- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  Performance Studies
  
  
    Dissertations in Progress by Subject, 2005
  
Gilbertson, Leanne, “Out of Place in Time: Women Performing Art in Warhol's Factory and Judson Memorial Church” (Rochester, D. Crimp)
Held, Robin, “Lynn Hershman is not Roberta Breitmore; Roberta Breitmore is not Lynn Hershman: A Catalogue Raisonny” (University of Washington, P. Failing)
Kuo, Michelle, “To Avoid the Waste of a Cultural Revolution: Experiments in Art and Technology (E.A.T.), 1966–1979” (Harvard, Y-A. Bois)
Lima, Benjamin, “Wolf Vostell's Dycollage and the Forms of Destruction, 1958–1972” (Yale, D. Joselit)
Malone, Meredith, “Nouveau Ryalisme: Performative Exhibition Strategies and the Everyday in Post-World War II France” (Pennsylvania, C. Poggi)
Wentrack, Kathleen, “The Female Body in Conflict: U.S. and European Feminist Performance Art, 1968–1979, Carolee Schneemann, Valie Export, and Ulrike Rosenbach” (CUNY, A. Chave)
Yates Atkins, Gillian, “Installation Art in Canadian Public Spaces” (Toronto, M. Cheetham


