Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Art of the United States
Dissertations in Progress by Subject, 2010

Show completed dissertations

Anania, Katherine, “Drawing, Discipline, and Privacy in American Studio Practice, 1963–1979” (UT Austin, R. Shiff)

Anderson, Michael, “The Early Howard Hawks: The Director and His Films, 1926–1936” (Yale, A. Nemerov, C. Musser)

Applegate, Heidi, “Staging Modernism at the 1915 San Francisco World’s Fair” (Columbia, E. Hutchinson)

Archino, Sarah, “Rewriting the Narrative of Dada in New York, 1910–1926” (CUNY, R. Long)

Aukeman, Anastasia, “The Rat Bastard Protective Association: Bruce Conner and His San Francisco Cohort, 1958–68” (CUNY, A. Chave)

Bailey, Matthew, “Turbulent Bodies: Disruptive Materiality in American Painting, 1850–1930” (Washington University, A. Miller)

Banerji, Shiben, “‛Thus do the Orient and the Occident Meet, through America’: Enchantment, Globality, and Epistolary Architecture of Marion Mahony and Walter Burley Griffin” (MIT, A. Dutta)

Baradel, Lacey, “Destabilizing American Regional Identities: The Slippery Signification and Interpretation of Place in the Visual Arts, 1860–1915” (Pennsylvania, M. Leja)

Barnhart, Clara, “Making Murals Modern in the Popular Front U.S.: Montage in the Public Art of Ben Shahn, Stuart Davis, and Thomas Hart Benton” (Washington University, A. Miller)

Beggs, Margo, “Harriet Hosmer (1830 to 1908): The ‘Sister Arts’, Modernity, and the ‘American Sculptress’” (Toronto, M. Gotlieb)

Bennett, Elizabeth, “Subsidizing Submission: Irving Rusinow’s Photographs of the Amish, 1938–41” (UC Berkeley, M. Lovell)

Block, Elizabeth, “Respecting Hair: The Material Culture of Women’s Hairstyles, 1865–90” (CUNY, K. Murphy)

Boone, Jobyl, “Christo and Jean-Claude in the Unites States, 1964–2005” (Delaware, A. Gibson)

Brady, Linde, “Consuming Images: Paul Outerbridge and the Art of American Commerce, 1920–1955” (Wisconsin, Madison, B. Buenger)

Brandt, Amy, “Complicity and Critique: ‘Neo-Geo’ Art of the 1980s” (CUNY, A. Chave)

Bristow, Jessica E., “Gordon Matta-Clark: Deconstruction, Destruction, Art, and Architectural Confluence” (Iowa, W. Tomasini)

Bruner, Chelsea, “The Seventh Regiment Armory and Aesthetic Movement Interiors” (CUNY, K. Murphy)

Brunstrom, Mary Reid, “Faith’s Midwest Modern Forms: 1950s Catholic Churches by Murphy and Mackey, Architects” (Washington University, A. Miller)

Buhler, Doyle L., “Capturing the Game: The Artist-Sportsman and Animal Conservation in American Hunting Imagery, 1830s–1890s” (Iowa, J. Kinsey-Fields)

Burnham, M. Helen, “Maude I. Kerns: Crafting a Modern Art, 1907–1940” (CUNY, K. Manthorne)

Burns, Emily, “Innocence Abroad: The Construction and Marketing of an American Artistic Identity in France, 1880–1910” (Washington University, A. Miller)

Burrell, Brandon, “Abbott Laboratories: Provisioning a Vision” (Florida State, K. Bearor)

Byrd, Dana E., “Reconstructions: Material Life of the Plantation, 1861–1877” (Yale, E. Cooke, Jr.)

Campbell, Bryna, “Misbehaving Bodies: Visual Satire and the Left in United States Art, 1926–1948” (Washington University, A. Miller)

Cao, Maggie, “The Emergence of Zoological Agency in Nineteenth-Century American Art, 1870–1910” (Harvard, J. Roberts)

Carroll, Katherine, “Modernizing the American Medical School, 1893–1940: Architecture, Pedagogy, Professionalization, and Philanthropy” (Boston, K. Morgan)

Castenell, Wendy, “Color Outside the Lines: Liminality and Creole Identity in Louisiana from the Colonial Era to Reconstruction” (Missouri, Columbia, K. Schwain)

