Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Renaissance/Baroque Art
Dissertations in Progress by Subject, 2014

Show completed dissertations

Alarcon, Carolina, “Material Medica: Anatomical Illustrations in Sixteenth-Century Spain” (Florida State, S. Leitch)

Alberts, Lindsay, “Absolute Ambivalence: Sites of Collecting and Display under Francesco I de’ Medici” (Boston, J. Cranston)

Albinsky, Kira Maye, “Art, Ritual, and Reform: The Archconfraternity of the Holy Crucifix of San Marcello in Rome” (Rutgers, C. Puglisi)

Anno, James, “Michelangelo Moving Time” (Washington University, W. Wallace)
Barahal, Susan, “Repaint, Reframe, Renew: Updating Sacred Images during the Early Italian Renaissance” (Boston, J. Cranston)

Baker, Devon, “Re-Centering the Renaissance Print: Printmaking and Artistic Exchange in Milan, ca. 1480–1530” (Temple, A. West)

Baseggio Omiccioli, Eveline, “Patronage, Politics, and Humanism: Andrea Riccio’s Reliefs for the Altar of the True Cross in Santa Maria dei Servi, Venice” (Rutgers, S. McHam)

Beeny, Emily, “Poussin and the Dance: Body and Language in Seventeenth-Century France” (Columbia, D. Freedberg)

Bell, Margaret, “The Pelligrinaio Frescoes of the Ospedale Santa Maria Della Scala in Siena” (UC Santa Barbara, R. Williams)

Bell, Peter, “The Reinvention of the Bronze Statuette in Renaissance Italy: Presentation, Material, Facture” (IFA/NYU, A. Nagel)

Bemis, Elizabeth, “At the Court of the Prince: The Patronage and Art Historical Legacy of Cesare Borgia, 1492–1503” (Florida, R. Westin; E. Ross)

Benjamin, Aliza M., “From One Emperor to Another: Moctezuma, Charles V, and the Circulation of Aztec Art and Artifacts in Hapsburg Europe” (Temple, T. Cooper; A. West)

Berry Drago, Elizabeth, “Thomas Wijck’s Painted Alchemists at the Intersection of Art, Science, and Practice” (Delaware, P. Chapman)

Bissett, Tara, “The Architectural Imprint: Architecture and Its Graphic Image in Early Modern France” (Toronto, E. Kavaler)

Blocksom, Megan, “Images of Processions in Seventeenth-Century Dutch Visual Culture” (Kansas, L. Stone-Ferrier)

Blom, Laura, “Mobilizing the Macabre: Rosso, Rovezzano, and Rustici and the Language of Transgression, 1500–1530” (Johns Hopkins, S. Campbell)

Boyd, Rachel, “Specialization and Experimentation: The Technology of the Della Robbia Workshop, ca. 1430–1550” (Columbia, M. Cole)

Bracken, William, “Rembrandt in the 1630s: Dialogues and Competitive Environment” (IFA/NYU, E. J. Sluijter, M. Westermann)

Bratichak, Meaghan, “‘Non è buon stile dispiacermi’: Agostino Chigi as Patron of the Villa Farnesina” (Rutgers, S. McHam)

Brennan, Robert, “The ‘Modern’ in Italian Art and Architecture of the Middle Ages and Renaissance” (IFA/NYU, A. Nagel)

Brown, Kori L. Y. L., “Lippo Vanni (fl. 1344–76): Between Wall and Page” (Columbia, D. Freedberg)

Bryda, Gregory C., “The Spiritual Wood of Late Gothic Germany” (Yale, J. Jung; C. Wood)

Buck, Sarah, “Les Costumes Grotesques: Prints and Professional Habits during the Reign of Louis XIV” (Florida State, R. Neuman)

Buckley, Cali, “Women of Substance: The Materiality of Anatomical Models and the Control of Women’s Medicine in Early Modern Europe” (Penn State, C. Houghton)

Budnick, Barbara, “Painting an English Landscape: An Analysis of Landscape Imagery in England, 1660–1714” (Washington, C. Göttler, E. Lingo)

