Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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John Guy, ed.
Exh. cat. New York: Metropolitan Museum of Art, 2014. 336 pp.; 304 color ills.; 56 b/w ills. Cloth $65.00 (9780300204377)
Exhibition schedule: Metropolitan Museum of Art, New York, April 14–July 27, 2014
In spring 2014, the Metropolitan Museum of Art presented a groundbreaking exhibition of early Hindu and Buddhist artworks from Southeast Asia. Aptly titled Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, the exhibition brought together treasures from nearly thirty institutions and collections across nine different countries, many of which had never before traveled outside their country of origin. Carefully grouped, juxtaposed, and emplaced in the Metropolitan’s... Full Review
July 13, 2017
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Exhibition schedule: Museum of Contemporary Art, Los Angeles, March 12–July 11, 2016
“When you join an institution, you join its history as much as you work to create its future,” explained Museum of Contemporary Art, Los Angeles (MOCA), Chief Curator Helen Molesworth shortly after accepting the position in 2014. Since then, Molesworth has reinstalled the museum’s Grand Avenue galleries as The Art of Our Time (August 15, 2015–September 12, 2016). A revision of postwar art history, it began with the experimentalism of North Carolina’s Black Mountain College instead of... Full Review
July 12, 2017
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Stephen Sheehi
Princeton: Princeton University Press, 2016. 264 pp.; 100 b/w ills. Cloth $45.00 (9780691151328)
Stephen Sheehi’s The Arab Imago: A Social History of Portrait Photography, 1860–1910 focuses on the social history of indigenous photography in the Ottoman World between 1860 and 1910. The book redresses the lack of critical attention to local photography, analyzing the production, performance, exchange, circulation, and display of photography in Ottoman Egypt, Lebanon, and Palestine. Sheehi pursues in-depth research and analysis of both visual and written primary sources by local... Full Review
July 12, 2017
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Amara Solari
Austin: University of Texas Press, 2013. 244 pp.; 19 color ills.; 70 b/w ills. Cloth $55.00 (9780292744943)
When the Spanish mendicant orders built the first monastery complexes of the Yucatan Peninsula on top of extant pre-Columbian towns, temples, and ceremonial centers, one of their aims was to take possession of indigenous sacred space, appropriate its inherent sacredness, and reuse it to establish the Catholic faith in the New World. In Maya Ideologies of the Sacred: The Transfiguration of Space in Colonial Yucatan, Amara Solari examines the city of Itzmal in Yucatan as an example in... Full Review
July 7, 2017
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Asia Society Texas Center, Houston. Exhibition schedule: March 26–July 3, 2016
The exhibition We Chat: A Dialogue in Contemporary Chinese Art took its name from the popular social-media app in China, giving space and voice to ten artists born after the end of the Cultural Revolution (1966–76). These artists are some of China’s “Millennials” (known also as the “Me Generation,” and successors of what might be called the “Mao Generation”), who were of single-digit age during the 1989 Tiananmen Square protest-turned-massacre. Self-reflective and uninhibited by... Full Review
July 6, 2017
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Jennifer Tyburczy
Chicago: University of Chicago Press, 2016. 296 pp.; 27 b/w ills. Paper $37.50 (9780226315249)
I have been carrying around Jennifer Tyburczy’s Sex Museums: The Politics and Performance of Display for months now, and have received, understandably, quite some attention for it. I have been reading it on my morning commute to work on the train, sitting in cafes and parks with it, and, most notably, have been often seen with it at work, much to the amusement of my students. Not only do people have a lot to say about the title, but the cover image furthers the book’s seductive allure.... Full Review
July 6, 2017
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Diana Nawi, ed.
Exh. cat. New York: Prestel, 2015. 211 pp.; 65 color ills.; 105 b/w ills. Cloth $55.00 (9783791355184)
Exhibition schedule: Pérez Art Museum Miami, Miami, November 19, 2015–February 21, 2016; Barnes Foundation, Philadelphia, June 24–August 22, 2016; Institute of Contemporary Art, Boston, April 26–September 4, 2017
María Elena Ortiz, ed.
Exh. cat. Miami: Pérez Art Museum Miami, 2015. 128 pp.; 53 color ills.; 12 b/w ills. Cloth $39.95 (9780989854672)
Exhibition schedule: Pérez Art Museum Miami, Miami, October 15, 2015–March 6, 2016; Andy Warhol Museum, Pittsburgh, February 17–March 21, 2017
The exhibition Nari Ward: Sun Splashed at the Pérez Art Museum Miami (PAMM) is the first mid-career retrospective of the Jamaica-born artist, and it includes over two decades of his work. It overlapped with Firelei Báez: Bloodlines, a smaller solo exhibition of primarily paintings and drawings by the Dominican Republic-born Báez, a former student of Ward’s. Both artists live and work in New York City—Ward in Harlem and Báez in Brooklyn. Curator Diana Nawi installed Ward’s... Full Review
July 5, 2017
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Sedat Pakay, Kathryn Hubbard, and Barbara Earl Thomas
Exh. cat. Seattle: Northwest African American Museum, 2012. 48 pp.; 35 ills. Paper $19.95 (9780295992105)
James Baldwin in Turkey: Bearing Witness from Another Place is based on nearly thirty images of James Baldwin by Sedat Pakay, a renowned photographer and documentary filmmaker who first met Baldwin when Pakay was a young student at Robert College (now part of Boğaziçi University) in Istanbul. The photographs were originally showcased in an exhibition at the Northwest African American Museum in Seattle in 2012. The collection comprises a foreword, several essays by novelists,... Full Review
June 29, 2017
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Megan E. O'Neil
Norman: University of Oklahoma Press, 2012. 274 pp.; 10 color ills.; 123 b/w ills. Cloth $55.00 (9780806142579)
Alexander Parmington
New York: Cambridge University Press, 2011. 288 pp.; 115 b/w ills. Cloth $110.00 (9781107002340)
Megan E. O’Neil’s Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala and Alexander Parmington’s Space and Sculpture in the Classic Maya City introduce elements of time and space in discussing how Maya art and architecture operated and expressed meaning. Both scholars take up the topic of the built environment during the Late Classic Period (seventh to ninth century CE) and anchor their analyses to sites near the Usumacinta River (O’Neil studies Piedras Negras in Petén,... Full Review
June 28, 2017
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Christine Göttler, Bart Ramakers, and Joanna Woodall, eds.
Netherlands Yearbook for History of Art, 64. Leiden: Brill, 2014. 400 pp.; 180 color ills. Cloth $157.00 (9789004272156)
Nadia Baadj
(Studies in Baroque Art) (Dutch Edition). Turnhout: Brepols, 2015. 208 pp.; 52 color ills.; 50 b/w ills. Cloth $150.00 (9781909400238)
The history of art in early modern Europe would be unthinkable without Antwerp. And yet until quite recently, Antwerp was a place that nobody talked much about. Scholarship on the southern Netherlandish city (now part of Belgium) long remained the province of local historians, the indefatigable Floris Prims notable among them. And while first Pieter Paul Rubens and then Pieter Bruegel the Elder met with increasing art-historical interest following Belgium’s assertion of independence in 1830,... Full Review
June 28, 2017
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