Ciurescu, Iolanda Cristina, “La réception critique de Constantin Brancusi dans le New York des années 1913–1945” (Université de Montréal, N. Dubreuil)

Coyle, Heather Campbell, “Having Fun with Art: Pranks, Performances, and Parody in American Art Schools, 1890–1915” (Delaware, M. Leja, M. Werth)

Curtiss, Kimberly, “Painting Skin: The Construction of Racial Identity through Representations of American Indians in Jacksonian America, ca. 1828–1848” (Rutgers, T. Sheehan)

Dasch, Rowena Houghton, “‘Now Exhibiting’: Charles Bird King’s Picture Gallery, Fashioning Taste and Nation, 1824–1861” (UT Austin, S. Rather)

Davis, Alexandra, “The Portrayal of the Artist-as-Celebrity in American Fashion and Lifestyle Magazines, 1923–1951” (Pennsylvania, M. Leja)

Delamaire, Marie-Stéphanie, “Art in Translation: Franco-American Artistic Exchanges in the Antebellum and Civil War Era” (Columbia, E. Hutchinson)

DeLosSantos, Jenevieve, “Envisioning Egypt: American Orientalism in Turn-of-the-Century New York, 1880–1920” (Rutgers, S. Sidlauskas)

Dempsey, Kate, “Ray Johnson in Correspondence with Marcel Duchamp” (UT Austin, L. Henderson)

Dierkes, Anne-Louise, “Assemblage as Opposition: California’s Counterculture and the Struggle for U.S. Cultural Definition” (CUNY, A. Chave)

Douberley, Amanda Ann, “The Corporate Model: Sculpture, Architecture, and the American City, 1946–1975” (UT Austin, A. Reynolds)

Eisenbarth, Erin, “Imagining the Founding Fathers: Luther & DeLancey Kountze’s Collection of Washingtoniana” (Bard Graduate Center, C. Whalen)

Elder, Nika, “Show and Tell: Representation, Communication, and the Still-Lifes of William M. Harnett” (Princeton, R. DeLue)

Ellis, Amy, “‘Not a Mere Leaf-Painter’: Thomas Cole and the Figure” (Columbia, J. Crary, E. Hutchinson)

Faletti, Rina Cathleen, “Water, Architecture, and Landscape in California and the American West” (UT Austin, M. Charlesworth, R. Shiff)

Fisher, Ellen, “Mary McFadden, Fashion Designer” (Bard Graduate Center, P. Kirkham)

Fisk, Matthew, “Art, Speculation, and Diplomacy: John Trumbull, a Federalist Painter in Europe, 1780–1816” (UC Santa Barbara, B. Robertson)

Foutch, Ellery, “Arresting Beauty: The Perfectionist Impulse of Peale’s Butterflies, Heade’s Hummingbirds, Blaschka’s Flowers, and Sandow’s Body” (Pennsylvania, M. Leja)

Gavino, Julianne, “Visualizing Topographies of Race and Public Space: Asian American Artists in California, 1970 to Present” (UC Santa Barbara, B. Robertson)

Glenn, Kimberly L., “The Chicago Renaissance: Art, Racial Pride, and Identity” (Iowa, B. Mooney)

Glick, Paula F., “The Life and Career of Paul Sample” (Columbia, E. Hutchinson, D. Rosand)

Glisson, James, “Anxiety and Occlusion: New York in the Imagination of American Impressionist and Ashcan School Artists, 1885–1914” (Northwestern, S. H. Clayson)

Gohari, Sybil E., “Through the Looking Glass: Race and Gender in the Reception of Paintings by Helen Frankenthaler’s and Alma Thomas” (Maryland, College Park, R. Ater)

Greenhalgh, Adam, “Risky Business: Chance and Contingency in American Art, 1876–1907” (Maryland, College Park, F. Kelly, S. Promey)

Goldman, Jason, “Open Secrets: Publicity, Privacy, and Histories of American Art, 1958–69” (USC, R. Meyer)

Gönlügür, Emre, “The Promise of Modernization in Architectural Backwaters: The Americanization of Postwar Turkish Architectural Culture?” (Toronto, P. Scrivano)

Green, Midori, “Sec’s Appeal: The Secretary in American Popular Culture, 1900–64” (Minnesota, K. Solomonson)