Byron, David, “The Visual and Social Strategies of German Propaganda Broadsheets, 1608–1621” (Yale, C. Wood)

Cadagin, Sarah, “The Altarpieces of Domenico Ghirlandaio (1449–1494): Between Heaven and Earth, Faith and Art” (Maryland, College Park, M. Gill)

Cavallo, Bradley, “The Symbolic Significances of Early Modern Paintings on Metal and Stone Supports, ca. 1520–1700” (Temple, T. Cooper)

Chin, Hyeyun, “City, Crown, and the Staging of Global Commerce: The Royal Exchange in Early Modern London” (Binghamton University, A. Walkling)

Churchill, Derek, “Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists” (Yale, C. Wood)

Cody, Steven J., “Andrea del Sarto (1486–1530) and the Art of Reform” (Maryland, College Park, M. Gill)

Conrad, Jessamyn, “Telling Time: Contextualizing Narrative Painting in Duccio’s Maestà and the Trecento Altars in the Crossing of the Duomo of Siena” (Columbia, D. Rosand)

Conti, Nicole, “Artist, Outlaw, Revolutionary: Salvator Rosa and the Cult of Genius in Art and Spectacle, 1600–1900” (Minnesota, M. Gaudio, S. Ostrow)

Cook, Nicole Elizabeth, “Godfried Schalcken: Desire and Intimate Display” (Delaware, P. Chapman)

Cosgriff, Tracy, “Raphael’s Stanza della Segnatura and the Rhetoric of Julian Justice” (Virginia, J. D. Summers)

D’Addio, Sophia, “Painted Organ Shutters in Renaissance Italy” (Columbia, M. Cole)

D’Arista, Carla, “Instruments of Power: The Artistic Patronage of the Three Pucci Cardinals (1513–1547)” (Columbia, F. Benelli)

Daiman, Marina, “Copying, Inventing, and Recycling in Rubens” (IFA/NYU, M. Westermann)

Depasquale, Thomas, “Leonardo and the Commentators: Hermeneutic Orientations in the Earliest Monographic Texts on the Work of Art” (UC Santa Barbara, R. Williams)

Di Croce, Alessandra, “Sacred Fragments: The Reception of Christian Antiquity in Post-Reformation Rome” (Columbia, D. Freedberg)

Di Lodovico, Daniele, “Wooden Sculptures and the Making of Devotion in Central Italy from the 12th- Century through the Fifteenth Century” (University of Washington, S. Lingo)

DiMarzo, Michelle, “Titian and the Culture of Mid-Century Rome: The Venetian Among the Ruins” (Temple, T. Cooper)

Di Resta, Jason, “Giovanni Antonio da Pordenone: Artistic Ambition and the Challenge of the Local, 1515–1539” (Johns Hopkins, S. Campbell)

Dodson, Alexandra, “Carmelites in the Commune: Promoting the Holy Land in Central Italy in the Thirteenth and Fourteenth Centuries” (Duke, C. Bruzelius)

Dooley, Ellen, “Painting Salvation: Affluence, Art, and Plague in Golden Age Seville” (USC, D. Bleichmar, S. Roberts)

Downey, Erin, “The Bentvueghels: Networking and Agency in the Seicento Art Market” (Temple, T. Cooper)

Dubinsky, Caroline, “Arti del Fuoco: The Visual Culture of Mining and Metallurgy in Sixteenth-Century Italy” (Maryland, College Park, M. Gill)

Dundas, Iara A., “The Society of Jesus in France: Architecture and Spectacle, 1560–1660” (Duke, S. Galletti)

Dwyer, Elizabeth, “Portraits and Visions in Renaissance Veneto: Titian, Moroni, Veronese” (Virginia, F. Fiorani)

Eaker, Adam, “Lore of the Studio: Van Dyck, Rubens, and the Status of Portraiture” (Columbia, D. Freedberg)

Ehrlich, Victoria H., “I Modelli di Virtù: Mythological Heroes in the Art of Fifteenth-Century Florence” (Cornell, C. Lazzaro)

Eldredge, Benjamin, “Andrea Doria, San Matteo, and the Art of Patronage in Sixteenth-Century Italy” (Rutgers, B. Paul)

