Some things never go out of style. One of those is Parthenon scholarship; a year does not pass without the appearance of books and articles devoted to this most venerable of Greek monuments. One would think that there are no more questions to be asked, no more answers to be proposed, but this is decidedly not the case. The Acropolis restoration project alone, active since the 1970s and spearheaded by Manolis Korres, constantly brings new information to light, to say nothing of new methodologies and technologies that inspire one to look at the familiar in new ways. The Parthenon and Its Sculptures brings together a selection of papers presented at the 2002 University of Missouri, St. Louis, conference “The Parthenon and Its Sculptures in the Twenty-First Century.” It includes eight essays, an introduction by the editor (“The Methodological Framework of Parthenon Studies”), and a brief conclusion by Jenifer Neils (“The Current State of Parthenon Research”). In his introduction, Cosmopoulos sets out the four major parameters of both the conference and the book: 1) the continuing importance of traditional, formal analysis of the monument and its sculptures; 2) the role of new technologies in Parthenon studies; 3) “the study of the...