Green, Robin C. (Cowie), “‘A Certain Slant of Light’: Exhilaration, Oppression, and the Forces of Sunlight in American Impressionism” (Yale, A. Nemerov)

Hannah, Caroline, “Between Art, Craft, and Design: Henry Varnum Poor and the Making of the Modern American Artist” (Bard Graduate Center, P. Kirkham)

Harris, Shawnya, “Conceptualizing African American Art: The Market, Academic Discourse, and Public Reception” (UNC Chapel Hill, L. Williams)

Harvey, Edwin, “Permanent Storage: Locality, Place, and Paradox in Andrew Wyeth’s Hay Ledge” (UC Berkeley, M. Lovell)

Haslit, Andrew, “Gamns, Grifters, and Gentlemen: Games of Skill and Chance in American Art” (Indiana, S. Burns)

Hassan, S. Faisal, “Modernist Aberrations: The Dialectics of Expressionism in American Art and Architecture (1958–1992)” (MIT, M. Jarzombek, C. Jones)

Hensley, Christal, “The Cult of Personality: Gertrude Stein and the Development of the Object Portrait in the American Visual Arts” (Florida State, K. Bearor)

Hill, Jason, “Artist as Reporter: The PM News Picture, 1940–1948” (USC, R. Meyer)

Holochwost, Catherine Reed, “Landscape as Machine: Vision and Imagination in Nineteenth-Century American Painting” (Delaware, W. Bellion)

Holzman, Laura, “Re-placing the City Icon: Shaping Philadelphia’s Image for the 21st Century” (UC Irvine, C. Whiting)

Houser, Craig, “CAA’s Publications Program: A Critical History” (CUNY, P. Mainardi)

Howe, Catherine, “Mean Men and Average Joes: The Representation and Transformation of the Average American Man in the United States, 1917–1945” (UC Santa Barbara, B. Robertson)

Hyde, Kimberly, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)

Jacks Gamble, Lauren, “Accretions of Space and Time: The Environmental Art of John Trumbull” (Yale, A. Nemerov)

Jones, Penny, “Figural Trees: Artistic Response to Forest Loss in Nineteenth-Century America” (Columbia, E. Hutchinson)

Karpinskaia, Natalia, “Landscape Art and Landscape Attitudes in Russia and America” (Columbia, B. Novak)

Kerrigan, Katie, “‘All Art Is Eventually Political’: Artistic and Curatorial Interventions in American Art, 1970–1977” (USC, R. Meyer)

King, Jennifer, “Michael Asher and the Art of Infrastructure: Space, Cities, Institutions” (Princeton, H. Foster)

Knappe, Stephanie, “‘Art Perpetuating Fame’: The Visual Imagery of Buffalo Bill’s Wild West” (Kansas, C. Eldredge)

Knox, Page, “Scribner’s Monthly: A Vehicle of Aesthetic Thought in Late-Nineteenth-Century America” (Columbia, E. Hutchinson)

Kohn, Tara, “Books to Connect ‘People of the Book’: Photographic Constructions of Jewish Community in Three American Anthologies” (UT Austin, C. Smith)

Kurtz, Amy, “Old Worlds and New: Edward Lamson Henry (1814–1919), Conservative Genre Painting” (Yale, J. Prown)

Kuykendall, Lara, “By Popular Demand: The Hero in American Art, ca. 1929–1945” (Kansas, C. Eldredge)

LaFountain, Jason, “The Puritan Art World” (Harvard, J. Roberts)

Lanier, Jessica, “It Is Impossible to Travel without Improvement . . .: The Grand Tours of Martha Coffin Derby, 1800–1832” (Bard Graduate Center, K. Ames)

Laster, Margaret, “Gilded-Age Aesthetics, City and Resort: The Art Patronage and Collecting of Catharine Lorillard Wolfe (1828–1887)” (CUNY, K. Murphy)

Lee, Kee-Lee, “Sur Vampyr: Theresa Hak Kyang Cha and the Cultural Para-Sites of the Korean Diaspora” (UNC Chapel Hill, C. Mavor)

Lee, Patricia, “Browning the White Body: Race, Color, and Perception in Modern American Visual Culture” (UC Santa Barbara, B. Robertson)

Levavy, Sara Beth, “Immediate Mediation: A Narrative of the Newsreel and the Film” (Stanford, S. Bukatman)