Elliot-Beatty, Susan, “Alexander VII, Bernini, and the Capella del Voto in Siena” (Toronto, E. Levy)

Faust, Marta, “Was Sichst Du?”: The Instrumentation of Sight in Early Modern Visual Anomalies” (UC Santa Barbara, M. Meadow)

Fette, Mirka, “Johann Georg Bendl: Premier Sculptor of Prague’s Early Baroque” (Princeton, T. DaCosta Kaufmann)

Fitzpatrick, Elena, “Disseminating Devotion: Christological Imagery in Colonial Mexico and Guatemala” (CUNY, E. Quiñones-Keber)

Fletcher, Francis, “Mantegna’s Fictive Reliefs: Painting as Moral Philosophy and the Humanist Language of Historical Inquiry in the Renaissance” (Rutgers, S. McHam)

Ford, Suzan, “Bernini’s Tomb of Urban VIII in St. Peter’s: A Study of Art and Papal Power in the Context of the Counter-Reformation” (Rutgers, T. Marder)

Fraiman, Jeff, “The Painted Altarpiece in Sixteenth- and Seventeenth-Century Rome” (Rutgers, C. Puglisi)

Friedman, Hannah, “Blind Virtue and the Practice of Prophecy in the Art of Jusepe de Ribera” (Johns Hopkins, S. Campbell; F. Pereda)

Fucci, Robert, “Jan van de Velde II (ca.1593–1641): The Printmaker as Creative Artist in the Early Dutch Republic” (Columbia, D. Freedberg)

Gabbarelli, Jamie, “Networks, Copies, Collaboration: Ventura Salimbeni, Philippe Thomassin, and Printmaking in Rome 1585–1620” (Yale, C. Wood)

Giannino, Denise, “Familial Identity and Site Specificity: A Study of the Hybrid Genre of Dutch Family Landscape Portraiture” (Kansas, L. Stone-Ferrier)

Glover, Angela, “Framing Sacred Space: The Early Modern Choir Stall” (Toronto, M. Kavaler)

Gomez, Ximena, “Confraternal Art in Early Colonial Lima: Negotiating Identity through Visual Culture” (Michigan, M. Holmes)

Gratson, Scott “A Stratification of Death in the Northern Renaissance: A Reconsideration of the Cadaver Tombs of England and Germany” (Temple, A. West)

Groentjes, Mirjam, “Visual Typology and the Culture of Biblical Reading in the Low Countries, 1550–1600” (Emory, W. Melion)

Grusiecki, Tomasz, “Globalizing the Periphery: Poland-Lithuania and its Cross-Cultural Interactions with the World, 1587–1668” (McGill, A. Vanhaelen)

Guida, Katie, “Artistic Patronage of the Augustinian Hermits in Trecento Italy” (Penn State, B. Curran)

Hanson, Emily, “Spectacular Ambition: Unrealized Projects of Leonardo and Michelangelo” (Washington University, W. Wallace)

Hara, Mari Yoko, “Places of Performance: Art, Architecture, and Scenography of Baldassare Peruzzi (1481–1536)” (Virginia, C. Brothers)

Harpster, Grace, “Carlo Borromeo’s Itineraries: The Sacred Image in Post-Tridentine Italy” (UC Berkeley, T. Olson)

Harrington, Molly, “Devotional Paintings in Hidden Catholic Churches and Homes in the Dutch Republic: Theory, Iconography, and Style” (Maryland, College Park, A. Wheelock)

Harris, Natalie, “Art at the Crossroads: Venice, the Vivarini, and Art of Business” (Penn State, B. Curran)

Hawley, John, “The Drawings of Cornelis Visscher (1628/9–1658): Portraiture and the Status of Drawing in Mid-Seventeenth-Century Holland” (Virginia, L. Goedde)

Hayes, Matthew, “Restoration and the Invention of the Renaissance, ca. 1850–1904” (IFA/NYU, P. Rubin; M. Marincola)

Hecker-Silva, Joanna, “Outside Looking In: Francisco de Holanda and the Margins of Renaissance Art” (IFA/NYU, A. Nagel)

