Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Christopher S. Wood
Princeton, NJ: Princeton University Press, 2019. 472 pp.; 24 b/w ills. Cloth $35.00 (9780691156521)
An accessible and timely book on art history’s history is a gap that needed to be filled, but the title of this book by Christopher S. Wood, a professor in the German department at New York University, is somewhat misleading. This book goes well beyond a history of art history, or even a historiography of the field, as several reviewers have noted. Andrei Pop, for example, calls it “more than a textbook” and rather a “polemic” with art history; Cindy Helms argues that it is “a heavy duty assessment of what the discipline of Art History has thought about itself… Full Review
November 12, 2020
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Mark Crinson and Richard J. Williams
London: Bloomsbury Visual Arts, 2018. 184 pp.; 30 b/w ills. Cloth £75.00 (9781350020917)
Few academic disciplines are as variously housed in institutions of higher learning as architectural history—sometimes in university departments of history or art history, sometimes in schools of architecture or degree programs in historic preservation or heritage conservation, and sometimes in several different places within the same institution. Should the discipline be devoted to the training of architects or to fostering a new generation of architectural historians based in methods of nontextual analysis? Since the early nineteenth century, the history of architecture has been taught to future architects—the École des Beaux-Arts, Paris, had a professor of architectural history—and by the end… Full Review
November 6, 2020
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FROM THE ARCHIVE: This autumn, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. If you had the chance to write to President Donald Trump, what would you say? Across three presidencies, Sheryl Oring has been typing postcards from citizens on a vintage typewriter, expressing the people’s thoughts about those in power. Read more in Christianna Fail’s review of Activating Democracy: The “I Wish to Say” Project. Full Review
November 3, 2020
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FROM THE ARCHIVE: This autumn, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. In a review befitting the eve of the 2020 US presidential election, Ariel Evans discusses the eerily prescient book and exhibition Kathryn Andrews: Run for President, exploring presidential publicity and the roots of Trumpism. Full Review
November 2, 2020
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Meha Priyadarshini
Palgrave Studies in Pacific History. Philadelphia: Palgrave Macmillan, 2018. 198 pp.; 25 color ills.; 5 b/w ills. Cloth $99.99 (9783319665467)
Meha Priyadarshini’s Chinese Porcelain in Colonial Mexico is structured as a spatial-commercial journey, presenting a “typical biography” (sensu Igor Kopytoff in his classic 1986 essay from Cambridge University Press’s The Social Life of Things) of the world’s first “global brand” (to use Craig Clunas’s oft-cited phrase). The book follows Chinese porcelain from production in Jingdezhen, to transpacific shipping from Manila, to consumption in Acapulco and Mexico City, and finally to reproduction in Puebla (one valley east of the viceregal capital), where Chinese porcelain inspired a local off-brand (talavera poblana) that was valued on its own terms by… Full Review
October 28, 2020
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Jennifer Bajorek
Durham, NC: Duke University Press, 2020. 352 pp.; 30 color ills.; 102 b/w ills. Paper $28.95 (9781478003663)
Over the past three decades, scholarship on the history of photography in Africa has done much to overturn monolithic accounts of modernity in the discipline of art history. Today African photography is a common topic of art history PhD dissertations and the regular focus of major books and exhibitions. The significance of this development cannot be overstated. Unfixed: Photography and Decolonial Imagination in West Africa by Jennifer Bajorek can be understood as an important turning point in these developments because it moves beyond topics that are by now familiar, even canonical. Grounded in rigorous theoretical inquiry and years of in-depth… Full Review
October 21, 2020
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Douglas Fordham
New Haven, CT and London: Paul Mellon Centre for Studies in British Art in association with Yale University Press, 2019. 328 pp.; 215 ills. Cloth $60.00 (9781913107048)
In Aquatint Worlds, Douglas Fordham argues that the medium of aquatint, a type of tonal printmaking, unified an aesthetic for picturing travel, in particular the architecture, peoples, and landscapes that came into view with the expansion of the British empire. This is a global and material history and a critical intervention in the history of print. From William Ivins’s description of engraved lines as a “net of rationality” to John Berger’s contemplation of “ways of seeing” art through reproduction, theorists have argued that technologies of print condition the reception of images. Fordham posits that aquatint was one such “worldmaking”… Full Review
October 14, 2020
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FROM THE ARCHIVE: This autumn, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. This week we revisit a crucial volume published in 2019, Posing Modernity: The Black Model from Manet and Matisse to Today, as reviewed by Michele Valerie Ronnick. Full Review
October 13, 2020
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Liza Oliver
Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2019. 260 pp.; 89 color ills. Cloth €99.00 (9789463728515)
Much of the history of Europe and South Asia’s mutual entanglement in the modern era has been written around the rise and fall of the British Raj, which dominated most of the Indian subcontinent for two centuries. In recent years, however, scholars have paid increasing attention to interactions between South Asia and the rest of Europe, on the one hand, and on the other, to the need to understand such interactions in terms of global networks of economic and cultural circulation, including Asia, Africa, and the Americas. The history of relations between France and the Indian subcontinent has been fruitful… Full Review
October 7, 2020
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FROM THE ARCHIVE: This autumn, caa.reviews is revisiting reviews that relate to the social issues of the present, at a time when the field is taking them up in renewed ways. Today, in a piece relevant to the United States' current election season, explore Ila Sheren's review of Beyond the Pink Tide: Art and Political Undercurrents in the Americas by Macarena Gómez-Barris, about the intersection of art and the wave of progressive governments elected across Latin America in the early twenty-first century. Full Review
October 5, 2020
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