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Film/Video

All titles (1998 to the present) in Recent Books in the Arts.

Aitken, Doug. Doug Aitken A-Z Book (Fractals). Intro. Michael Speaks. Philadelphia and Zürich: Hatje Cantz Verlag in association with Kunsthalle Zürich, 2002. 128 pp.; 110 color ills. Cloth $39.95 (3775712917)

Altman, Rick. Film/Genre. Bloomington: Indiana University Press in association with British Film Institute, 1998. 272 pp. Paper $22.50 (0851707173)

Ames, Eric. Carl Hagenbeck's Empire of Entertainments. Seattle: University of Washington Press, 2009. 376 pp.; 14 color ills.; 71 b/w ills. Paper $35.00 (9780295988337)

Andrew, Dudley, ed. Opening Bazin: Postwar Film Theory and its Afterlife. New York: Oxford University Press, 2011. 384 pp.; Few b/w ills. Paper $34.95 (9780199733897)

Angell, Callie. Andy Warhol Screen Test: The Films of Andy Warhol Catalogue Raisonné, Volume 1. New York: Harry N. Abrams in association with Whitney Museum of American Art, 2006. 320 pp.; 15 color ills.; 765 b/w ills. Cloth $60.00 (0810955393)

Anker, Steve, Kathy Geritz, and Steve Seid, eds. Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000. Exh. cat. Berkeley, CA: Berkeley Art Museum and Pacific Film Archive, 2010. 352 pp.; 47 color ills.; 219 b/w ills. Cloth $29.95 (9780520249110)

Arceneaux, Edgar. The Alchemy of Comedy...Stupid. Chicago: WhiteWalls and Gallery 400, University of Illinois at Chicago, 2007. 96 pp.; 74 color ills. Paper $20.00 (0945323115)

Asselin, Olivier, Johanne Lamoureux, and Christine Ross, eds. Precarious Visualities: New Perspectives on Identification in Contemporary Art and Visual Culture. Montreal: McGill-Queen’s University Press, 2008. 438 pp.; many b/w ills. Paper $34.95 (9780773533905)

Associació Cultural Inout Produccions. Ciclops '05: 3era mostra de creadors visuals. Tarragona, Spain: Associació Cultural Inout Produccions, 2004. DVD

Bal, Meike. World Rush_4 Artists: Eija-Liisa Ahtila, Doug Aitken, Lee Bul, Sarah Sze. Exh. cat. Melbourne: National Gallery of Victoria, 2002. 190 pp.; many color ills.; few b/w ills. Cloth $19.95 (0724102272)

Barbash, Ilisa, and Lucien Taylor, eds. The Cinema of Robert Gardner. New York: Berg Publishers, 2008. 264 pp.; 52 b/w ills. Paper $34.95 (9781845207748 )

Barber, Stephen. The Walls of Berlin: Urban Surfaces : Art : Film. Washington, D.C.: Solar Books, 2011. 192 pp.; 150 b/w ills. Paper $24.95 (9780982046463)

Barker, Jennifer A. The Tactile Eye: Touch and the Cinematic Experience. Berkeley: University of California Press, 2009. 208 pp.; 15 b/w ills. Paper $24.95 (9780520258426)

Grenville, Bruce, Tim Johnson, Seth Spiegelman, Art Spiegelman, Will Wright, Toshiya Ueno, and Kiyoshi Kusumi. KRAZY: The Delirious World of Anime + Comics + Video Games + Art. Exh. cat. Berkeley: University of California Press and Douglas & McIntyre Publishing Group, 2008. 276 pp.; 200 color ills. Paper $34.95 (9780520257849)

Bassil, Karl, Zeina Maasri, and Akram Zaatari. Mapping Sitting: On Portraiture and Photography. Exh. cat. Beirut: The Arab Image Foundation, 2001. 250 pp.; 840 ills. $35.00 (9953000581)

Batchelor, David. Chromophobia. Reaktion Books, 1999. 192 pp.; 6 color ills. Paper $19.95

Beckman, Karen. Crash: Cinema and the Politics of Speed and Stasis. Durham: Duke University Press, 2010. 98 ills. Paper $24.95 (9780822347262)

Beller, Jonathan. The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle. Hanover, N.H.: University Press of New England, 2006. 348 pp. Paper $29.95 (1584655836)