Horbatsch, Olenka, “Impressions of Innovation: Early Netherlandish Printmaking, 1520–1545” (Toronto, M. Kavaler)

Howard, Becca, “Movements of the Mind: Beyond the Mimetic Likeness in Early Modern Italy” (Ohio State, C. Kleinbub)

Howard, Charles, “Before Fontainebleau: Italian Artists in France, 1499–1534” (IFA/NYU, C. Eisler)

Huber, Anna K., “In Stitches: Laughter, Prints, and the Artist-Fool in Early Modern Germany” (Harvard, J. L. Koerner)

Hughes, Heather, “Delineating Identity in the Early Modern Costume Print, ca. 1600–1670” (Pennsylvania, L. Silver)

Hunt, Tiffany Lynn, “The Cappella Paolina: Sacred Space and Sacred Site in Pre- and Post-Tridentine Rome” (Temple, M. Hall)

Hyman, Aaron, “Rubens in a New World: Prints, Authorship, and Transatlantic Intertextuality” (UC Berkeley, E. Honig)

Iarocci, Bernice, “The Santissima Annunziata of Florence: Aspects of an Image Cult in Counter-Reformation Italy” (Toronto, P. Sohm)

Irwin, Christa, “Rome in Lima: Italian Renaissance Influence in Colonial Peruvian Painting” (CUNY, J. Saslow)

Jasienski, Adam, “In the Guise of Holiness: Portraiture, Sanctity, and Dynastic Politics under the Spanish Habsburgs” (Harvard, T. Cummins)

Johnson, Rachel, “Suburban Bruegel: Chorography and Rhetoric in Pieter Bruegel’s Series of the Months” (UC Santa Barbara, M. Meadow)

Kaplan, Stephanie, “Artificial Appearances: Portraiture and Persona in Mid-Sixteenth-Century Florence” (Washington University, W. Wallace)

Karentzos, Loukas “Court and Countryside: Central Italian Villas of the Mid-Sixteenth Century” (Princeton, J. Pinto)

Kassler-Taub, Elizabeth, “The Architecture of the Sea: Landscape, Urbanism, and Identity in Early Modern Sicily” (Harvard, A. Payne)

Kawase, Yusuke, “Jusepe de Ribera and his Workshop in Naples, 1616–1652: Its Function and Practice” (IFA/NYU, J. Brown)

Keelmann, Lehti Mairikem, “Bachelors Bridging the Baltic: The Artistic Ambitions of the Tallinn Brotherhood of the Black Heads, ca. 1400–1550” (Michigan, A. Timmermann)

Kinew, Shawon K., “The Vision in Stone: Melchiorre Cafà in the World, 1636–1667” (Harvard, F. Fehrenbach)

Kirchhoff, Chassica, “Constructing the Armored Body in the Fifteenth- and Sixteenth-Century Holy Roman Empire” (Kansas, S. Goddard; A. Hedeman)

Knall, Elisabeth, “Greatness Beyond the Thirty Years’ War: Art and Botany in Seventeenth-Century Sweden” (McGill, A. Vanhaelen)

Kornegay, Kevin, “Gent Transformed: Historical Imagination and Communal Identity in the Ghent World of 1913” (Duke, H. Van Miegroet)

Kulpa, Pierette, “From Michelangelo to Mussolini: Devotion, Attribution, and Appropriation in the Cultural Biography of the Pietà di Palestrina” (Penn State, B. Curran)

Kunau, Katherine A., “Seicento Spectacle: Festival Art and Social Competition in Bernini’s Rome” (Iowa, J. B. Scott)

Kupiec, Catherine, “The Materiality of Luca della Robbia’s Glazed Terracotta Sculptures” (Rutgers, S. McHam)

Kutasz, Theresa, “Christina, Queen of Sweden, and the Politics of Antiquities Collection in Early Modern Rome” (Penn State, B. Curran)

Lamsechi, Guita, “Beyond the Frame: Images of Vegetal Nature Across the Arts in Northern Renaissance Europe” (Toronto, E. M. Kavaler)

Lange, Henrike, “Relief Effects: Giotto’s Triumph” (Yale, L. B. Kanter)

