Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

South America
Dissertations in Progress by Subject, 2016

Show completed dissertations

Abramovich, Lucia, “Precious Materiality in Colonial Andean Art: Gold, Silver, and Jewels in Paintings of the Virgin” (Tulane, E. Boone)

Almeida, Laura Freitas, “Resisting Memory: Anti-Imperialist Tactics of Forgetting in Contemporary Art” (Penn State, S. Rich)

Behar, Ionit, “Materialization of Space: On the Art of Margarita Paksa” (UIC, H. Higgins)

Breatore, Mattthew, “Tansula do Amanal and Emilia Di Carakcauti, 1922–1930: Brazilian Art and Identity” (IFA/NYU, E. Sullivan)

de Lacaze, Michaela, “Populist Counter-Spectacles: Marta Minujin’s Art of the 1960s” (Columbia, A. Alberro)

de Laforcade, Sonia,“Áudio-Visual: The Slide as Medium in Brazilian Art of the 1970s” (Princeton, I. Small)

Donato, Elizabeth, “A Series of Acts that Disappear: The Valparaíso School’s Fleeting Architectures, 1952–1982” (CUNY, A. Indych-López)

Gomez, Ximena, “Confraternal Art in Early Colonial Lima: Negotiating Identity through Visual Culture” (Michigan, M. Holmes)

Kaplan, Lauren, “Crossing the Atlantic: Italians in Argentina, 1880–1930” (CUNY, E. Braun)

Kumagai, Takaaki, “Kitagawa Tamiji’s Art and Art Education: Translating Culture in Postrevolutionary Mexico and Modern Japan” (Kansas, M. Kaneko)

Lapin Dardashti, Abigail, “Politics, Religion, and Modernity in Transregional Afro-Brazilian Art, 1962–1988” (CUNY, A. Indych-López)

Larsen, Christian, “Aquarela do Brasil: Transnational Flows of Brazilian Design and Material Culture” (Bard Graduate Center, P. Kirkham)

McHugh, Julia K., “Dressing Andean Spaces: Textiles, Painting, and Architecture in the Colonial Imagination” (UCLA, C. Villaseñor-Black)

Murphy, Benjamin, “Fieldwork: Problems of Observation in Latin American Video” (Princeton, I. Small)

Nesselrode, Sean, “Petro-Modernism: Art, Oil, and Industry in the Venezuelan Twentieth-Century” (IFA/NYU, E. Sullivan)

Rivas Pérez, Jorge, “Venezuelan Mid-Century Modern Design: Miguel Arroyo and His Circle, c.1945–1965” (Bard Graduate Center, P. Kirkham)

Sánchez Gómez, Antonio, “An Exotic Object and Its Places: The Thor Washing Machine in Barranquilla and Bogotá, 1906–1920” (Bard Graduate Center, C. Whalen)

Sneed, Gillian, “Gendered Subjectivity and Resistance: Brazilian Women’s Performance-for-Camera, 1974–1985” (CUNY, A. Indych-López)

Solano, Juanita, “Benjamin de la Calle and Meliton Rodriquez (History of Photography in Medellin, Colombia)” (IFA/NYU, E. Sullivan)

Steverlynck, María-Laura, “The School of the South Experiment: The Pedagogy and Legacy of a New World Modernism” (CUNY, A. Indych-López)

Stewart, Danielle, “Framing the City: Photography and the Construction of São Paulo (1930–1955)” (CUNY, A. Indych-López)

Vazquez de Arthur, Andrea, “Portraits, Pots, or Power Objects?: On the Imagery and Ontology of Wari Faceneck Vessels” (Columbia, E. Pasztory)

Witkowski, Jacqueline, “Disappearing Threads: Textile Practices in Argentina, Brazil, and Chile, 1964–1990” (University of British Columbia, T. Smith)

Wohletz, Sonya, “Lilies and Ash: Art Production, Devotional Culture, and Crisis in Late Seventeenth-Century Quito” (Tulane, E. Boone)