Bellows, Andy Masaki, Marina McDougall, and Brigitte Berg, eds. Science Is Fiction: The Films of Jean Painlevé. MIT Press, 1999. 213 pp.; 90 color ills.; 266 b/w ills. Cloth $39.95 (0262024721)

Benezra, Neal, Staci Boris, and Lynne Cooke. William Kentridge. Museum of Contemporary Art, Chicago, New Museum of Contemporary Art, and Harry N. Abrams, 2000. 160 pp.; many color ills.; many b/w ills. Cloth $45.00 (0810942283)

Bertellini, Giorgio. Italy in Early American Cinema. Bloomington: Indiana University Press, 2010. 464 pp.; 64 b/w ills. Paper $24.95 (9780253221285)

Bordwell, David. On the History of Film Style. Cambridge, Mass.: Harvard University Press, 1996. 322 pp. Paper $60.00 (0674634292)

Browne, Nick. The Godfather Trilogy. Cambridge University Press, 1999. 190 pp. Paper (0521559502)

Brownlee, Andrea Barnwell, and Valerie Cassel Oliver. Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970. Cambridge, Mass.: 2008. 196 pp.; 82 color ills. Cloth $45.00 (9780295988641)

Campany, David, ed. The Cinematic. Cambridge, Mass. and London: MIT Press and Whitechapel, 2007. 222 pp.; many b/w ills. Paper $22.95 (9780262532884)

Cartmell, Deborah, and Imelda Whelehan, eds. Adaptations: from Text to Screen, Screen to Text. Routledge, 1999. 248 pp. Paper $21.99 (041516737X)

Chibnall, Steve, and Robert Murphy, eds. British Crime Cinema. Routledge, 1998. 252 pp.; some b/w ills. Paper $24.99 (0415168708)

Corkin, Stanley. Starring New York: Filming the Grime and Glamour of the Long 1970s. New York: Oxford University Press, 2011. 240 pp.; 40 b/w ills. Paper $27.95 (9780195382808)

Corrigan, Timothy. The Essay Film : From Montaigne, After Marker. New York: Oxford University Press, 2011. 256 pp.; 73 b/w ills. Paper $27.95 (9780199781690)

Düttmann, Alexander García. Visconti: Insights Into Flesh and Blood. Stanford: Stanford University Press, 2009. 168 pp. Cloth $55.00 (9780804757409)

Dean, Tacita, and Jeremy Millar. Art Works: Place. Thames and Hudson, 2004. 208 pp.; 238 color ills.; 35 b/w ills. Paper $29.95 (0500930074)

Delson, Susan. Dudley Murphy, Hollywood Wild Card. Minneapolis: University of Minnesota Press, 2005. 272 pp. Cloth $27.95 (0816646546)

Demos, T.J. Dara Birnbaum: Technology/Transformation: Wonder Woman. One Work. London: Afterall Books, 2010. 112 pp.; 32 color ills. Paper $16.00 (9781846380679)

Dennison, Lisa, and Germano Celant, eds. New York: Fifty Years of Art, Cinema, Performance, Photography and Video. Exh. cat. Milan: Skira, 2006. 556 pp.; 500 color ills.; 100 b/w ills. $75.00 (9788876248641)

Deutsche, Rosalyn. Hiroshima After Iraq: Three Studies in Art and War. New York: Columbia University Press, 2012. 18 pp.; 38 ills. Paper $18.00 (9780231152792)

Dimendberg, Edward. Film Noir and the Spaces of Modernity. Cambridge, MA: Harvard University Press, 2004. 352 pp.; 61 b/w ills. Paper $29.50 (0674013468)

Domokos, Charles. Gardner's Guide to Non-Linear Editing: The Cutting Edge. Garth Gardner Company, 2005. 296 pp.; 65 b/w ills. Paper (1589650212)

Dorin, Lisa. Film, Video, and New Media at the Art Institute of Chicago: With the Donna and Howard Stone Gift. New Haven: Yale University Press, 2009. 112 pp.; 105 color ills. Paper $16.95 (9780300146905)

Doty, Alexander. Flaming Classics: Queering the Film Canon. Routledge, 1999. 204 pp.; few b/w ills. Paper $18.95 (041592345x)

Eamon, Christopher, ed. Anthony McCall: The Solid Light Films and Related Works. Evanston, Ill. and San Francisco: Northwestern University Press in association with New Art Trust, 2004. 180 pp.; many color ills.; many b/w ills. Paper (0810123185)