Levenson, Abra, “Figures and Things: Charles Demuth, 1914–1935” (Princeton, DeLue)

Lewis, Sarah E., “The Circassian Beauties: Photography, Frederick Douglass, and American Racial Formation” (Yale, A. Nemerov, R. F. Thompson)

Lichtman, Sarah, “From Basement to Bandstand: The Private and Public Places of the American Teenager, 1945–1965” (Bard Graduate Center, P. Kirkham)

Liebert, Emily, “Roles Recast: Eleanor Antin and the 1970s” (Columbia, A. Alberro, R. Deutsche, B. Joseph)

Lindenberger-Wellen, Laura, “Southern Art Communities and Regional Feelings, 1930–1945” (UT Austin, A. Reynolds)

Luarca-Shoaf, Nenette, “The Place of the Mississippi River in Antebellum Visual Culture” (Delaware, W. Bellion)

Lueth, Ranelle M., “Conflicting Lines: World War I Combat Artists and Their Works” (Iowa, J. Kinsey-Fields)

Maile, Margaret, “Theatre, Modernity, and Architectural Lighting Design in America” (Bard Graduate Center, A. Ogata)

Mandel Picard, Sara, “Defying and Delineating Race in Antebellum New Orleans: The Life, Art, and Patronage of Jules Lion, 1837–1866” (Indiana, J. Kennedy)

Mann, Crawford Alexander III, “When in Rome: Italian Travel and the Pursuit of the Ideal Male Body in Antebellum American Art” (Yale, A. Nemerov)

Masana, Megan “Traveling Toward an Image of Democracy: The Art of Winold Reiss” (Iowa, J. Kinsey-Fields)

Maxwell, Jessica, “Heterogeneous Objects: The Sculptures of Martin Puryear” (Princeton, R. DeLue)

McAtee, Cammie, “Form and Formalism in American Architecture in the 1950s And ‘60s” (Harvard, N. Levine)

McCormick, Heather Jane, “Woodcarvers in the City of New York: A Study in Craft Change, 1820–1880” (Bard Graduate Center, P. Kirkham)

McGoey, Elizabeth, “Staging Modern Domesticity: Art and Constructed Interior Displays in America, 1925–1940” (Indiana, S. Burns)

Merola, Rose, “Multiple Exposures: The Photography of Austin Hansen in Harlem” (CUNY, A. Chave)

Meyer, Don, “Figures of Refinement: Art and Industry in Pittsburgh’s Gilded Age” (Yale, A. Nemerov)

Meyer, Kate, “Broken Ground: Plowing and America’s Cultural Landscape in the 1930s” (Kansas, C. Eldredge)

Miller, Mark Parker, “Claiming and Denying Sophistication: Grant Wood’s Art and Responses to It, 1930–1942” (Delaware, A. Gibson)

Ming, Leta, “Curating as Performance: Tom Marioni and the Museum of Conceptual Art, 1968–1979” (USC, R. Meyer)

Monteiro, Lyra, “Racializing the Ancient World: Ancestry and Identity in the Early United States” (Brown, S. Alcock)

Moore, Monica, “The Arctic, Race, and Slavery” (Columbia, E. Hutchinson)

Moses, Kelema Lee, “Between Hegemony and Imperialism in Territorial Honolulu: Architecture, Urbanism, and the Visualities of a U.S. City in the Pacific (1898–1959)” (Penn State, C. Zabel)

Moshayedi, Aram, “Temporary Occupancies: Artistic Space and Ephemeral Practice in Los Angeles, 1965–1974” (USC, R. Meyer)

Newbury, Susanna. “A Contest of Dull Adjectives: Art, Urbanism, and the Image of Sprawl, 1960–1980” (Yale, D. Joselit)

Newton, Gregory, “The Emergence of Monochrome Painting in 1950s New York” (CUNY, A. Chave)

Oliver, Christopher, “Civic Visions: The Panorama and Popular Amusement in American Art and Society, 1845–1870” (Virginia, M. McInnis)

Pauly, Sandra, “Rediscovering the Americas: Seeing High and Low at the World’s Industrial and Cotton Centennial, New Orleans, 1884–85” (Georgia, J. Simon)

Perkins, Scott, “Eugene Beyer Masselink, the Taliesen Fellowship, and Frank Lloyd Wright” (Bard Graduate Center, P. Kirkham)

