Elise Goodman
The Portraits of Madame de Pompadour: Celebrating the Femme Savante
Berkeley:
University of California Press,
1999.
185 pp.; many b/w ills.
Cloth
(0520217942)
critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
published by the College Art Association
published by the College Art Association
Login
Not a CAA member?
Read about the benefits.
Read about the benefits.
Reviews by Category
Go to collegeart.org
- African Art (sub-Saharan)
- Architectural History/Historic Preservation
- Art of the Middle East/North Africa
- Art of the United States
- Artists' Books and Books for Artists
- Arts Administration and Museum Studies
- Ceramics/Metals/Fiber Arts/Glass
- Chinese Art
- Contemporary Art
- Critical Theory/Gender Studies/Visual Studies
- Decorative Arts/Textiles/Design History
- Digital Media/Animation
- Drawings/Prints/Photography/Works on Paper
- Early Christian/Byzantine Art
- Early Medieval/Romanesque/Gothic Art
- Egyptian/Ancient Near Eastern Art
- Eighteenth-Century Art
- Film/Video
- Graphic/Industrial/ Object Design
- Greek/Roman Art
- Japanese/Korean Art
- Latin American/Caribbean Art
- Native American
- Nineteenth-Century Art
- Oceanic/Australian Art
- Outsider/Folk Art
- Performance Studies
- Pre-Columbian Art
- Prehistoric Art
- Renaissance/Baroque Art
- Sculpture/Installation/Environmental Art
- South/Southeast Asian Art
- Twentieth-Century Art
- World Art
About caa.reviews
- caa.reviews Open Content
- Advertise
- Mission Statement
- Editorial Board and Field Editors
- Past Editors
- Terms of Use
- Publishers
- Submission Guidelines for Reviewers
- Republication Guidelines
- Citation Guidelines
- Letters to the Editor
- Dissertation Submission Guidelines
Go to collegeart.org
August 23, 2000
Sign In or become a member to see the full review
Jeanne-Antoinette Poisson, marquise de Pompadour, was one of the most persistently pictured women of her time. During her career as official mistress of Louis XV of France (1745-64), artists such as François Boucher, François-Hubert Drouais, and Maurice-Quentin de La Tour represented her in a variety of contexts, from elegantly decorated interiors to lush garden bowers, and accompanied by a variety of objects, including books, prints, and musical instruments. In this book, Elise Goodman argues that...