Eklund, Douglas. The Pictures Generation, 1974–1984. Exh. cat. New York: Metropolitan Museum of Art, 2009. 352 pp.; 286 color ills.; 47 b/w ills. Cloth $60.00 (9780300148923)

Eleftheriotis, Dimitris, and Gary Needham, eds. Asian Cinemas: A Reader and Guide. University Of Hawai'i Press, 2005. 488 pp. Paper $28.00 (0824830857)

Elwes, Catherine. Video Loupe: A Collection of Essays by and about the Videomaker and Critic Catherine Elwes. KT Press, 1999. 184 pp.; 16 color ills.; 40 b/w ills. Paper $28.50 (0953654109)

Epps, Brad, and Despina Kakoudaki, eds. All About Almodóvar: A Passion for Cinema. Minneapolis and London: University of Minnesota Press, 2009. 504 pp.; 57 b/w ills. Paper $24.95 (9780816649617)

Felleman, Susan. Art in the Cinematic Imagination. Austin: University of Texas Press, 2005. 239 pp.; 39 b/w ills. Paper $22.95 (0292709412)

Fernandes, Sujatha. Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures. Duke University Press, 2005. 240 pp.; 17 b/w ills. Paper $21.95 (0822338912)

Fine, Ruth, and Jacqueline Francis, eds. Romare Bearden, American Modernist. Exh. cat. Washington, D.C.: National Gallery of Art, Washington, 2011. 304 pp.; 105 color ills.; 95 b/w ills.; 200 ills. Cloth $70.00 (9780300121612)

Flaxman, Greg, ed. The Brain Is the Screen: Deleuze and the Philosophy of Cinema. Minneapolis: University of Minnesota Press, 1999. 344 pp.; o color ills.; o b/w ills.; 0 ills. Paper $19.95 (0816634475)

Forrest, Tara, and Anna Teresa Scheer, eds. Christoph Schlingensief: Art without Borders. Chicago: University of Chicago Press, 2010. 30 b/w ills. Paper $35.00 (9781841503196)

Frey, Eleonore, Philippe-Alain Michaud, Andréa Picard, Hannes Schüpbach, and Adam Szymczyk. Hannes Schüpbach: Cinema Elements; Films, Paintings, and Performances, 1989–2008. Zurich: Scheidegger and Spiess, 2009. 216 pp.; 152 color ills.; 1 b/w ills. Cloth

Frey, Eleonore, Adam Szymczyk, Philippe-Alain Michaud, Andréa Picard, and Hannes Schüpbach. Hannes Schüpbach: Cinema Elements. Zurich: Scheidegger and Spiess, 2010. 152 color ills. Paper (9783858812469)

Friedberg, Anne. The Virtual Window: From Alberti to Microsoft. Cambridge, Mass.: MIT Press, 2005. 448 pp.; 113 b/w ills. Cloth $34.95 (9780262062527)

Galt, Rosalind. Pretty: Film and Decorative Image. New York: Columbia University Press, 2011. 408 pp.; 50 b/w ills. Paper $24.50 (9780231153478)

Gaudreault, André. From Plato to Lumiére: Narration and Monstration in Literature and Cinema. Trans. Timothy Barnard. Toronto: University of Toronto Press, 2009. 225 pp.; 11 b/w ills. Paper $27.95 (0802095860)

Gidal, Peter. Andy Warhol: Blow Job. London: Afterall Books, 2008. 112 pp.; 14 ills. Paper $16.00 (9781846380419)

Girveau, Bruno. Once Upon a Time: Walt Disney; The Sources of Inspiration for the Disney Studios. Exh. cat. New York: Prestel, 2007. 360 pp.; 200 color ills.; 190 b/w ills. Cloth $75.00 (379133770X)

Gombrich, Ernst. The Story of Art: Pocket Edition. New York: Phaidon, 2006. 1064 pp.; 335 color ills.; 56 b/w ills. Paper $19.95 (0714847038)

Goodman, Susan Tumarkin. Dateline Israel: New Photography and Video Art. Exh. cat. New York and New Haven: The Jewish Museum and Yale University Press, 2007. 120 pp.; 83 color ills.; 23 b/w ills. Cloth $35.00 (9780300111569)

