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October 4, 2004
Gregory T. Clark Made in Flanders: The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good Belgium: Brepols Publishers, 2000. 500 pp.; 400 b/w ills. Cloth (2503508782)
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CrossRef DOI: 10.3202/caa.reviews.2004.86

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Recent publications have dramatically refined our knowledge of the late medieval manuscript workshops of northern Europe. Scholars have studied centers of production (e.g., Paris, Amiens, Lyons, and Tournai), major artistic monuments (e.g., the Turin-Milan Hours and the Chroniques de Hainaut), and the oeuvres of individual artists and shops (e.g., Willem Vrelant and the Master of the Champion des Dames). Gregory Clark’s weighty study falls into this latter category, as it closely examines the works ascribed...