Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar, or by entering terms in the search bar above.

Recently Published Reviews

Jeffrey F. Hamburger
Berkeley: University of California Press, 2002. 347 pp.; 26 color ills.; 156 b/w ills. Cloth $60.00 (0520228774)
In St. John the Divine: The Deified Evangelist in Medieval Art and Theology, Jeffrey Hamburger investigates the complex relationships forged in the later Middle Ages among art, mysticism, and visionary experience. In so doing, he continues the stimulating work he began in earlier, groundbreaking studies such as The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland ca. 1300 (New Haven: Yale University Press, 1990) and <a... Full Review
June 25, 2003
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Annette Dixon
New York: Merrell Publishers, 2002. 192 pp.; 110 color ills.; 50 b/w ills. Cloth $45.00 (1858941660)
University of Michigan Museum of Art, Ann Arbor, February 17–May 5, 2002; Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, September 19–December 8, 2002
Women Who Ruled: Queens, Goddesses, Amazons in Renaissance and Baroque Art contributes to the growing body of interdisciplinary research on women’s power in early modern Europe (or gender and power, more broadly), in practice and in imagery. Written to accompany an exhibition organized by the University of Michigan Museum of Art, the book features an introduction and four topical essays by a cadre of scholars who represent different disciplinary approaches. Groups of images,... Full Review
June 24, 2003
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Cecelia F. Klein, ed.
Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2001. 397 pp.; 118 b/w ills. Cloth $40.00 (088402279X)
Feminist art history is now a well-established subfield of Western art history, but until quite recently those studying gender in pre-Columbian art had to rely on a slim bibliography. Today, several contributions focusing on the pre-Columbian and early colonial world have appeared, including one on women throughout the ancient Americas (Karen Bruhns and Karen Stothert, Women in Ancient America [Norman: University of Oklahoma Press, 1999]), another on gender in Mesoamerica... Full Review
June 20, 2003
Amy Winter
Westport, CT: Praeger, 2003. 320 pp.; some color ills.; some b/w ills. Cloth $64.95 (027597524X)
Yet another Count. After Balthus (Count Balthazar Klossowski de Rola by his own naming), we read that Wolfgang Paalen called himself “Count von Paalen” before selling his title in an impoverished moment in Paris. According to Amy Winter, Paalen—Count or not—authored the supposed monograph about himself in 1946, said to be by one Gustav Regler. That is already an obfuscation. Here is the story. In his autobiography, The Owl of Minerva, Regler enthuses in no uncertain terms... Full Review
June 19, 2003
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Lynette M. F. Bosch
University Park: Pennsylvania State University Press, 2000. 292 pp.; 112 b/w ills. Cloth $65.00 (0271019689)
For many American art historians, Spain’s fifteenth century is a murky period better known for its religious oppression and explosive colonialism than for its manuscripts. With Art, Liturgy, and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada, Lynette M. F. Bosch introduces Anglophone readers to the era through an assiduously detailed study of two-dozen illuminated liturgical manuscripts produced in fifteenth-century Toledo. Until now, these lavishly decorated... Full Review
June 18, 2003
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Edgar Wind
Ed. Elizabeth Sears. New York: Oxford University Press, 2001. 400 pp.; 193 b/w ills. Cloth $99.00 (0198174292)
“Unless our reading takes us far away from the pictures, it will not lead us properly back to them.” So Edgar Wind (1900–1971) reflected in an early and abandoned draft of his introduction to Pagan Mysteries in the Renaissance (New Haven: Yale University Press, 1958). Wind aptly encapsulated his method, which, it is sometimes forgotten, derived much of its Olympian energy and original character from deep attention to the language of form. “Iconography,” he continued in his... Full Review
June 13, 2003
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Britta Erickson
Washington, D.C.: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution in association with University of Washington Press, 2001. 112 pp.; 54 color ills.; 6 b/w ills. Paper $22.50 (0295981431)
Exhibition Schedule: Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC, October 21, 2001–May 12, 2002
Xu Bing is arguably the contemporary Chinese artist best known to audiences outside of China. Winner of a prestigious MacArthur Fellowship and the subject of several one-person shows at small museums around the country, he has received worldwide recognition and has been the subject of several critical essays. Word Play: Contemporary Art by Xu Bing brought together several periods of the artist’s work for the first time in a major American museum exhibition. Like many Chinese artists... Full Review
June 12, 2003
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Renato González Mello
New York and Hanover, N.H.: W.W. Norton & Company and Hood Museum of Art, Dartmouth College, 2002. 382 pp.; 320 b/w ills. Cloth $75.00 (039304176X)
San Diego Museum of Art, San Diego, March 9–May 19, 2002; Hood Museum of Art, Dartmouth College, Hanover, N.H., June 8–December 15, 2002; Museo de Arte Alvar y Carmen T. de Carrillo Gil, Mexico City, January 25–April 13, 2003
This book is the product of two interconnected developments. First, contemporary Mexican artists moving in the international art world are enjoying a lot of success, and while Mexican art is now no longer represented solely by the muralists, figures such as Santiago Sierra, Carlos Amorales, Minerva Cuevas, and Gabriel Kuri are reinventing the avant-garde of social intervention. This development has been paralleled in art history in Mexico by the emergence of a socially engaged,... Full Review
June 10, 2003
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Vivien Green Fryd
Chicago: University of Chicago Press, 2002. 278 pp.; 14 color ills.; 127 b/w ills. Cloth $40.00 (0226266540)
Edward Hopper and Georgia O’Keeffe hold an exceptional status as two of the most prominent figures in twentieth-century American art. Notwithstanding the shared distinction of their canonical positions, their art could not be more different. While Hopper produced striking iconic images of the American scene, O’Keeffe’s paintings are associated with the modernist, abstracted aesthetics of the first American avant-garde. In their own day, the artists themselves moved in distinct... Full Review
June 3, 2003
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Bruce Boucher, ed.
Exh. cat. New Haven: Yale University Press, 2002. 314 pp.; 80 color ills.; 120 b/w ills. $75.00 (0300090803)
Museum of Fine Arts, Houston, Houston, TX, November 18, 2001–February 3, 2002; Victoria and Albert Museum, London, March 14, 2002–July 7, 2002
The exhibition catalogue Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova was published to accompany the exhibition of the same name. Since this reviewer was unable to visit either venue, the following comments, perforce, concentrate on the only permanent record of the show, its catalogue. The catalogue is divided into two distinct parts: six essays with separate authors that treat different aspects of the exhibition’s content, and a series of... Full Review
June 3, 2003
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