Gott, Ted, ed. Kiss of the Beast: From Paris Salon to Hong Kong6. Exh. cat. South Brisbane, Australia: Queensland Art Gallery Publishing, 2004. 128 pp.; many color ills.; many b/w ills. (1876509147)

Guerin, Frances. Through Amateur Eyes: Film and Photography in Nazi Germany. Minneapolis, MN: University of Minnesota Press, 2012. 368 pp.; 16 color ills.; 27 b/w ills. Paper (9780816670079)

Harbord, Janet. Chris Marker: La Jetée. London: Afterall Books, 2009. 112 pp.; 32 b/w ills. Paper $16.00 (9781846380488)

Hauke, Christopher, and Ian Alister, eds. Jung and Film: Post-Jungian Takes on the Moving Image. Philadelphia: Psychology Press in association with Taylor & Francis, 2000. 270 pp.; few b/w ills. Paper $24.95 (1583911332)

Hauptman, Jodi. Joseph Cornell: Stargazing in the Cinema. Yale University Press, 1998. 240 pp.; 36 color ills.; 72 b/w ills. Cloth $40.00 (0300078382)

Hayward, Susan. Cinema Studies: The Key Concepts. Routledge, 1999. 528 pp. Paper $17.95 (0415227402)

Hayward, Susan, and Ginette Vincendeau. French Film: Texts and Contexts. Routledge, 1999. 348 pp.; some b/w ills. Paper $22.99 (0415161185)

Herwitz, Daniel. The Star as Icon: Celebrity in the Age of Mass Consumption. New York: Columbia University Press, 2008. 176 pp.; 5 b/w ills. Cloth $24.50 (9780231145404)

Hoberman, J. On Jack Smith's Flaming Creatures and Other Secret-Flix of Cinemaroc. Granary Books, 2000. 144 pp. Paper $29.95 (1887123520)

Horsfield, Kate, and Lucas Hilderbrand, eds. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews. Philadelphia: Temple University Press, 2005. 360 pp.; 325 b/w ills. Cloth $65.00 (1592131824)

Hunter, I.Q., ed. British Science Fiction Cinema. Routledge, 1998. 216 pp.; some b/w ills. Paper $24.99 (0415168686)

Iles, Chrissie. Paul McCarthy: Central Symmetrical Rotation Movement: Three Installations, Two Films. Exh. cat. New York: Whitney Museum of American Art, 2008. 72 pp.; 25 color ills.; 27 b/w ills. Cloth $18.95 (9780300141382)

James, David E. The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. Berkeley: University of California Press, 2004. 548 pp.; 82 b/w ills. Paper $34.95 (0520242580)

James, David E. The Most Typical Avant-Garde: History and Geographies of Minor Cinemas in Los Angeles. Berkeley: University of California Press, 2004. 562 pp.; 82 b/w ills. Cloth $65.00 (9780520242579)

Jenkins, Bruce, ed. On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton. Cambridge, Mass.: MIT Press, 2009. 352 pp. Cloth $39.95 (9780262062763)

Jones, Amelia. Self/Image: Technology, Representation and the Contemporary Subject. New York and London: Routledge, 2006. 280 pp.; 100 b/w ills. Paper $35.95 (9780415345224)

Joselit, David. Feedback: Television Against Democracy. Cambridge, Mass.: MIT Press, 2007. 210 pp.; 53 color ills. Cloth $19.95 (9780262101202)

Joseph, Branden W. Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage. Brooklyn, N.Y.: Zone Books, 2008. 480 pp.; 93 color ills. Cloth $34.95 (9781890951863)

Kaye, Nick. Site-Specific Art: Performance, Place and Documentation. Routledge, 1999. 238 pp. Paper $27.95 (0415185599)

King, Sarah, ed. SITE Santa Fe Eighth International Biennial: The Dissolve. Exh. cat. Santa Fe: SITE Santa Fe, 2010. 240 pp.; 200 color ills. Cloth $50.00 (9780976449294)

Kreimeier, Klaus, and Annemone Ligensa, eds. Film 1900: Technology, Perception, Culture. Bloomington: Indiana University Press, 2009. 256 pp.; 50 b/w ills. Paper $24.95 (9780861966967)

Lambert-Beatty, Carrie. Being Watched: Yvonne Rainer and the 1960s. Cambridge, MA: MIT Press, 2008. 384 pp.; 83 b/w ills. Cloth $34.95 (9780262123013)

