Elizabeth J. Milleker, ed.
The Year One: Art of the Ancient World East and West
New Haven and New York:
Yale University Press in association with Metropolitan Museum of Art,
1999.
232 pp.; 150 color ills.
Cloth
$50.00
(9780300085143)
critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
published by the College Art Association
published by the College Art Association
Login
Not a CAA member?
Read about the benefits.
Read about the benefits.
Reviews by Category
Go to collegeart.org
- African Art (sub-Saharan)
- Architectural History/Historic Preservation
- Art of the Middle East/North Africa
- Art of the United States
- Artists' Books and Books for Artists
- Arts Administration and Museum Studies
- Ceramics/Metals/Fiber Arts/Glass
- Chinese Art
- Contemporary Art
- Critical Theory/Gender Studies/Visual Studies
- Decorative Arts/Textiles/Design History
- Digital Media/Animation
- Drawings/Prints/Photography/Works on Paper
- Early Christian/Byzantine Art
- Early Medieval/Romanesque/Gothic Art
- Egyptian/Ancient Near Eastern Art
- Eighteenth-Century Art
- Film/Video
- Graphic/Industrial/ Object Design
- Greek/Roman Art
- Japanese/Korean Art
- Latin American/Caribbean Art
- Native American
- Nineteenth-Century Art
- Oceanic/Australian Art
- Outsider/Folk Art
- Performance Studies
- Pre-Columbian Art
- Prehistoric Art
- Renaissance/Baroque Art
- Sculpture/Installation/Environmental Art
- South/Southeast Asian Art
- Twentieth-Century Art
- World Art
About caa.reviews
- caa.reviews Open Content
- Advertise
- Mission Statement
- Editorial Board and Field Editors
- Past Editors
- Terms of Use
- Publishers
- Submission Guidelines for Reviewers
- Republication Guidelines
- Citation Guidelines
- Letters to the Editor
- Dissertation Submission Guidelines
Go to collegeart.org
September 5, 2001
The Metropolitan Museum of Art, October 3, 2000-January 14, 2001.
Sign In or become a member to see the full review
The idea of viewing systematically world art from a single moment in time offers an extraordinary opportunity to consider the prospect of a world art history that parallels an emerging subdiscipline of history that has come to be called world history. It looks at systems in an interlocked world, for example trade in sugar or slaves. Recognizing that even in ancient times people moved over vast distances and carried with them ideas that influenced the...