Pillen, Cory, “WPA Posters: A New Deal for Design” (Wisconsin, Madison, A. Andrzejewski)

Pohrt, Tanya, “Touring Pictures: The Exhibition of American History Paintings in the Early Republic” (Delaware, M. Leja, W. Bellion)

Porter, Austin, “Paper Bullets: The Visual Culture of American World War II Print Propaganda” (Boston, P. Hills)

Puchner, Edward, “‘Speaking His Mind in My Mind’: African American Art, the Evangelical Church, and the Art of Theodicy” (Indiana, S. Burns)

Pultz, Janet, “Christian Abrahamsen (1887–1983), Norwegian-American Portrait Painter” (Missouri, Columbia, K. Schwain)

Ramsey, Rosemary, “Biases and Bridges: Reception of the Italian Avant-Garde in the United States, 1949–1957” (CUNY, E. Braun)

Ranogajec, Paul, “The Apotheosis of the Public Realm: Classical Architecture in New York City, 1880–1914” (CUNY, K. Murphy)

Reynolds, Rebecca, “Preserving Her Nature: The Animal and Figurative Sculpture of Anna Hyatt Huntington” (Boston, P. Hills)

Robertson, Breanne, “Forging a New World Nationalism: Native Mexico in United States Art and Visual Culture, 1933–1945” (Maryland, College Park, S. Promey)

Roeder, Katherine, “Cultivating Dreamfulness: Fantasy, Longing, and Commodity Culture in the Work of Winsor McCay” (Delaware, M. Leja, M. Werth)

Roscio, Jessica, “Photographic Domesticity: The Professionalization of Women Photographers from Home Studio to the Metropolis, 1880–1930” (Boston, K. Sichel)

Rosenbaum, Sarah, “In The Public Domain: Public Art, Advanced Capitalism, and the Contemporary City” (Harvard, Y-A. Bois)

Russo, Jillian, “From the Ground Up: Holger Cahill and the Promotion of American Art 1913– 1952” (CUNY, K. Manthorne)

Sablove, Henrietta, “Study Abroad: American Architects and Their Travel Sketches, 1850–1920” (Rutgers, C. Yanni)

Sande-Friedman, Amy, “Primary Structures: The Work of Kenneth Snelson, 1948–2008” (Bard Graduate Center, C. Whalen)

Sawyer, Andrew, “Architectural Surveys and ‘Documentary Style’” (Columbia, E. Hutchinson)

Schiller, Emily, “Unsettled Masses: Transportation in American Art, 1929–1946” (Penn State, L. Mazow, N. Locke)

Schmidt-Bach, Debra, “Makers, Masters, and Moguls: William Gale and Early Industrialization in New York’s Antebellum Silver Trade” (Bard Graduate Center, K. Ames)

Schwartz, Rebecca Ayres, “Thomas Cole on Architecture: Picturing the Gothic” (Delaware, B. Herman)

Scott, Kate, “The Photography of Absence: The Reappearance of Death as Subject Matter in Postmodern American Photography” (Rutgers, A. Zervigón)

Sels, Kim, “Assembling Identity: The Object-Portrait in American Art, 1917–1927” (Rutgers, J. Marter)

Shannon, Heather A., “Just an Amateur: Adam Clark Vroman, Photography, and the American West, 1895–1904” (Rutgers, T. Sheehan)

Shannon, Lindsay, “Inventing the ‘New Woman’: Suffrage, Art, and Female Image-Building in America” (Iowa, J. Kinsey-Fields)

Sherry, Karen, “Exposing the ‘Natural’ Woman: Female Bodies in American Visual Culture, 1785 to 1830” (Delaware, M. Leja, W. Bellion)

Simpson, Donald E., “Civilizing the Modern Metropolis: Pittsburgh, Cleveland, Detroit, and the Creation of the Monumental Urban Cultural Center, 1890–1935” (Pittsburgh, K. Savage)

Singsen, Doug, “An Alternative by Any Other Name: Pulp Genres and Fandom in American Alternative Comics, 1974–2000” (CUNY, C. Bishop)

Sivard, Susan M., “Upheaval and Transformation: The Volcano in American and European Art, 1765–1865” (Columbia, B. Novak, E. Hutchinson)

Snook, Sarah, “The Development of the American Art Market in Antebellum New York” (Columbia, E. Hutchinson, D. Rosand)