Langer, Lara, “Andrea Sansovino: Mastering the Spectacle of Sculpture in Sixteenth-Century Italian Art” (Maryland, College Park, M. Gill)

Lee, Jihyun Sophia, “Gabriel Metsu in Amsterdam (1654–1667)” (Maryland, College Park, A. Wheelock)

Letvin, Alexandra, “Miracles and Visions in Seventeenth-Century Spain: Francisco de Zurbarán at the Monastery of Guadalupe” (Johns Hopkins, F. Pereda)

Libina, Marsha, “Sebastiano del Piombo and His Collaboration with Michelangelo: Distance and Proximity to the Divine in Catholic Reformation Rome” (Johns Hopkins, S. Campbell)

Lu, Haohao, “The Paradox of Delight: Image and Imaginations of Eros at the Burgundian-Habsburg Court” (Indiana, B. Rothstein)

Lucca, Maria, “Renaissance Siena as a Case Study of Cross-Cultural Exchange in Central Italy” (CUNY, E. Richter)

Lumbreras, María, “Verdaderos retratos: Compelling Evidence and the Practice of Portraiture in Golden Age Spain” (Johns Hopkins, F. Pereda)

Lynch, Sarah, “‘ein leibhaber aller freyen khünst’: Bonifaz Wolmut and the Architecture of the Bohemian and European Renaissance” (Princeton, T. DaCosta Kaufmann)

Mandabach, Marisa, “The Caduceus Unwound: The Head of Medusa and the Painterly Grotesque in Rubens” (Harvard, J. Koerner)

Mao, Natasha, “Revealing and Concealing: Interactive Objects in Late Medieval and Renaisance Italian Art, 1400–1600” (Rice, D. Wolfthal)

Martinez, Trinity, “The Rise and Fall of the Civilized Centaur in Italian Renaissance Art” (CUNY, J. Saslow)

Marzullo, Francesca, “Overdoors in Medieval and Renaissance Italy” (Columbia, M. Cole)

McCabe, Sophia, “Hans Rottenhammer in Venice: Networking in Style Between Germany and Italy” (UC Santa Barbara, R. Williams)

McMahon, Brendan, “Colors of Deception: The Arts of Iridescence in the Early Modern Spanish World” (USC, D. Bleichmar)

Merrill, Elizabeth, “Francesco di Giorgio and the Formation of the Professional Architect” (Virginia, C. Brothers)

Millard, Robert, “Live, Struggle, and Die: A Study of Antique Forms in Late-Quattrocento Sculpted Reliefs” (Penn State, B. Curran)

Minter, Erin Sutherland, “Michelangelo and Pope Paul III, 1534–49: Patronage, Collaboration, and Construction of Identity in Renaissance Rome” (Washington University, W. Wallace)

Mitchell, David, “Mimetic Heresies: Waxworks in Paris, 1661–1723” (McGill, A. Vanhaelen, R. Taws)

Murray, Colin Alexander, “Friendship and Collaboration in the Painting of Early Modern Venice” (Toronto, P. Sohm)

Nadeau, Tara, “Gianlorenzo Bernini and Disegno in Seventeenth-Century Rome” (Toronto, E. Levy)

Narkin, Elisabeth, “Rearing the Royals: Architecture and the Spatialization of Royal Childhood France, 1499–1610” (Duke, S. Galletti)

Neumann, Elisabeth, “Imagining European Community: Allegories of the Continents in the Netherlands, 1520–1600” (Toronto, M. Kavaler)

Newman, Abigail, “Picturing Flanders Abroad: Flemish Painters and their Audiences in Seventeenth-Century Madrid” (Princeton, T. DaCosta Kaufmann)

Nickel, Kirk, “Continually Reformed: Moretto da Brescia and the Matter of Composition in Renaissance Lombard Painting, 1525–1554” (Pennsylvania, L. Silver)

Nurre, Anastasia, “Contextualizing Sixteenth-Century Lutheran Epitaphs from the Cranach Workshop: The Influence of Luther’s Two Realms on the Composition and Content of a Set of Reformation Funerary Monuments” (Ohio State, B. Haeger)

