Login
Not a CAA member?
Read about the benefits.
October 25, 2006
Claire Stoullig and Félicité Isabelle Bleeke Jean-Étienne Liotard (1702–1789): Swiss Master Trans. Charles Penwarden and Toby Alleyne-Gee; intro. Anne Poulet. Paris: Somogy Éditions d’Art, 2005. 119 pp.; many color ills. Cloth

The Frick Collection, New York, NY, June 13–September 17, 2006

Thumbnail
Large
Jean-Étienne Liotard. Archduchess Maria Amalia of Austria (1746-1804). 1762. Red and black chalk, graphite pencil, and watercolor on very thin white laid paper, heightened with color on the verso. 31.8 x 25.7 cm (12 1/2 x 10 1/8 in.). Musées d’art et d’histoire, Cabinet des Dessins. Photo: Bettina Jacot-Descombes.

Sign In or become a member to see the full review

Amid the symphonic blockbusters regularly staged in the large museums of New York City, the special exhibitions mounted at the Frick Collection in three quiet, elegant rooms on the lower level of the museum offer visitors a welcome dose of chamber music. Striking in this regard was the summertime exhibition of works by the eighteenth-century Genevan artist Jean-Étienne Liotard, whose spare but penetrating portraits, character studies, and still lifes filled the Frick’s small space with...