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Norbert Nussbaum
New Haven: Yale University Press, 1999. 272 pp.; 50 color ills.; 180 b/w ills. Cloth $60.00 (0300083211)
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December 15, 2001

Norbert Nussbaum's excellent, well-illustrated book, already published in two German editions, is finally available in a clear, readable English translation. It is well laid out and includes extensive and useful notes, a bibliography, a glossary of technical terms, a chronological list of buildings, and indices of persons and places. Given the exceptional quality and quantity of its photographs, plans, and text--all at a reasonable cost--the book will be a classic, a status it has already...

J. Mordaunt Crook
London: John Murray Publishers, 1998. 354 pp.; 118 b/w ills. Paper $24.95 (0719560500)
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December 13, 2001

In writing about the newly rich in Britain during the late Victorian and Edwardian eras, J. Mordaunt Crook has produced a study that is fascinating for its vast and colorful cast of characters, but also frustrating for its piecemeal and anecdotal approach to such a complex social phenomenon. Crook tells us his method is "impressionistic rather than statistical" (4), as he has not intended to produce the kind of meticulous, socioeconomic study of David Cannadine's...

Sidney Littlefield Kasfir
London: Thames and Hudson, 1999. 224 pp.; 74 color ills.; 96 b/w ills. Paper $14.95 (0500203288)
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December 12, 2001

Contemporary African art is a complex subject. Much of it has been produced by formally and informally trained artists and, for the most part, under the influence of Western education and creative enterprise. Some critics have argued that Western patronage is biased against contemporary African art in favor of "traditional" art, apparently because of the latter's impact on modern art in the early twentieth century. It is alleged that many Western critics prefer the works...

James J. Sheehan
Oxford: Oxford University Press, 1999. 271 pp.; 31 b/w ills. Cloth $35.00 (0195135725)
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December 6, 2001

This is a remarkably brief book about a vast subject. While most museum histories are monographs or catalogues, James Sheehan's elegant survey presents the rise and fall of the monumental German art museums, including their eighteenth-century origins, along with appropriate fragments of their philosophical and historical context. For German-reading scholars interested in the German art world and its museums, the book covers a more or less familiar terrain in a more than familiar manner, although...

Vaughan Hart and Peter Hicks, eds.
New Haven: Yale University Press, 1997. 428 pp.; 129 b/w ills. Cloth $50.00 (0300075308)
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Alina Payne
Cambridge, U.K.: Cambridge University Press, 1998. 362 pp.; 88 b/w ills. Cloth $88.00 (0521622662)
November 30, 2001

The past decade has witnessed a veritable explosion of superior new English translations of Italian Renaissance architectural treatises, as well as a new critical translation of Vitruvius, whose Latin treatise served generations of Italian architects and theorists as the yardstick for proper classical style. This bounty of treatises has broadened significantly the English-speaking audience to whom these texts are now available, and the use of these books in the classroom should increase substantially. The two...

Gabriele Neher and Rupert Shepherd, eds.
Surrey, UK: Ashgate, 1999. 241 pp. Cloth (0754601692)
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November 26, 2001

This anthology is a welcome addition to the growing body of literature on consumption and consumerism in the Renaissance, particularly from an art-historical perspective. It is based on a session entitled "Values in Renaissance Art" at the 25th Annual Conference of the Association of Art Historians, held in Southampton, England, in April of 1999. Most of the original papers delivered at the conference were revised and have been included in this book; others were added...

Sara F. Matthews-Grieco and Sabina Brevaglieri, eds.
Florence: Morgana Edizioni, 2000. 286 pp.; 403 b/w ills. Paper $27.50 (8885698751)
November 21, 2001

In recent years, numerous publications focusing on women in early modern Italy have appeared, and this volume, consisting of six essays by well-known scholars, is a welcome addition to the list. Developed in conjunction with the Progetto Donna of the Council for Public Education in Florence, this work is a fine example of combined public and private interests in gender history based on interdisciplinary studies. The unique value of this well-produced book rests in its...

Mark A. Cheetham
Cambridge, U.K.: Cambridge University Press, 2000. 232 pp.; 35 b/w ills. Cloth $54.95 (0521800188)
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November 21, 2001

Mark Cheetham's book, Kant, Art, and Art History: Moments of Discipline, addresses the problem implied by the critic Thomas McEvilley's quip: "Kant and Greenberg are both things of the past and we should just get over them. Yet somehow, they keep arising from the grave like zombies" ("The Tomb of the Zombie," Art Criticism, 1998). Other critics and historians, such as Paul Crowther, want to excise Immanuel Kant from art history, due to amply documented...

Robert Shlaer
Santa Fe: Museum of New Mexico Press, 1999. 176 pp.; 126 color ills.; 33 b/w ills. Cloth $45.00 (0890133409)
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Douglas Nickel
New York: Harry N. Abrams, 1998. 228 pp.; 20 color ills.; 85 b/w ills. Cloth $65.00 (0810941023)
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November 19, 2001

Though it seems impossible to imagine today, there was a time, just thirty years ago, when major exhibitions of historical photographs were rare, and their sumptuously reproduced, oversize catalogues even rarer. With the exception of John Szarkowski's small, seminal The Photographer and the American Landscape (1963), nineteenth-century American landscape photography--now a boom business and a gilt-edge genre--had little or no exposure. If you wanted to see the work of Timothy O'Sullivan or William Henry Jackson,...

John Dillenberger
Oxford: Oxford University Press, 1998. 248 pp.; 85 b/w ills. Cloth $45.00 (0195121724)
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November 7, 2001

In his preface, the author states that he intends to provide a "comprehensive account" (vii) of the place of images in sixteenth-century religious reformations--a laudable goal, though one that this volume ultimately falls short of delivering. John Dillenberger, a noted scholar of theological history, continues his contributions to the study of Reformation history, while taking a different angle by focusing on the role and perception of images in the sixteenth century. The author's endeavor, particularly...