Parsons, Kimberly, “Under the Shadow of Florence: Sienese Art Production During Early Medici Rule” (Penn State, B. Curran)

Perkins, Elizabeth, “Antonello da Messina and the Independent Portrait in Fifteenth-Century Venice” (Columbia, D. Rosand)

Petcu, Elizabeth, “Orders of Elaboration: Wendel Dietterlin and the Architectura” (Princeton, T. DaCosta Kaufmann)

Platts, Christopher, “Lingua lagunare: Paolo Veneziano (ca. 1290–1358/1362) and the Rise of Venetian Gothic Painting” (Yale, R. Nelson, L. Kanter)

Pollack, Rachel, “Peter Paul Rubens’ Daniel in the Lions’ Den: A Reexamination of Rubens’ Sources and the Politics of Appropriation in Stuart England” (Maryland, College Park, A. Wheelock)

Popp, Nathan A., “Queen Christina of Sweden: Patronage and Self-Promotion in Baroque Europe” (Iowa, J. Hochstrasser)

Quinn Teresi, Rebecca, “Images of the Immaculate Conception and the Rhetorics of Purity in Early Modern Spain” (Johns Hopkins, F. Pereda)

Racco, Tiffany, “Luca Giordano: Speed, Imitation, and the Art of Fame” (Delaware, D. Stone)

Ramos, Melisa, “Cor ad cor loquitur, Divine Caritas, and Burning Hearts in Art after Trent” (Rice, J. Manca)

Richardson, Jamie, “Curiosity and Collection Practice in the Constcamer Paintings of Frans II Francken (1581–1642)” (Bryn Mawr, C. Hertel)

Riesenberger, Nicole, “King of the Renaissance: Art and Politics at the Neapolitan Court of Ferrante I, 1458–1494” (Maryland, College Park, M. Gill)

Rochmes, Sophia, “Color’s Absence: Medium and Materiality in Burgundian Grisaille Manuscripts” (UC Santa Barbara, M. Meadow)

Rodriguez-Negron, Iraida, “Earthly Goddesses: Portraits of Catholic Queens in the Golden Age” (IFA/NYU, J. Brown)

Rosenblatt, Ivana, “Envisioning the Threshold: Pictorial Disjunction in Maarten de Vos” (Ohio State, B. Haeger)

Ryu, Sara, “Calendar, Column, Crucifix: Material Reuse in the Early Modern Transatlantic World” (Yale, M. Miller)

Schmid, Vanessa, “Portraiture and Community in Amsterdam, 1650–1672” (IFA/NYU, E-H. Begemann; M. Westermann)

Shamos, Geoffrey, “Bodies of Knowledge: Personification in Netherlandish Engraving, 1548–1600” (Pennsylvania, L. Silver)

Shields, Rebecca, “The Space Between: Politics and Urban Development in Early Seventeenth-Century London” (Rutgers, T. Marder)

Siemon, Julia, “Bronzino, Politics, and Portraiture in 1530s Florence” (Columbia, M. Cole, D. Freedberg)

Sjøvoll, Therese, “Queen Christina of Sweden’s Musaeum: Collecting and Display in the Palazzo Riario-Corsini” (Columbia, D. Freedberg, D. Rosand)

Smith, Hilary Coe, “Auction Catalogues and the Economics of Information in the Eighteenth-Century Parisian Art Market” (Duke, H. Van Miegroet)

Spratt, Emily, “Byzantium not Forgotten: Constructing the Artistic and Cultural Legacy of an Empire between East and West in the Early Modern Period” (Princeton, P. Brown)

Stevenson-Stewart, Jessica, “Rules of Engagement: Art, Commerce, and Diplomacy in Golden-Age Antwerp” (UC Berkeley, E. Honig)

Stewart, Pamela, “Imagining the Body of Christ: Devotion to the Passion in Milanese Confraternities, 1500–1625” (Michigan, M. Holmes)

Stielau, Allison, “The Unmaking of Metalwork in Early Modern Europe: Case Studies, 1524–1628” (Yale, C. Wood)

