In The Modern Eye: Stieglitz, MoMA, and the Art of the Exhibition, 1925–1934, Kristina Wilson examines the various rhetorical, cultural, and curatorial framing devices through which highly influential New York museums and galleries actively engaged in audience-building for modern American art during a pivotal inter-war decade. Throughout this beautifully illustrated and fascinating volume, Wilson explores the culturally resonant themes and strategies that united the otherwise diverse activities of Alfred Stieglitz and his later circle (chapter...