LaSalle, Mick. Complicated Women: Sex and Power in Pre-Code Hollywood. Thomas Dunne Books, 1999. 293 pp.; 48 ills. Cloth $25.95 (0312252072)

Lent, John A. Comic Books and Comic Strips in the United States through 2005. Westport, Conn.: Praeger, 2005. 350 pp. Cloth (0313338833)

Lewis, Randolph. Emile de Antonio: Radical Filmmaker in Cold War America. Madison: University of Wisconsin Press, 1999. 338 pp.; some b/w ills. Paper $19.95 (0299169146)

Lewis, Mark, and Karen Allen, eds. Mark Lewis. Liverpool: Liverpool University Press in association with Foundation for Art and Creative Technology, 2005. 120 pp.; 92 color ills.; 23 b/w ills. Cloth $39.95 (1846370377)

Li Vigni, Valeria Patrizia, Giuseppe Di Nicola, Stanley Ira Hallet, and Lavinia Fici Pasquina. Architettura e Film/Architecture and Movie. Exh. cat. Sicily: Palazzo d'Aumale Museo Regionale di Storia Naturale and Mostra Permanente del Carrett Siciliano, 2006. 120 pp.; Many color ills. Paper (9788888559339)

Lim, Song Hwee. Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. University Of Hawai'i Press, 2005. 272 pp. Cloth $54.00 (0824829093)

Lion, Jenny, ed. Magnetic North. Minneapolis: University of Minnesota Press, 2000. 176 pp.; 125 color ills.; 25 b/w ills. Paper $25.95 (0816637792)

Loiselle, André. Cinema as History: Michel Brault and Modern Quebec. Toronto: Toronto International Film Festival Group, 2010. 237 pp.; 78 b/w ills. Paper $29.95 (9780968913260)

Lu, Sheldon H., and Emilie Yueh-yu Yeh, eds. Chinese-Language Film: Historiography, Poetics, Politics. Honolulu: University Of Hawai'i Press, 2004. 392 pp.; 52 b/w ills. Paper $29.00 (0824828690)

MacCabe, Colin, Rick Warner, and Kathleen Murray. True to the Spirit: Film Adaptation and the Question of Fidelity. New York: Oxford University Press, 2011. 250 pp.; Few b/w ills. Paper $24.95 (9780195374667)

MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. Berkeley: University of California Press, 2000. 487 pp.; 25 color ills.; 95 b/w ills. Paper $35.00 (0520227387)

Maranda, Michael, ed. The Saskia Olde Wolbers Files: And While I Have Been Lying Here Perfectly Still. Exh. cat. Toronto: Art Gallery of York University, 2009. 132 pp.; 111 color ills.; 2 b/w ills. Paper $20.00 (9780921972532)

Marks, Laura U. The Skin of the Film: Inter cultural Cinema, Embodiment, and the Senses. Duke University Press, 1999. 298 pp.; some b/w ills. Paper $18.95 (0822323915)

May, Larry. The Big Tomorrow: Hollywood and the Politics of the American Way. University of Chicago Press, 1999. 348 pp. Cloth $32.50 (0226511626)

Mayne, Judith. Framed: Lesbians, Feminists, and Media Culture. University of Minnesota Press, 1999. 256 pp.; 23 b/w ills. Paper $18.95 (0816634572)

McCarthy, Anna. Ambient Television: Visual Culture and Public Space. Duke University Press, 2000. 286 pp.; 47 b/w ills. Paper $18.95 (0822326922)

McLaughlin, Cahal. Recording Memories from Political Violence: A Film-maker's Journey. Bristol: Intellect, 2011. 164 pp.; 34 b/w ills. Paper $40.00 (9781841503011)

Moffat, Ellen. Fault Lines. Regina, Saskatchewan: MacKenzie Art Gallery, 2004. CD-ROM (1896470572)

Mondloch, Kate. Screens: Viewing Media Installation Art. Minneapolis: University of Minnesota Press, 2010. 160 pp.; Many b/w ills. Paper $25.00 (9780816665228)

Monk, Phillip. Disassembling the Archive: Fiona Tan. Exh. cat. Toronto: Art Gallery of York University, 2007. 8 color ills.; Many b/w ills. Cloth CAN 25.00 (9780921972457)