Smith, Jerry, “Auto-America: The Automobile and American Art, ca. 1900–1950” (Kansas, C. Eldredge)

Stephens, JoLee, “Modern Art and Modern Movement: Images of Dance in American Art, ca. 1900–1950” (Kansas, C. Eldredge)

Suchma, Sharon, “Binding Lives: American Photo-Books and the Great Depression” (CUNY, G. Batchen)

Swisher, Christine, “Beyond Euthenics: Home Economics and the Reinvention of the American House, 1893–1939” (Penn State, C. Zabel)

Tate, Lauren Cordes, “Pioneering Identity on the Frontier: Images of African Americans in the West, 1840–1900” (Indiana, S. Burns)

Terry, Colleen, “Presence of Print: William Hogarth in British North America” (Delaware, B. Herman)

Tobias, Jennifer, “The Museum of Modern Art’s What is Modern? Series, 1931–1988” (CUNY, R. Bletter)

Toteva, Maia Todorova, “Language Use in Conceptual Art: Eastern European and North American Strategies” (UT Austin, R. Shiff)

Tredway, Thomas, “Dinner at Tiffany’s: Van Day Truex and Post-War American Design” (Bard Graduate Center, P. Kirkham)

Tsen, Hsuan, “Spectacles of Authenticity: The Emergence of Mass Entertainment in Japan and America, 1890–1910” (Stanford, S. Bukatman)

Tuite, Diana, “Methods for Modernism: Arthur Wesley Dow Intersects the Stieglitz Circle” (Princeton, J. Wilmerding)

Vargas-Santiago, Luis, “Performing Zapata: Images in a Binational Context” (UT Austin, A. Giunta)

Volpe, Lisa, “On Display: Photography and American Ideology at the World’s Fairs” (UC Santa Barbara, B. Robertson)

Walsh, Catherine, “‘Tell Me a Story’: Narrative and Orality in Nineteenth-Century American Visual Culture” (Delaware, W. Bellion)

Warak, Melissa Christine, “Made to Music: Interactions of Music and Art, 1955–1969” (UT Austin, L. Henderson)

Washington, Tiffany, “Associated American Artists and the American Art World of the 1930s” (Case Western Reserve, A. Helmreich)

Wasserman, Andrew, “Contemporary Manhattan Cartographies: Ephemeral Public Art Projects in New York in the 1990s and 2000s” (Stony Brook University, M. Bogart)

Weathers, Chelsea Lea, “Shooting Underground: Andy Warhol’s Cinema and the Making of a Public Image, 1963–1966” (UT Austin, A. Reynolds)

Webb-Binder, Bernida Anne, “Tracing the Black Pacific: Notions of Blackness in the Art of Oceania and the United States, 1898–2008” (Cornell, C. Finley)

Williams, Dorothy Moss, “Recasting the Copy: Original Paintings and Reproductions at the Dawn of American Mass Culture, ca. 1900” (Delaware, M. Leja, M. Werth)

Wofford, Tobias, “Constructing Africa: The Visualization of Homeland and Diaspora in African American Art during the 1960s and 1970s” (UCLA, S. Nelson)

Wolf, Vanessa, “Surplus Feeling: War and Remembrance in Lee Bontecou’s Wall Reliefs, 1958–1966” (Yale, A. Nemerov)

Wood, Mary Catherine, “Benjamin West’s Nelson Memorial: Neoclassical Sculpture and the Atlantic World, ca. 1812” (Delaware, W. Bellion)

Wu, Cassie, “Perfect Objects: The Lives of Allan McCollum’s Works” (UCLA, G. Baker)

Yahr, Jayme, “The Art of ‘The Century’: Richard Watson Gilder, the Gilder Circle, and the Rise of American Modernism” (University of Washingon, S. Casteras)

Yoshida, Atsushi, “Modern Eremites: Art and the Vocation of Withdrawal in Gilded Age America” (Washington University, A. Miller)

Zhurauliova, Tatsiana, “Arcadia Americana: Landscape in the Art of Arshile Gorky and Pavel Tchelitchew during World War II” (Yale, A. Nemerov)

Zundo, Mary Elizabeth, “Mapping Destiny: Cartography and Nineteenth-Century American Art of the Frontier” (UIUC, D. O’Brien)