Mark D. Stansbury-O'Donnell
Vase Painting, Gender, and Social Identity in Archaic Athens
Cambridge, UK:
Cambridge University Press,
2006.
330 pp.; 76 b/w ills.
Cloth
$90.00
(9780521853187)
critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
published by the College Art Association
published by the College Art Association
Login
Not a CAA member?
Read about the benefits.
Read about the benefits.
Reviews by Category
Go to collegeart.org
- African Art (sub-Saharan)
- Architectural History/Historic Preservation
- Art of the Middle East/North Africa
- Art of the United States
- Artists' Books and Books for Artists
- Arts Administration and Museum Studies
- Ceramics/Metals/Fiber Arts/Glass
- Chinese Art
- Contemporary Art
- Critical Theory/Gender Studies/Visual Studies
- Decorative Arts/Textiles/Design History
- Digital Media/Animation
- Drawings/Prints/Photography/Works on Paper
- Early Christian/Byzantine Art
- Early Medieval/Romanesque/Gothic Art
- Egyptian/Ancient Near Eastern Art
- Eighteenth-Century Art
- Film/Video
- Graphic/Industrial/ Object Design
- Greek/Roman Art
- Japanese/Korean Art
- Latin American/Caribbean Art
- Native American
- Nineteenth-Century Art
- Oceanic/Australian Art
- Outsider/Folk Art
- Performance Studies
- Pre-Columbian Art
- Prehistoric Art
- Renaissance/Baroque Art
- Sculpture/Installation/Environmental Art
- South/Southeast Asian Art
- Twentieth-Century Art
- World Art
About caa.reviews
- caa.reviews Open Content
- Advertise
- Mission Statement
- Editorial Board and Field Editors
- Past Editors
- Terms of Use
- Publishers
- Submission Guidelines for Reviewers
- Republication Guidelines
- Citation Guidelines
- Letters to the Editor
- Dissertation Submission Guidelines
Go to collegeart.org
October 22, 2009
Sign In or become a member to see the full review
The device of figures framing a central mythological or non-mythological composition is a frequent phenomenon in Athenian vase painting. These spectators have been interpreted as stock characters, super-numeraries, aristocrats, or simply onlookers. In his innovative Vase Painting, Gender, and Social Identity in Archaic Athens, Mark Stansbury-O’Donnell examines the role of spectators on Athenian vases as “guides to the construction of social identity in sixth-century Athens” (11). Stansbury-O’Donnell bases his investigation on the assumption that the...