Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Tanya Sheehan
University Park: Penn State University Press, 2018. 216 pp.; 80 color ills.; 12 b/w ills. Cloth $49.95 (9780271081106)
In her compelling social history of photography, Study in Black and White: Photography, Race, Humor, Tanya Sheehan reaches beyond photographs and photographers to examine humor books, minstrel shows, satirical illustrations, advertising, and print culture to reveal the ways that early photographic discourses using humor constructed concepts of race and photographic practice. Across five chapters of case studies, Sheehan demonstrates how written, performed, and sketched humor... Full Review
September 17, 2019
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Martino Stierli and Vladimir Kulić, eds.
Exh. cat. New York: Museum of Modern Art, 2018. 228 pp.; 150 color ills.; 85 b/w ills. Cloth $65.00 (9781633450516)
Museum of Modern Art, New York, July 15, 2018–January 13, 2019
Toward a Concrete Utopia: Architecture in Yugoslavia 1948–1980 was an archive of radical potential. The highly anticipated architecture exhibition at the Museum of Modern Art (MoMA) included over four hundred drawings, plans, photographs, models, and film reels related to the construction, ideological and physical, of the second Yugoslavia (Socialist Federal Republic of Yugoslavia). Unlike in MoMA’s previous architecture exhibition Latin America in Construction: Architecture... Full Review
September 13, 2019
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Lonnie G. Bunch III
Washington, DC: Smithsonian Books, 2019. 288 pp.; 20 ills. Cloth $29.95 (9781588346681)
“I wanted a museum that was a tool to help people find a useful and useable history that would enable them to become better citizens; a museum that would explore and wrestle with issues of today and tomorrow as well as yesterday,” writes Lonnie G. Bunch III in A Fool’s Errand: Creating the National Museum of African American History and Culture in the Age of... Full Review
September 12, 2019
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Henry Glassie and Pravina Shukla
Bloomington: Indiana University Press, 2017. 540 pp.; 450 color ills. Cloth $48.00 (9780253032058)
In Sacred Art: Catholic Saints and Candomblé Gods in Modern Brazil, Henry Glassie and Pravina Shukla explore Brazilian religious-themed art rooted in European- and African-based faiths. The authors limit their study to the northeastern states of Bahia and Pernambuco, where “Native, European, and African cultures first fused into something new and Brazilian” (2). Their examination demonstrates that artists continue to draw inspiration from both the European- and African-originated... Full Review
September 10, 2019
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Kristine Khouri and Rasha Salti, eds.
Exh. cat. Warsaw: Muzeum Sztuki Nowoczesnej, 2018. 330 pp.; 16 color ills.; 52 b/w ills. Paper $29.00 (9788364177446)
Museu d’Art Contemporani de Barcelona, February 20–June 1, 2015; Haus der Kulturen der Welt, Berlin, March 18–May 9, 2016; Museo de la Solidaridad Salvador Allende, Santiago, Chile, April 7–August 12, 2018; Sursock Museum, Beirut, July 27–October 1, 2018
Kristine Khouri and Rasha Salti’s exhibition Past Disquiet and its accompanying catalog of essays and documents is the result of ten years of research into neglected histories of international solidarity. Their research brings to light a dynamic, sprawling network of Cold War “grassroots cultural diplomacy” projects (57) that often developed independently or at arm’s length from the state. During the 1960s–90s, cultural workers found common cause in anti-imperialist struggles and... Full Review
September 9, 2019
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François Brunet
Paris: Presses Universitaires de France, 2017. 400 pp.; 33 b/w ills. Paper € 27.00 (9782130654322)
Editor’s note: François Brunet, the author of the book under review, passed away unexpectedly on December 25, 2018. Didier Aubert, Brunet’s first doctoral student, wrote this review and commemoration. While caa.reviews upholds firm conflict of interest guidelines that prevent the commissioning of reviews where there might be a personal or professional connection between reviewer and reviewee, here we made an exception in order to acknowledge Brunet’s... Full Review
September 6, 2019
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Henk van Nierop
Amsterdam: Amsterdam University Press, 2018. 452 pp.; 123 b/w ills. Cloth € 99.00 (9789462981386)
Two themes dominate this premier biography of the Dutch Golden Age celebrity Romeyn de Hooghe: art and ambition. De Hooghe was a prolific and successful graphic artist who produced a wide and diverse array of etchings, engravings, prints, paintings, sculptures, and emblem books and medals, many of whose images are virtually synonymous with the culture of the late Golden Age and can be found in nearly every textbook on the subject. Such were De Hooghe’s skills that the stadtholder-king... Full Review
September 5, 2019
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Andrew H. Chen
Amsterdam: Amsterdam University Press, 2018. 325 pp.; 13 color ills.; 66 b/w ills. Cloth $ 115.00 (9789462984684)
Flagellant sodalities originated in 1260 following the tumultuous processions of self-scourging lay penitents who, enflamed by the charismatic Fra Raniero Fasani of Perugia, beseeched God for peace and mercy. Their number significantly increased throughout the fourteenth and fifteenth centuries, as flagellation became a structured lay male ritual enacted in both private confraternal spaces and public processions. From the later quattrocento, flagellation in large part was no longer a... Full Review
September 4, 2019
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Gilbert Vicario, ed.
Exh. cat. Phoenix and Munich: Phoenix Art Museum in association with Hirmer Publishers, 2019. 248 pp.; 132 color ills. Cloth $50.00 (9783777431925)
Steele Gallery, Phoenix Art Museum, March 9–September 8, 2019; New Mexico Museum of Art, Santa Fe, October 5, 2019–January 5, 2020; Whitney Museum of American Art, New York, March 13–June 21, 2020; Palm Springs Art Museum, Palm Springs, CA, August 1–November 29, 2020
North Wing, American Galleries, Phoenix Art Museum, March 30–December 15, 2019
“The Art-form which is form-of-power does not say anything, it Does something to you,” wrote modernist composer, astrologer, and painter Dane Rudhyar nearly a decade before he joined the Transcendental Painting Group (TPG) in Santa Fe, New Mexico (Art as Release of Power, Hamsa, 1929). Agnes Pelton: Desert Transcendentalist is the latest ambitious example of a growing fascination with esoterically inspired art that attempted to compel an active, dynamic spirituality... Full Review
August 30, 2019
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In 1980, artists Christo and Jeanne-Claude were invited to Miami to consider completing a work for the New World Festival of the Arts, a large-scale festival spanning the visual and performing arts during the summer of 1982. Their visit would connect them to Miami’s nascent art scene and inspire their self-funded project Surrounded Islands, completed in May 1983, for which the artists transformed Biscayne Bay by surrounding eleven islands with a pink polyethylene fabric. Bridging... Full Review
August 29, 2019
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