Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Wendy Jean Katz
Columbus: Ohio State University Press, 2002. 280 pp.; 50 b/w ills. Cloth $47.95 (0814209068)
Published in 1832, Fanny Trollope's Domestic Manners of the Americans was a sensation in England and a scandal in the United States. Basing her remarks on observations she made during the two years she spent in Cincinnati, Trollope claimed that "in America that polish which removes the coarser and rougher parts of our nature is unknown and undreamed of." The greatest difference between England and America, according to Trollope, was "the want of refinement." By all appearances, Cincinnati's aspiring middle class took Trollope's criticism to heart. Wendy Jean Katz argues that during the antebellum period Cincinnati artists participated "in… Full Review
April 13, 2007
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Andrea Pearson
Burlington, Vt.: Ashgate, 2005. 264 pp.; 8 color ills.; 64 b/w ills. Cloth $120.00 (0754651541)
One would think that by now gender studies would have made solid inroads into just about any artistic province. That is not, however, the case for Northern Renaissance art—and surprisingly so, considering the rich harvest its wonderful tradition of portraiture promises to yield. Andrea Pearson’s study is to be welcomed as one of the first to take up this task. Fluent with feminist theory’s non-essentialist, negotiated approach to gender and subscribing to the view that spirituality always is an embodied experience, Pearson is an excellent guide. Her aim is to demonstrate the “viability of gender methodologies” for the study of… Full Review
April 12, 2007
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Tim Barringer
London: Paul Mellon Centre for Studies in British Art in association with Yale University Press, 2005. 392 pp.; 33 color ills.; 113 b/w ills. Cloth $65.00 (0300103808)
Recent years have witnessed a transformation of the field of nineteenth- and early twentieth-century British art, as scholars have rejected a definition of the modern derived from French art, and investigated the specific contours of a British modernity and its visual modes. Tim Barringer has already played a significant role in this reappraisal , and his recent book, Men at Work: Art and Labour in Victorian Britain, continues this conversation, making an important contribution both to the study of mid-Victorian visual culture and to the larger theoretical questions raised by recent scholars of Victorian art. The subject of … Full Review
April 11, 2007
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Eunice Dauterman Maguire and Henry Maguire
Princeton: Princeton University Press, 2006. 232 pp.; 8 color ills.; 150 b/w ills. Cloth $58.00 (0691125643)
At stake in this book are the very identity and stability of Byzantine art. Accustomed to understanding Byzantine art as a settled category, we often perceive this material culture as expressions of the powerful piety and pious power emanating from Constantinople. The authors of this book, however, perform a remarkable feat in undermining those perceptions to the point where new categories become possible. Remarkable is the persuasive power of their prose, which is measured, self-effacing, and lucid. Moreover, their book is methodologically unthreatening: The prose is streamlined, the notes are not fat, and the illustrations are many, often unusual and… Full Review
April 11, 2007
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Paul Binski
Paul Mellon Centre for Studies in British Art in association with Yale University Press, 2004. 320 pp.; 80 color ills.; 210 b/w ills. Cloth $65.00 (0300105096)
Becket’s Crown: Art and Imagination in Gothic England 1170–1300 is a book of remarkable depth and range. In contrast with more typical media-specific studies of the past, Paul Binski has undertaken a study that considers the art of the period in an integrated and synthetic manner. Indeed, Binski’s approach not only considers a broad range of media but also a broad range of issues concerning the production and reception of his subject. This dense and complex analysis draws on a variety of methodologies, chief among them the historical and cultural theories developed by anthropologist Clifford Geertz. In order to develop… Full Review
April 11, 2007
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George Beech
New York: Palgrave Macmillan, 2005. 160 pp.; 24 b/w ills. Cloth $85.00 (1403966702)
Uniquely, this book, according to its jacket copy, “presents the hypothesis that the Bayeux Tapestry, long believed to have been made in England, came from the Loire valley in France, from the abbey of St. Florent of Saumur.” For those with more than just a general knowledge of the Tapestry (the assumed audience of this book), this claim will seem bizarre, if not mad! Beech, somewhat like Charles Darwin, “anticipated reactions of stupor and disbelief” (ix) before he put pen to paper, but preferred not to discuss his theory with friends and colleagues until after he had finished the book… Full Review
April 10, 2007
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Pamela A. Patton
New York: Peter Lang, 2004. 298 pp.; 107 b/w ills. Cloth $72.95 (0820472689)
Pamela Patton’s Pictorial Narrative in the Romanesque Cloister addresses some large, wide-ranging questions that are of interest to all who work on the function and imagery of cloisters or indeed on medieval pictorial narrative in other contexts. The central question is one that has exercised medievalists for a long time: were there any Romanesque cloisters with coherent iconographic programmes? As Patton’s contenders have narrative imagery, she also asks what was the function of that kind of imagery and how was it viewed by the resident monks or canons. Both Ilene Forsyth (“The Vita Apostolica and Romanesque Sculpture: Some Preliminary Observations,”… Full Review
April 9, 2007
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George Henderson and Isabel Henderson
London: Thames and Hudson, 2004. 256 pp.; 326 b/w ills. Cloth £45.00 (0500238073)
The Art of the Picts marks a lifetime’s collaboration between George and Isabel Henderson, not least on the scholarly front. Isabel became the leading scholar of Pictish art, while her husband George frequently returned to the same subject in his own more wide-ranging studies. Having retired from Cambridge, the Hendersons now live within walking distance of the greatest Pictish cross slab at Nigg, Ross and Cromarty, where they continue to wrestle with the originality and frustrations of Pictish art. For those long steeped in Pictish studies, this joint effort is remarkable for what it does not do. The maps… Full Review
April 2, 2007
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Teresa A. Carbone
New York: Brooklyn Museum in association with D Giles Limited, 2006. 1152 pp.; 160 color ills.; 860 b/w ills. Cloth $350.00 (1904832083)
The Brooklyn Museum’s scholarly catalogue documenting its entire collection of eighteenth-, nineteenth-, and twentieth-century American paintings is a landmark contribution to American art scholarship. Its elegant, clean, and user-friendly design belies the impressive breadth and depth of its content. It is fortuitous—though surely not originally foreseen—that the publication of the book, begun twenty years ago in response to the Luce Foundation’s grants program to support major museum catalogues of American paintings, coincides with the completion of the Brooklyn Museum’s Luce Center for American Art. The publication’s extensive entries and data on nearly 700 American paintings by 360 artists make a… Full Review
January 29, 2007
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Ptolemy Dean
Burlington, Vt.: Ashgate, 1999. 208 pp. Cloth (1840142936)
Architect, historian, and television presenter Ptolemy Dean’s latest book on the work of Sir John Soane (1753–1837) constitutes a significant, intensely researched, and sumptuously illustrated contribution to the study of the late-Georgian British architect. Yet, as with many recent works on Soane, it also emanates something of the incense-filled air of a many-chambered and well-attended shrine wherein every scrap of paper, masonry, woodwork, or glazing that the great man might possibly have laid eyes on is consecrated for the reader’s study and admiration. Its value to Soane scholars and admirers is very tangible; its meaning to a wider public engaged… Full Review
January 25, 2007
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