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At the independent museum 516 Arts in downtown Albuquerque, an exhibition looks at Puerto Rico after Hurricane Maria through themes of climate change, global weather patterns, colonial essentialism, Caribbean commodification, nationalism, Afro-Caribbean identity, bankruptcy, and local resiliency on the unincorporated US territory. Puerto Rico: Defying Darkness collects paintings, installations, videos, photographs, and multimedia works by sixteen Puerto Rican artists from the island and locations across the US mainland, including Albuquerque. Curator Josie Lopez uses Naomi Klein’s book The Battle for Paradise: Puerto Rico Takes on the Disaster Capitalists as a frame for the exhibition, illustrating the tension between outside corporate… Full Review

Patricia J. Fay’s book, Creole Clay: Heritage Ceramics in the Contemporary Caribbean, fills a void in the broad and diverse history of world ceramics. She does this by focusing our attention on an area of the world generally thought of as a vacation destination instead of a region rich in culture with complicated histories of colonialism, the African diaspora, slavery, hard-won independence, culture, and art, specifically ceramics. Fay deftly weaves the history of this region with the production of utilitarian objects. Her exploration of traditional techniques, raw materials, and the living potters who continue to create traditional ware, against the… Full Review

The study of the role of dress in ancient societies has seen a boom in recent years, absorbing new techniques in archaeology and approaches from “new dress history,” cultural studies, and theories of the body. Mireille Lee’s previous work has already been influential in putting Greek dress on the agenda, and this current volume offers new insights into dress as a communicative medium as well as synthesizing scholarship across a number of related subfields (gender, identity, ethnicity, sexuality, status, class, etc.). By taking Greek conceptions of the body as her starting point, Lee structures the volume by applying the layers… Full Review

This compact edition of David Adjaye’s exploration of Africa brings together in one volume the fruits of his eleven-year-long project to visit and visually document the capitals of the continent’s fifty-four countries. The front cover image of Adjaye, Africa, Architecture: A Photographic Survey of Metropolitan Architecture serves as a key to the intellectual and conceptual approach of the book: a map of Africa’s six climatic zones. This map, credited to his architectural practice Adjaye Associates, is referred to as both a terrain and political map. This captures well the essence of his approach and investigation, namely, the rich and complex… Full Review

This collection of essays has attracted little attention since its publication in 2014, an oversight that should be remedied. Through nineteen essays and nine photo essays edited by D. Medina Lasansky, The Renaissance: Revised, Expanded, Unexpurgated places the early modern past and the postmodern present in dialogue with one another and examines the ways in which the Renaissance has been appropriated and received in Anglo-American popular culture. As Lasansky notes in the introduction, the Renaissance has never been more popular: from the video game Assassin’s Creed to Botticelli Olive Oil and The Da Vinci Code to the various televised incarnations… Full Review

The title of Figuring History, an exhibition of twenty-six large-scale works by Robert Colescott (1925–2009), Kerry James Marshall (b. 1955), and Mickalene Thomas (b. 1971), signals at least two of the show’s significant themes. Both terms have double meanings. “History” refers to people and events of the past as well as to the history of art. “Figuring” indicates both the representations of the human figure and the artists’ attempts to “puzzle out the place and meaning of those figures” (39) in historical and art historical narratives. Employing different strategies, all three artists grapple with figures in history and histories… Full Review

Noah Purifoy: Junk Dada takes an in-depth look at the artistic and biographical journey of the under-recognized African American artist and activist, Noah Purifoy (1917–2004) and his large-scale installation and home environment, the Joshua Tree Outdoor Museum (1989–2004). This lush catalogue, richly illustrated with eighty photographs by Fredrik Nilsen, features insightful essays by Yael Lipschutz, art critic and archivist of the Noah Purifoy Foundation in Joshua Tree, California; Lowery Stokes Sims, curator emerita of the Museum of Art and Design, New York City, and former executive director of the Studio Museum in Harlem; and Kristine McKenna, the Los Angeles–based art… Full Review

Diarmuid Costello’s book brings together an abundance of historical and analytical debates to make clear that the philosophy of photography is a delineated field in its own right. Although the title On Photography: A Philosophical Inquiry reflects Susan Sontag’s seminal book and may bring to mind Vilém Flusser’s attempt to single-handedly philosophize photography, it is in no sense similar to those approaches. Costello has gathered a rich corpus of philosophical thoughts on two questions: What is a photograph and what is photography? (7). Instead of resorting to a “cultural criticism” approach (embraced by thinkers such as Walter Benjamin, Sontag, Roland… Full Review

In her microhistory of Yanhuitlan, a town in the rugged Mixteca Alta of Oaxaca, Mexico, Alessia Frassani complicates our understanding of the collaborative and enduring interchange of indigenous and European constituencies in New Spanish society. Although historians attempting to reconstruct the dynamics of an ancient, multiethnic community often discover that their evidence is random and scarce, the documentation of Yanhuitlan, in stone, wood, and paper, is fortuitously consistent. Exploiting this ample data, Frassani explores not only the built environment, primarily in Yanhuitlan’s impressive Dominican monastery (convento) and its still splendid interior, but also the relevant archival material, ranging… Full Review

Outliers and American Vanguard Art at the National Gallery of Art in Washington, DC, offers an ambitious study of the significance of self-taught art to the production of mainstream US American artists. The expansive exhibition presents more than 250 works by 84 artists and is organized around three historic periods that, argues its curator Lynne Cooke, saw a surge in formal support for objects made beyond the conventional bounds of the art world: 1924–43, 1968–92, and 1998–2013. Outliers and its accompanying catalogue present an original and compelling account of US American art, bringing together many rarely exhibited artworks in illuminating… Full Review