Sullivan, Kathleen, “Style and Meaning in Girolamo Romanino” (Rutgers, B. Paul)

Thorpe, Heather D., “Modernity’s Caravaggio” (Iowa, J. B. Scott)

Tillery, Laura, “The Hanse as Artistic Network: Late-Medieval Media, Mobility, and Mercantile Identity in Hanseatic Lübeck, c. 1450–1550” (Pennsylvania, L. Silver)

Tolstoy, Irina, “Camillo Trevisan’s Palace and Villa Culture on the Island of Murano” (Columbia, D. Rosand)

Travers, Erin, “Indecorous Bodies: Art and Anatomy in the Seventeenth-Century Netherlands” (UC Santa Barbara, A. Adams)

Uchacz, Tianna, “Sensual Bodies and Artistic Prowess in Netherlandish Painting, ca. 1540–1570” (Toronto, M. Kavaler)

van Ginhoven, Sandra, “The Role of the Antwerp Painter-Dealer Gulliam Forchondt in the Large-Scale Distribution of New Imagery in Europe and the Americas during the Seventeenth-Century” (Duke, H. Van Miegroet)

van Putten, Jasper, “The Networked Cosmos: Sebastian Münster’s City Views” (Harvard, J. Koerner)

Van Wingerden, Carolyn, “‘The turbaned heads, each wrapped in twisted folds of the whitest silk’: Images of Muslims in Northern European Art, 1400–1700” (Rice, D. Wolfthal)

Vazquez, Julia, “The Curatorial Intelligence: Titian, Velázquez, and the Art Collection of Philip IV” (Columbia, D. Bodart)

Vigotti, Lorenzo, “The Origin of the Renaissance Palace: Private Architecture of the Florentine Oligarchy, 1382–1444” (Columbia, F. Benelli)

Walsh, Catherine, “Landscapes, Ecology, and the Figure in Giambologna’s Appennino” (Boston, J. Cranston)

Wangensteen, Kjell , “Hyperborean Baroque: David Klöcker Ehrenstrahl (1628–98) and the First Swedish School of Art” (Princeton, T. da Costa Kaufmann)

Waters, Michael, “Materials, Materiality, and Spolia in Italian Renaissance Architecture” (IFA/NYU, M. Trachtenberg)

Waugh, Lindsey, “Images of Hunting in Seventeenth-Century Dutch Visual Culture” (Kansas, L. Stone-Ferrier)

Whittaker, Loren, “An American Jesuit Treasury of Religious Art: The Greenlease Gallery’s Van Ackeren Collection at Rockhurst University” (Kansas, S. Cornelison)

Wile, Aaron, “Painting, Authority, and Experience at the Twilight of the Grand Siècle, 1690–1721” (Harvard, E. Lajer-Burcharth, H. Zerner)

Willever, Suzanne, “Disseminating the Art of Rome in Print: Making, Meaning, and Going Viral in the Sixteenth Century” (Temple, M. Hall; A. West)

Williams, Anne L., “Sanctity and Satire: St. Joseph and Humor in Northern European Art, ca. 1300–1530” (Virginia, L. Goedde)

Winters, Tom, “Honthorst’s Women: Art, Gender, and the Dutch Virtuosi” (Virginia, L. Goedde)

Wise, Elliott, “Painterly Vernacular and Pictorial Piety: Rogier van der Weyden, Robert Campin, and Jan van Ruusbroec” (Emory, W. Melion)

Yuen, Melissa, “Mattia Preti and Roman Baroque Painting, 1633–1653” (Rutgers, C. Puglisi)

Zarrillo, Taryn Marie, “Artistic Patrimony and Cultural Politics in Seicento Venice” (Columbia, D. Rosand)

Zolli, Daniel, “Sculpture in Process: Theories of Making in Donatello’s Workshops, 1419–64” (Harvard, F. Fehrenbach, A. Payne)

Zukerman, Laura, “Pages of Memory: Paper Travel in Renaissance Europe, 1480–1600” (Princeton, P. Brown)

Zumaya, Diva, “Catholic Painting and Devotional Experience in the Seventeenth-Century Dutch Republic” (UC Santa Barbara, A. Adams)