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Bouchard, Anne-Marie, “Figurer la société mourante: Cultures esthétiques et idéologiques de la propagande anarchiste illustrée en France, 1880–1914” (Université de Montréal, T. Porterfield)
Bussard, Katherine, “Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca Dicorcia” (CUNY, G. Batchen)
DeSouza, Carlos Roberto, “The Law of the Heart: Genealogy, Narrative, and Audience of a Minor Genre: The Argentinean Fotonovela” (UC Santa Barbara, U. Keller)
Lamuniere, Michelle, “Sentiment and Science: Social Reform Photography in Harvard’s Social Museum” (Boston, K. Sichel)
Linssen, Dalia Habib, “‘Imprints of Their Being’: The Photographs of Hansel Mieth and Otto Hagel” (Boston, K. Sichel)
Miller, Sarah, “Inventing ‘Documentary’ in American Photography, 1930–1945” (Chicago, J. Snyder)
Perry, Weena, “America in Ruins: The Image of the Decline and Fall of Cities” (SUNY Stony Brook, M. Bogart)
Scheiwiller, Staci, “Mirrors of Memory: Nineteenth-Century Imagery in Contemporary Iranian Photography” (UC Santa Barbara, R. Williams)
Shimizu, Meredith TeGrotenhuis, “Photography in Urban Discourse: Berenice Abbott’s Changing New York and the 1930s“ (Northwestern, C. Lambert-Beatty)
Stetler, Pepper, “Bound Vision: Reading the Photographic Book in the Weimar Republic” (Delaware, M. Werth)
Ureña, Leslie J., “Lewis Hine at Ellis Island: The Photography of Immigration and Race, 1904–1926” (Northwestern, S. Eisenman)
White, Veronica, “Serio Ludere: Baroque Invenzione and the Development of the Capriccio” (Columbia, D. Freedberg, D. Rosand)