimalist and Conceptualist reductions of the 1960s and preceded the excesses of the 1980s continues to pose... Full Review
May 2, 2014
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Philippe Pirotte and Beatrix Ruf, eds.
Exh. cat. Zurich, Berkeley, and Nanjing: Kunsthalle Zürich, Berkeley Art Museum and Pacific Film Archive, and Sifang Art Museum, 2013. 160 pp.; 101 color ills.; 149 b/w ills. Paper $55.00
Exhibition schedule: Berkeley Art Museum and Pacific Film Archive, Berkeley, August 21–December 8, 2013; Kunsthalle Zürich, Zurich, April 6–May 26, 2013
A compelling mid-career survey for the Shanghai-based artist and filmmaker, Yang Fudong: Estranged Paradise, Works 1993–2013 showcased several key works by the artist who is perhaps best known for his stylistically noir films that focus upon the ongoing social complexities facing a generation of Chinese born after the Cultural Revolution. The second iteration of a traveling retrospective that first opened at the Kunsthalle Zürich in April 2013, works exhibited at the Berkeley Art... Full Review
April 24, 2014
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Susan Tumarkin Goodman and Kenneth E. Silver
Exh. cat. New York and New Haven: Jewish Museum and Yale University Press, 2013. 148 pp.; 72 color ills.; 27 b/w ills. Cloth $45.00 (9780300187342)
Exhibition schedule: Jewish Museum, New York, September 15, 2013–February 2, 2014
The fourth exhibition dedicated to the work of Marc Chagall and mounted by the Jewish Museum since 1965 (with the three most recent—in 1996, 2001, and 2008—also organized by senior curator Susan Tumarkin Goodman), Chagall: Love, War, and Exile trained a specific focus on the artist’s work in France during the run-up to World War II and the difficult war years he spent in New York. The show was organized into four sections, “Time is a River,” “War and Exile,” “The Jewish Jesus,” and... Full Review
April 10, 2014
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Jeffrey Howe, ed.
Exh. cat. Boston: McMullen Museum of Art, Boston College, 2013. 140 pp.; 35 color ills.; 25 b/w ills. Paper $35.00 (9781892850218)
Exhibition schedule: McMullen Museum of Art, Boston College, Boston, September 1–December 8, 2013
Disdain for Belgium is so commonplace in Paris that the very mention of “les belges” can cause a smirk. A small but ambitious exhibition at Boston College’s McMullen Museum of Art demonstrated that, far from sharing this prejudice, Gustave Courbet had an attachment to Belgium, where his work was admired and imitated. In 1866, the painter wrote to the Belgian merchant Arthur Stevens: “I consider Belgium my country” (quoted in the exhibition catalogue, 11). He might have visited Belgium... Full Review
April 4, 2014
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Corinne Bélier, Barry Bergdol, and Marc Le Cœur, eds.
Exh. cat. New York: Museum of Modern Art, 2013. 232 pp.; 225 color ills. Cloth $55.00 (9780870708398)
Exhibition schedule: Cité de l'architecture et du patrimoine, Paris, October 11, 2012–January 7, 2013; Museum of Modern Art, New York, March 10–June 24, 2013
A celebrated protagonist of nineteenth-century French architecture, Henri Labrouste (1801–1875) has been rigorously reappraised by subsequent generations of architects and architectural historians. In the mid-twentieth century, architectural historian and critic Sigfried Giedion likened Labrouste’s application of exposed cast iron in the interiors of his two Parisian libraries, the Bibliothèque Sainte-Geneviève (1838–50) and the Bibliothèque nationale (1854–75), to such industrial marvels of... Full Review
April 4, 2014
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Michael Govan and Christine Y. Kim
Munich and Los Angeles: Delmonico and Los Angeles County Museum of Art, 2013. 304 pp.; 250 color ills. Cloth $75.00 (9783791352633)
Exhibition schedule: Los Angeles County Museum of Art, Los Angeles, May 26, 2013–April 6, 2014; Museum of Fine Arts, Houston, June 9–September 22, 2013; Solomon R. Guggenheim Museum, New York, June 21–September 25, 2013
The Los Angeles County Museum of Art’s (LACMA) nearly yearlong James Turrell: A Retrospective opened concurrently with two other major exhibitions of the artist’s work at the Museum of Fine Arts, Houston (MFAH), and the Solomon R. Guggenheim Museum in New York. Initially conceived independently by the three institutions, these exhibitions were aligned more to strengthen the visibility of Turrell’s work than to present a coordinated account of it. The MFAH show was first imagined in... Full Review
March 20, 2014
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