Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Central America and Caribbean
Dissertations in Progress by Subject, 2015

Almeida, Laura Freitas, “Resisting Memory: Anti-Imperialist Tactics of Forgetting in Contemporary Art” (Penn State, S. Rich)

Bogansky, Amy, “The Merchant’s Middlemen: Factors, Supercargoes, and the Praxis of Exchange in the Early Modern Atlantic World” (Bard Graduate Center, D. Jaffee)

Fuentes, Elvis, “Bowling for Moscow: Cuban Art and Soviet Visual Culture, 1959–1991” (Rutgers, T. Flores; J. Sharp)

Hyman, Aaron M., “Rubens in a New World: Prints, Authorship, and Transatlantic Intertextuality” (UC Berkeley, E. Honig)

Moore, Nikki, “Agritectures of the Green Revolution: Architecture, Art, and the Agrilogistics of Transnational Aid from the United States to the Caribbean Region, 1930–1978” (Rice, F. Lopez-Duran)

Newman, Rachel Grace, “Conjuring Cane: Visualizing Power on Caribbean Sugar Plantations and the Art of William Berryman” (Stanford, B. Wolf)

Rose, Diana, “Living Time, Performing Memory: Maya Ceremonies of Foundation and Renewal” (UC Santa Cruz, C. Dean)

Reinoza, Tatiana, “Latino Print Cultures in the US, 1970–2008” (Texas, Austin, C. Smith)

Serrano, Blanca, “Between Limit and Possibility: Reflections on the Visual Culture of Recycling in 1990s Cuban Art” (IFA/NYU, E. Sullivan)

Thomas, Tashima, “An Imperial Diet: From Cacao to Coconuts–Representing Edible Bodies in the Americas from the Eighteenth Century to the Present” (Rutgers, T. Flores)