Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Sculpture
Dissertations in Progress by Subject, 2017

Show completed dissertations

Beach, Caitlin, “Sculpture, Slavery, and Commerce in the Nineteenth-Century Atlantic World” (Columbia University, E. Hutchinson)

Boles, Cecily, “Sculpted Female Funerary Portraits in Baroque Rome” (Emory University, S. McPhee)

Bowyer, Emerson, “Numismatic Modernity: Romantic Economies of Representation” (Columbia University, A. Higonnet)

Cook, Emily, “Legacies of Matter: Tradition, Innovation, and Remediation in the Materials of Roman Ideal Sculpture” (Columbia University, F. de Angelis)

DiBenedetto, Erica, “Drawing from Architecture: The Conceptual Methods of Sol LeWitt's Art, 1965–1980” (Princeton, B. Doherty and H. Foster)

Evitts, Diane, “Private Female Portraits: Patronage and Identity on the Greek Islands in the Roman Imperial Period” (Temple University, J. Evans)

Fava-Piz, Clarisse, “Sculpting Beyond Borders: Local Identity and Transnational Mobility during the Age of Rodin” (University of Pittsburgh, K. Savage)

Fiske, Courtney, “Rethinking Post-Minimalism: Gordon Matta-Clark and the Cut c. 1970” (Columbia University, B. Joseph)

Gebauer, Elizabeth, “The Art of Speech: Flemish Baroque Pulpits 1627-1794” (Princeton, T. DaCosta Kaufmann)

Fowler, Margaret, “Bodies of Degeneration: Auguste Rodin and the French Fin-de-Siècle” (Tulane University, M. Foa)

Gundlach, Cory K. “Spirited Objects: Lobi Art in West Africa and Beyond” (University of Iowa, C. Roy)

Isto, Raino: “Monumental Endeavors: Sculpting History in Southeastern Europe, 1960-2016” (University of Maryland, S. Mansbach)

Konova, Joana, “Living with Antiquity: Reuse of Ancient Sculpture in 16th-century Rome” (University of Chicago, R. Zorach)

Lucca, Maria, “Renaissance Siena as a Case Study of Cross-Cultural Exchange in Central Italy” (Graduate Center, CUNY, J. Saslow)

Nelson-Dusek, Colin, “Antoine Bourdelle, Southern Identity, and Classicism in Early-Twentieth Century France” (University of Delaware, N. Athanassoglou-Kallmyer)

O'Steen, Danielle, “Plastic Fantastic: American Sculpture in the Age of Synthetics” (University of Maryland, J. Shannon)

Rottman, Zachary, “A Cinematic Atopia: Postminimalism and the Filmic Afterlife of the Soviet Avant-Garde 1966–1979” (UCLA, G. Baker)

Soley, Teresa, “Tomb Sculpture in Portugal, c.1460-1570” (Columbia University, M. Cole, D. Freedberg)

Sunderlin, Anna Rogers, “Plaster and Medium and Muse in Nineteenth-Century America” (Virginia Commonwealth University, C. Roach)

Tillery, Laura, “The Hanse as Artistic Network in Late Medieval Lübeck” (University of Pennsylvania, L. Silver)

van Oppen, Brian, “Cast of Bodies: Lighting the Gaze Upon Etruscan Candelabra Statuettes” (Columbia University, F. de Angelis)

Whitford, Kelly, “Embodying Belief: Crossing the Ponte Sant'Angelo with Bernini's Angels” (Brown University, E. Lincoln)