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Pierre Rosenberg
Princeton University Press in association with National Gallery of Art, 1999. 244 pp.; 265 b/w ills. Cloth $65.00 (069100918X)
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February 1, 2001

For a series of six Andrew W. Mellon Lectures in the Fine Arts, Pierre Rosenberg chose as his subject the drawings of five French artists—Nicolas Poussin, Jean-Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres—who worked over the span of years when France was transformed politically and socially, but understood their contributions within an unbroken cultural lineage. Rosenberg, along with his collaborator, Louis-Antoine Prat, for years has been preparing definitive catalogues raisonnés of the drawings...

Paul Hills
Yale University Press, 1998. 248 pp.; 239 color ills.; 15 b/w ills. Cloth $55.00 (0300081359)
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January 31, 2001

Paul Hills's book deals with the aesthetics of color and its social history in Venice. These two ostensibly diverse agendas are interwoven through the author's examination of the cognitive skills of the patronal classes (Hills owes a great deal to Michael Baxandall's concept of the "period eye"), and the materials and processes involved in fashioning the visual environment of the city. As the title informs us, Hills deals with color in marble, mosaic, and glass...

Vibeke Vibolt Knudsen, ed.
Copenhagen: Statens Museum for Kunst, 1999. 231 pp.; 90 color ills. Paper (8790096037)
February 11-May 7, 2000, Statens Museum for Kunst, Copenhagen.
January 30, 2001

Almost all post-War scholarship on Francisco Goya (1746-1828) has been concerned, in one way or another, with the artist's relation to the political, social, and cultural upheaval that wracked Spain from the 1780s through the 1820s. Over the past decade, the touchstone for thinking about these issues has been Goya and the Spirit of Enlightenment, organized by Eleanor A. Sayre and Alfonoso E. Pérez Sánchez (Madrid: Museo del Prado, Boston: Museum of Fine Arts, and...

Patricia A. Morton
MIT Press, 1999. 380 pp.; 163 b/w ills. Cloth $40.00 (0262133628)
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January 30, 2001

In a letter to the curator of the 5th Biennale de Lyon, held in the summer of 2000, Partage d'exotismes (Sharing of Exoticisms), artist Hassan Musa declined an invitation to join the exhibition, claiming that, "Personally, as an artist born in Africa, but with no urge to bear the burden of an African artist, I know that the only opportunities open to me to present my work in public outside Africa are of the 'ethnic'...

Penelope J. E. Davies
Cambridge University Press, 1999. 265 pp.; 117 b/w ills. Cloth $80.00 (0521632366)
January 29, 2001

Death and the Emperor is an important new book that treats several familiar landmarks of the Eternal City in unfamiliar, stimulating, and insightful ways. The focus of the author's inquiry is the series of tombs and other memorials erected to honor deceased Roman emperors from Augustus to Marcus Aurelius. Because some of these monuments were built to house the remains of entire dynasties, this elite class of buildings has very few members—in fact, only seven...

Debra Pincus
Cambridge University Press, 1998. 276 pp.; 126 b/w ills. Cloth $80.00 (0521593549)
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January 29, 2001

Amidst the massive tombs of later doges, often reaching the entire height of a church from floor to vaulting, the rather more modest memorials to 13th- and 14th-century leaders of Venice may escape the notice of the general public, and indeed have largely escaped the attention of scholars. Debra Pincus amply demonstrates that they are, on the contrary, of considerable interest and importance. Most obviously, the early ducal tombs set the stage for the "grand,...

Gail E. Husch
Hanover, NH: University Press of New England, 1999. 384 pp.; 12 color ills.; 65 b/w ills. Paper $29.95 (1584650060)
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January 25, 2001

In 1972, David Huntington published an engaging and thought-provoking work, his Art and the Excited Spirit: America in the Romantic Period, a study of antebellum culture that has as its thesis the idea that "the American of the Romantic age was wakeful and on the qui vive." "His world was fraught with religion," Huntington told us, "his was an excited spirit." Having had the benefit of the late professor's teaching on this subject, I believe...

Barbara Dayer Gallati
Harry N. Abrams in association with Brooklyn Museum, 1999. 192 pp.; 54 color ills.; 70 b/w ills. Cloth $37.50 (0810945584)

Brooklyn Museum of Art, New York, May 26-August 13, 2000; The Art Institute of Chicago, September 7-November 26, 2000; The Museum of Fine Arts, Houston, December 13, 2000-March 11, 2001.

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January 25, 2001

William Merritt Chase has long been considered a major American artist, if not a New York artist. Brooklyn Museum curator Barbara Dayer Gallati shows how Chase's reputation first evolved, taking no aspect of his art or identity for granted. The catalogue for William Merritt Chase: Modern American Landscapes, 1886-1890 (which initiated at the Brooklyn Museum of Art in May 2000, and ends at the Museum of Fine Arts in Houston in March 2001) aims to...

Deborah Martin Kao, Laura Katzman, and Jenna Webster
Yale University Press in association with Fogg Art Museum, Harvard University Museums, 1999. 340 pp.; 24 color ills.; 246 b/w ills. Cloth $45.00 (0300083157)

Harvard University Art Museums, Cambridge, February 5-April 30, 2000; The Phillips Collection, Washington, DC, June 10-August 27, 2000; The Grey Art Gallery, New York University, October 14, 2000-January 27, 2001; David and Alfred Smart Museum, University of Chicago, April 19-June 17, 2001.

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January 25, 2001

"To me, images are images...They're images, and they can be moving or not. That's all there is to it." So stated the painter and photographer Ben Shahn in a 1965 interview, cited in an appendix of this excellent catalogue that was published to accompany an exhibition of Shahn's early photographs of street life in New York. Shahn's statement summarizes succinctly the main theme that the contributors to this volume wish to address: the relationship between...

Carmen Bambach
Cambridge University Press, 1998. 548 pp.; 14 color ills.; 209 b/w ills. Cloth $125.00 (0521402182)
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January 25, 2001

It is a truth almost universally acknowledged that in order to get the right answers, you have to ask the right questions. Similarly, in order to write a good doctoral thesis, you have to choose a good subject. This book, like many another first book in the history of art, is the author's doctoral thesis (Yale, 1988) writ large, and she certainly picked a fantastic topic. The result is one of the most useful books...