Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Drawings/Prints/Works on Paper/Artists' Books
Dissertations Completed by Subject, 2015

Gabbarelli, Jamie, “Networks, Copies, Collaboration: Ventura Salimbeni, Philippe Thomassin, Raffaello Guidi, and Printmaking in Rome, 1585–1620” (Yale, S. Boorsch)

Jones, Jennifer, “A Discourse on Drawings: Amateurs, Connoisseurs, and the Graphic Arts in Early Eighteenth-Century Paris” (Columbia, R. Brilliant; D. Rosand)

Pollack, Maika, “Odilon Redon: The Color of the Unconscious” (Princeton, A. McCauley)

Rodgers, Josephine, “Patronage, Power, and Aesthetic Taste: The Marketing of James McNeill Whistler’s Art and Legacy” (Rutgers, S. Sidlauskas)

Salsbury, Britany, “The Print Portfolio and the Bourgeoisie in Fin-de-Siècle Paris” (CUNY, K. Murphy)

Taouchichet, Sofiane, “La presse satirique illustrée et la colonisation (1829–1990)” (Université de Montréal, T. Porterfield; S. Le Men)

Vittoria, Shannon, “Nature and Nostalgia in the Art of Mary Nimmo Moran (1842–1899)” (CUNY, K. Manthorne)

Warren, Maureen, “Politics, Punishment, and Prestige: Images of Johan van Oldenbarnevelt and the States Party in the Dutch Republic, 1618–1672” (Northwestern, C. Swan)

Weyl, Christina, “Abstract Impressions: Women Printmakers and the New York Atelier 17, 1940–55” (Rutgers, J. Marter)