Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Jan Cavanaugh
Berkeley: University of California Press, 1999. Cloth (0520211902)
"I have to say that an encounter between progress and reaction, between being uncompromising and opportunistic, fascinates me equally strongly today." The artist and theater director Tadeusz Kantor wrote these words in 1964 touching upon one of the most important issues faced by artists in our modern times that transcends national divisions, the choice between conformism and rebellion. From the Polish perspective, such a choice has a strong grounding in Poland's turbulent history as it is a... Full Review
November 16, 2000
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Francis Frascina
Manchester University Press, 2000. 248 pp.; none color ills.; few b/w ills.; 0 ills. Paper $69.95 (0719044685)
The intellectual as social critic has a long and respected tradition. The works of Dante and Milton, Lessing and Rousseau, Stowe and Hugo vibrate with the intense political passions that motivated each writer to pick up their pens. At the end of the nineteenth century, Zola's defense of Dreyfuss set a standard for engagement. The intellectual used his or her mastery of communication to challenge the lies of a corrupt government. American intervention into the Vietnamese civil war sparked... Full Review
November 10, 2000
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Chloe Chard
Manchester: Manchester University Press, 1999. 278 pp. Cloth $69.95 (0719048044)
Chloe Chard's Pleasure and Guilt on the Grand Tour has obvious topical import for art and architectural historians of the early modern to modern periods. Instigated in part by a postcolonial turn in criticism, the varied artifacts of European expansion have captured the attention of scholars across disciplines. But before this rather recent interdisciplinary interest, art and architectural historians have been, as Chard mentions, some of the few scholars to pay special notice to the... Full Review
November 9, 2000
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Virginia Dodier and Marina Warner
Aperture Foundation, 1998. 128 pp.; 130 color ills. Cloth (0893818151)
Carol Mavor
Duke University Press, 1999. 213 pp.; none color ills.; none b/w ills.; 0 ills. Paper $19.95 (0822323893)
Lady Hawarden's light-filled photographs of her adolescent daughters posed in sparsely furnished rooms of her London home are curious, complicated, and often inexplicable. Along with Julia Margaret Cameron, Hawarden's near contemporary, Hawarden is now considered one of the most significant female photographers in nineteenth-century Britain, and she is the subject of not one but two recent monographs and a 1999 exhibition at the Victoria and Albert Museum. This is long overdue as Cameron has... Full Review
November 8, 2000
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Carla Yanni
Baltimore: Johns Hopkins University Press, 2000. 224 pp.; 103 b/w ills. Cloth $49.95 (0801863260)
In the heart of McGill University, in downtown Montreal, sits a remarkable building. Supposedly Canada's first purpose-built natural history museum at the time of its opening in 1882, the Redpath Museum is now a particularly popular place with children because of its splendid Albertosaurus libratus, among other dinosaur remains. Our four-year old son, in fact, calls it the "Dino Museum." Many McGill students, unfortunately, have never been inside. Perhaps this is because the rich collections... Full Review
November 7, 2000
Warren Adelson, Jay Cantor, and William Gerdts
Abbeville Press, 1999. 256 pp.; 200 color ills.; 30 b/w ills. Cloth $75.00 (0789205874)
Ralph Waldo Emerson (1803-1881) repeatedly noted in his voluminous journals the wonders of the eye and the extraordinary advances in vision achieved during his lifetime as artist, inventor, and scientist. In 1837 he titled the revelations accorded by a walk with a landscape painter or with a telescope as "New Eyes." By 1871 he proclaimed five miracles of the age citing the astronomer's spectroscope and the photograph among them. No wonder in an isolated sentence in his journals Emerson... Full Review
November 5, 2000
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Jonathan Nelson
Florence: Edizioni Cadmo, 1999. 140 pp.; 4 color ills.; 10 b/w ills. Cloth $12.95 (8879232150)
"Why were there no great women artists?" pondered Linda Nochlin in 1971. Since that famous query, art historians have unearthed many talented women artists, while simultaneously challenging the criteria by which we evaluate their works. This volume of eight essays contributes to that ongoing excavation and reassessment in several important ways. The essays document the life, works, and influence of a little-known female painter in sixteenth-century Florence, the Dominican nun-artist Suor... Full Review
October 25, 2000
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Thomas Martin
Oxford University Press in association with Clarendon Press, 1998. 274 pp.; 164 b/w ills. Cloth $145.00 (0198174179)
The study of 16th-century Venetian sculpture was, and still is, badly neglected. Even so eminent an artist as Alessandro Vittoria (Trent, 1525 Venice, 1608) has not yet been accorded the attention his achievements deserve. It is, therefore, with great expectations that one picks up the promisingly important-looking book by Thomas Martin. The book is based on Martin's doctoral dissertation (Columbia University, 1988) and is divided in two parts: the study itself, in which Martin tries to... Full Review
October 24, 2000
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Greg M. Thomas
Princeton University Press, 2000. 280 pp.; 88 b/w ills. Cloth $55.00 (0691059462)
Greg Thomas's book Art and Ecology in Nineteenth-Century France: The Landscapes of Théodore Rousseau provides the reader with a long-awaited reevaluation of French landscape painting before the Impressionist period. While the study of Impressionism has sometimes become synonymous with French landscape painting during the nineteenth century, very little has been done, apart from the recent exhibitions of Camille Corot's work, to reassess the artistic contribution of the preceding... Full Review
October 24, 2000
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Francis Ames-Lewis
Yale University Press, 2000. 322 pp.; 50 color ills.; 100 b/w ills. Cloth $40.00 (0300092950)
This book is an amazing compendium of information concerning the reevaluation of painting and sculpture as parts of the liberal arts during the early Renaissance (1290-1520); architecture is all but excluded because its position was already rather elevated. The observation in itself is not new; assessment of the graphic arts was a leitmotif of art historical scholarship throughout the twentieth century. What is impressive is the myriad aperçus Ames-Lewis has amassed and divided into eleven... Full Review
October 20, 2000
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