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Albu, Cristina, “Mirror Affect: Collective Spectatorship in Contemporary Installation Art” (Pittsburgh, T. Smith)
Dees, Janet, “The Evidence of Things Not Seen: Performance Art as Art History” (Delaware, A.Gibson)
Ming, Leta, “Curating as Performance: Tom Marioni and the Museum of Conceptual Art, 1968–1979” (USC, R. Meyer)
Myers, Cerise, “The Visible Posthuman: Envisioning Agency for the Cybernetic Self in Digital Culture” (Minnesota, J. Blocker)
Oh, Gyung Eun, “Music and Time: Relation of Nam June Paik’s Early Works to Video Art” (Rutgers, A. Zervigón)
Pezolet, Nicola, “Spectacles Plastiques: Reconstruction and the Debates on the ‘Synthesis of the Arts’ in France, 1944–1962” (MIT, C. Jones)
Stanek, Damon, “Seeing the Light: A History of the Projected Image in the Gallery (1963–Present)” (CUNY, C. Bishop)
Weil, Harry Jacob, “The Ghost of Performance Art Past: Re-performance in 20th-Century and Contemporary Art” (Stony Brook University, Z. Patterson)